Mahde Hasan Interview: Composer is the word which I like the most. Compose the scene & sound, like music

Zuairijah Mou speaks with Mahde Hasan about his films, life and career, cinema as a medium, art, and many other topics

By Zuairijah Mou

Based in Dhaka, Bangladesh, Mahde Hasan is a screenwriter and director. His short film, 'Photographs of a School Teacher', premiered at "IndieCork Film Festival, Ireland, 2013". Another short, 'I Am Time', screened at 69th Festival del Film Locarno, 2016. Mahde Hasan placed first in the section 'Movie of my Life' at the 70th Locarno Festival, 20
17. He participated in Ekadeshma Film Lab Nepal 2017, an intensive script and project development workshop organized in collaboration with Open Doors Locarno

'Every film has a different language' - how do you deal with this? 

Film has different language or every film has its own language – which one you meant actually? Music has its own language, poem has its own, and painting has its own language too, so of course film has its own language. That’s why we call cinema, cinema. Some expressions we can express through music, others through film. The same expression is different in poem or stories. The expression and language is different in different media.

You always wanted to become a filmmaker? When did you decide you will be a filmmaker and how?

Poet , that’s what I wanted to be. Then I wanted to be an artist or a painter. Film came in mind unconsciously. I did not watch films that much. One day, cannot remember the date, a friend asked me to watch a movie. I watched it. Again and again. I discovered that movies have a different language. And I was 21 at the time. Then I started watching movies. More than five years I spent in that huge world of film-making. Slowly, cinema started connecting with me. I also communicated with cinema. Communication brings the attraction and then the relationship. However, this relationship with the film must be complicated.

                                                                                                         
In your films you also do the cinematography and editing. Do you do this only for your own films? Which capacity of the three you like the most?

If you do not know the technology, people will try to take over. So I learned the technology as much as I needed. That's why I do cinematography or editing. However, doing all the work by myself may not be right in many cases. Maybe it is not possible also.

I like working with others as a cinematographer. What others want to see in their movies, it is interesting to see those things in my own way. The pressure is low in these cases. Just keep an eye on the camera with joy, that’s all.

But I never thought of myself as a cinematographer, nor editor. The word ‘director’ also doesn’t attract me more. Composer is the word  I like the most. Compose the scene & sound, like music. The script is also like it. Like taking a notation on music.

'I Am Time'  or 'Photographs of a School Teacher' indicate that monologue is your favorite tool in filmmaking. Is it? Do you think that sometimes monologue decreases the appeal of the scene or it represents the scene in a very subjective way?

 I loved monologue. Still I like it. But not as much as before. How the thought-story or philosophy can be expressed through scene or sound, it attracts me more now. Sometimes monologue ruins the scene. If it is weak. For example, in 'I am Time' now, I would not have used monologue in this way. But I do not know whether it is always very subjective or not. Sometimes it can add new dimensions.

Does a filmmaker have to live his/her films?

How you can make a film if you do not live the movie? Not for film only, it is important for literature, poetry, painting, etc. Otherwise, the creation will be lifeless.


'I am Time' or 'Photographs of a School Teacher' seem like pages from a personal diary. Is it because of some obstacles like budget problems or limitations of equipment or artists? Or do you just like the format? 

Yes, you can say it is like a page of a diary. The film can be made without huge arrangements - from this idea I made it. But this does not mean that I do not want to make a big budget film. It is important to understand how to express your thoughts.  Even if it is not always necessary that the medium should be a movie. It can also be done through poetry, music or photography. And the budget is a reality, not an obstacle.
                                                                                                             
Film has the power to influence culture. Does it bother you to see that power abused? 

Film, poetry, sculpture, photography have the power to influence culture. Sometimes it influences so fast, sometimes it is too slow. And the main thing is that people use different powers for different purposes. It's the original instinct of human being. 


What do you think about the adaptation of film from literature? What are the negative and positive sides of it?

It is important to know the language of literature and the language of film both, for the adaptation. There is a difference in the language, that’s why one is literature and the other one is cinema. If you know this difference, whether it is basic or adaptable, there is no problem.

Is film a responsibility?

Since the beginning of the construction of a movie and till the end there are so many responsibilities. It is important to know that all. I do not know whether there is any different liability.

You did graduation & post-graduation on Anthropology. But now you are a professional of an audio-visual medium. Most of the filmmakers of our country do so. What do you think about this?

Many filmmakers come from different backgrounds. Some are from philosophy, some from history, some from physics, some are from fine arts too. Not everyone has come from Film School. However, most of us do not have any choice for learning here. We study without any target. As a result, we have no expertise in knowing or thinking about something.

By watching your film, I think that you are a narcissist. Do you think so?

Haha ha … In a sense, yes I am a narcissist. But not from the Greek mythology. I am obsessed by my own image, but also attracted by others, others' images. Can it be called narcissism?


In your documentary there are many fictional-elements, as well as in  fiction there are documentary elements also. On the other hand, it seems your films 'I Am Time', 'Where is the Friend's Home' or  'Photographs of a School Teacher' are easily recognized as both fiction and documentary without the title card. What do you think about this?

Not sure about the other work, but I had a funny experience with 'Photographs of a School Teacher'. A film festival kept it in the Fiction category; another kept it as a documentary. It is very interesting.

Your film was selected for Locarno Film Festival Open Doors Screening session - 2017. You also took part in the film lab of the Ekadeshma International Short Film Festival. How do you feel about all this? I think that now, the connection with the world is easy for our filmmaker .

Yes it was in the Open doors session, in the "Movie of my Life" section. It seems that the range of communication is bigger. Αt that time, I went to the film lab. Telling your idea to others and listening to others was a great experience. You can realize your own faults by this type of sharing, as well as you can be aware about what  people from other countries think.

But it is not only the film that is important in the festival or the lab part,  it is also discovering yourself in another geographical view, discovering yourself in another history or community, this the best part of the festivals. These contacts make others curious about our films. It might grow more.
                                                                                                             
What do you think about full length feature films? Do you want to shoot one, and if the reply is positive, when?  Some identify short films as practice for feature length film. What do you think about it?

With regards to the length, there is a lot of debate about the full length or short length of the film. That's another conversation. I do not see the short film as a preparation for something. It has its own identity. You see, writing a short story is not the preparation phase of writing a novel. Such miniatures and frescoes cannot be compared. They are two different forms of art.

I'm thinking about a feature length film now. I am composing the screenplay for that. Let’s see.

That’s great news definitely, what are you working on next?

We're doing the screenplay. And another thing is in our country there are no such books available here. I mean film-related books. So I want to translate, relevant and important books. I'll do it later.

Thank you, it was a good conversation.

Same here, I am enjoying it a lot.

COMMENTS

Name

13 Assassins,1,1428,1,1987: When The Day Comes,1,2016,1,2017,3,2LDK,1,3-Iron,1,A Better Tomorrow 2018,2,A Bittersweet Life,1,A Company Man,1,A Day,1,A Dirty Carnival,1,A Feeling Greater Than Love,1,A few words about us,1,A Girl at my Door,1,A Lonely Cow Weeps at Dawm,1,A Love,1,A Man of Integrity,1,A Man Vanishes,1,A Simple Life,1,A Single Rider,1,A Special Lady,1,A Stone from Another Mountain to Polish Your Own Stone. Go Shibata,1,A Tale of Love,1,A Taxi Driver,1,A tiger in winter,1,A Whale of a Tale,1,Abdullah Mohammad Saad,3,About Elly,1,Above the Clouds,1,Adam J. Symchuk,21,Adam John,6,Adam Wong,1,Address Unknown,1,Aditya Vikram Sengupta,2,Adriana Rosati,36,Age of Innocence,1,Age of Shadows,1,Aihara Hiro,1,Akihiko Shiota,2,Akihiro Toda,1,Akio Fujimoto,1,Akira Ikeda,2,Akira Kurosawa,1,Akiyuki Shinbo,2,Alan Mak,1,Ale Amout,1,Alex Oost,1,Alexander Knoth,1,Alfed Cheung,1,Ali Asghar Vadayeh Kheiri,1,Along with the Gods: The Two Worlds,1,Ambiguous Places,2,Amir Masoud Aghababeian,1,Amir Muhammad,2,Amitabh Reza,1,Anand Singh,5,Andrew Loh,1,Andrew Thayne,9,Andy Lau,1,Andy Willis,1,Angels Wear White,1,Anime,3,Animesh Aich,1,Ann Hui,1,Anna Bliss,3,Anqi Ju,1,Anshul Chauhan,2,Anthony Pun,1,Antiporno,1,Anurag Basu,1,Anurag Kashyap,1,Anysay Keola,1,Apprentice,1,Aqerat,2,Arang,1,Ariyuki Shinbo,1,Armour of God,1,Arrow,4,Art Film Fest Kosice,2,Article Films,3,Asghar Farhadi,1,Asha Jaoar Majhe,2,Ashley Cheung,1,Asian Classics,41,Ask the Sexpert. India,1,Aya Hanabusa,1,Aya Itabe,1,Aynabaji,1,Baasansuren Nyamdavaa,1,Bad Poetry Tokyo,4,Badrul Hisham,1,Badrul Hisham Ismail,1,BAMY,2,Bangkok Nites,2,Bangladesh,9,Banjong Pisanthanakun,1,Banmei Takahashi,1,Battle of Memories,1,Battleship Island,1,Bauddhayan Mukherji,2,Before We Vanish,2,Behind the Camera,1,Belgium,1,Ben Stykuc,9,Bengal,2,Benny Chan,1,BFI,1,Bhutan,7,Big Tits Dragon,1,Billy Joe,2,Black,1,Blade of the Immortal,1,Bleeding Steel,1,Bloodrunner Zero,1,Bloody Muscle Builder in Hell,1,Bluebeard,1,Bollywood,1,Boo Junfeng,1,Born Bone Born,1,Branded to Kill,2,Breathless,1,Brothers in Heaven,1,Bunny Drop,1,Burma,1,Burning Birds,2,Bystanders,1,Byun Sung-Hyun,2,Call Boy,1,Call of Heroes,1,Cambodia,4,Camera Japan,10,Cannes Film Festival,5,Chan Chi-Fat,1,Chang,2,Chang Tso-chi,1,Chang Zheng,1,Chen Hung-i,2,Chen Kaige,1,Chen Kuo-fu,1,Cheng Cheng Films,2,Cheung Yin-kei,1,Children Heaven,1,China,60,Chinese Policy Institute,6,Chinese Shadows,5,Chinese Visual Festival,1,Ching-lin Chan,1,Cho Keun-Hyun,1,Choi Jin-ho,1,Choi Jin-won,1,Choi Min-sik,1,Chris Berry,1,Chu Yuan,1,Chung Ji-young,1,Chung Mong-Hong,1,Chungking Express,1,CineAsia,2,City of Rock,1,Close Knit,1,Close-Knit,2,Cloudy,1,Coffeemates,1,Colette Balmain,8,Colour of the Game,1,Come Drink With Me,1,Competition,2,Confessions,1,Contact Info,1,Corey Yuen,1,Creative Visions: Hong Kong Cinema,1,Criminal City,1,Crocodile,1,Crosscurrent,1,Crows Zero,1,Cyrano Agency,1,Da Peng,1,Daguerreotype,1,Daigo Matsui,1,Daihachi Yoshida,1,Daisuke Gotô,2,Daisuke Miura,1,Daisuke Miyazaki,4,Danny and Oxide Pang,1,Dante Lam,1,David Chew,7,David Chew.,1,David Shin,1,Davy Chou,1,Dawn Wind in My Poncho,1,Ddongpari,1,Dead Friend,1,Dead Sushi,1,Deadly Outlaw: Rekka,1,Dechen Roden,1,Deepak Rauniyar,1,Derek Chiu,1,Derek Hui,1,Derek Tsang,1,Destruction Babies,1,Diary of June,1,Didi Saleh,1,Die Tomorrow,1,Digger,1,Ding Shen,1,Ding Sheng,2,Dismembered,1,Documentaries,19,Documentary,3,Doenjang,1,Don Anelli,29,Dong Yue,1,Double Life,1,Double Vision,1,Dr. Heo,1,drama,1,Duckweed,1,Duelist,1,Dust of Angels,1,East Winds Film Festival,1,Eddie Cahyono,1,Edmund Yeo,4,Educating Yuna,1,Eiji Uchida,2,Eliana,1,Emmanuel Horlaza,1,Enter the Warriors Gate,1,Eric Tsang,1,Erich Khoo,1,Erotic Diary of an Office Lady,1,Eternal Summer,1,Eureka,7,Evil and the Mask,1,Exploitation,35,Explosion,1,Fabricated City,1,Far East Film Festival,10,Fatal Countdown: Reset,2,Fathers,1,Faye Wong,1,Features,24,Feautures,1,FEFF20,1,Fel,8,Feng Xiaogang,1,Festivals,13,Filmddo,1,Filmdoo,21,Fire Lee,1,Fireworks,1,Fireworks Should We See It from the Side or the Bottom?,2,Five Flavors Festival,3,Five Flavours,14,Five Flavours Festival,15,Flying Fish,1,Forbidden Door,2,Forgetting Vietnam,1,Fove Flavours,1,France,2,Fraser Elliott,1,Free and Easy,1,From Vegas to Macau III,1,Fruit Chan,1,Fujian Blue,1,Fullmetal Alchemist,1,Fumihiko Sori,1,Funeral Parade of Roses,1,Funuke Show Some Love,1,Fuyuhiko Nishi,1,Gangs of Wasseypur,1,Gareth Evans,3,Geng Jun,1,Ghafara Harashta,1,Giddens Ko,1,Gillian Anderson,1,God Man Dog,1,God of War,1,Godspeed,2,Godzilla: Planet of the Monsters,1,Golden Cousin,1,Golden Horse Awards,1,Golden Slumbers,1,Good -Bye Silence,2,Gordon Chan,1,Goro Miyazaki,1,Guo Jian-yong,2,H. Tjut Djalil,1,Haibin Du,1,Han Han,1,Han Jie,1,Hanagatami,1,Hanging Garden,1,Hanuman,1,Hapkido,1,Happy Together,1,Hashiguchi Takaaki,1,Haunters,1,HBO,2,Heart Attack,1,Heiward Mak,1,Helldriver,1,Helsinki Cine Aasia Festival 2018,4,Hema Hema: Sing Me a Song While I Wait,1,Her Own Address,1,Herman Yau,3,Heung-Boo: The Revolutionist,1,Hidden Gems,64,Hideen Gems,1,Hideo Sakaki,1,High-Kick Girl,1,Hindi,1,Hiro Aihara,1,Hirobumi Watanabe,2,Hirokazu Koreeda,4,Hiroshi Ando,1,Hiroshi Shoji,1,Hiroshi Teshigahara,1,Hiroyuki Kawasaki,1,Hiroyuki Seshita,1,HKETO,1,Ho Yuhang,2,Holy Island,1,Honeygiver Among the Dogs,1,Hong Ki-Seon,1,Hong Kong,37,Hong Kong Godfather,1,Hong Sang-soo,1,Hongkong,1,Horror,4,Hou Hsiao-hsien,1,Hsu Hsiao-ming,1,Huang Fend,1,Huang Huang,1,Huang Hui-chen,1,HUANG Xi,1,Huang Ying-hsiung,1,Husband Killers,1,Hwang Dong-Hyuk,1,Hwang Jung-min,1,I Am A Hero,1,I Have Nothing to Say,2,I Saw the Devil,1,I Wish,1,I-Lin Liu,15,ICA,3,Icarus Films,6,IFFLA,3,IFFR,2,Im Kyeong-soo,1,Imran Firdaus,1,Imran Fridaus,1,In a Defiled World,2,In the Absence of the Sun,1,In this Corner of the World,3,India,6,Indonesia,18,Initiation Love,1,International Chinese Film Festival,1,International Film Festival Rotterdam,13,Interview,2,Interviews,56,Intimate Confessions of a Chinese Courtesan,1,Inugami,1,Inuyashiki,1,Ip Man: The Final Fight,1,Iran,8,Ishmael Bernal,1,Isora Iwakiri,1,J.P. Sniadecki,1,Jackie Chan,5,Jagat,1,Jagga Jasoos,1,James Mudge,1,Jang Chang-won,1,Jang Hoon,1,Jang Joon-hwan,1,Japan,207,Japan Cuts,15,Japan Film Festival Australia,1,Japan Filmfest Hamburg,2,Japan Foundation Touring Programme,3,Japan the Emperor and the Army,1,Japan. Reviews,1,Japanese Film Festival Australia,2,Jeong Jae-eun,1,Jeong Yun-Cheol,1,Jeonju International Film Festival,1,Jess Teong,1,Jesse V. Johnson,1,Jia Zhangke,2,Jimmy Henderson,2,Jin Xingzheng.,1,Jithin K Mohan,2,Joe Odagiri,2,Johnnie To,2,Johnny Ma,1,Joko Anwar,4,Jonathan Li,1,Jonathan Wilson,7,Jonathan Yi,1,Joo Ji-hong,1,Josh Parmer,1,Journey of the Tortoise,1,Joy of Man's Desiring,1,July Jung,1,Jun Ichikawa,1,Jun Li,1,Jun Tanaka,3,Jung Byung-gil,1,Jung Sik,1,Jung Yoon-suk,1,Junichi Kajioka,1,Junpei Mizusaki,1,Justice in Northwest,1,K-dramas,12,Kaasan Mom’s Life,1,Kam Ka-Wai,1,Kamila Andini,1,Kaneto Shindo,1,Kang Je-gyu,1,Kang Yoon-Sung,2,Kara Hui,1,Katsuya Tomita,2,Katsuyuki Motohiro,1,kdrama,1,Ke Guo,1,Keep Calm and Be a Superstar,1,Kei Chikaura,1,Kei Horie,1,Kei Ishikawa,1,Keishimi Oto,1,Ken and Kazu,1,Kengo Yagawa,1,Kenichi Ugaba,1,Kenichi Ugana,1,Kenichi Watanabe,1,Kentaro Hagiwara,1,Kfc,1,Khavn,1,Khyentse Norbu,2,Kill me,1,Killing Beauty,1,Kim Bong-han,1,Kim Eun-hee,1,Kim Hong-seon,1,Kim Hong-Sun,1,Kim Hyun-seok,1,Kim Jee-woon,4,Kim Jin-Mook,1,Kim Jong-Kwan,1,Kim Joo-hwan,1,Kim Ki-duk,4,Kim Kih-hoon,1,Kim Min Su kII,1,Kim Min-suk,1,Kim Tae-kyeong,1,Kim Whee,1,Kim Yong-hwa,1,King Hu,1,Kingyo,2,Kirti Raj Singh,1,Kiss me,1,Kiyoshi Kurosawa,5,Kôbun Shizuno,1,Koji Fukada,1,Koji Wakamatsu,1,Komiya Masatetsu,1,Kon Ichikawa,2,Konrad Aderer,1,Korea,2,korean drama,1,Kotoko,1,Krzysztof Pietrzak,1,Kun-Yu Lai,12,Kwak Kyung-taek,2,Kyoko Miyake,1,Kyriacos Kyriacou,3,Labour of Love,1,Lady Snowblood,2,Lam Wingsum,1,Laos,2,Laughing Under the Clouds,1,Le Binh Giang,1,Le Bình Giang,1,Leandro E. Seta,1,Lebanon,1,Lee An-gyu,1,Lee Byeong-Hun,1,Lee Byung-Hun,1,Lee Chang-Hee,1,Lee Je-Yong,1,Lee Joo-young,1,Lee Jung-sun,1,Lee Kwang-kuk,1,Lee Myung-se,1,Lee Sa-rang,1,Lee Seo-goon,1,Legend of the Demon Cat,1,Leo Zhang,1,Leon Lai,1,Leste Chen,2,Leung Wing-Fai,1,Ley Lines,1,Li Cheuk-shing,1,Li Ruijun,1,Liang Ying,1,Life on the Line,2,Like Father,1,Like Son,1,Lim Sang-yoon,1,Lists,12,Little Big Soldier,1,Little Forest,1,Little Shop of Grotesque,1,Little Shop of Horrors,1,Liu Yang He,1,Liu Yang River,1,Live from Dhaka,2,Live Up To Your Name,1,Loi Bao,1,London Korean Film Festival,5,Los Angeles Indian Festival,3,Love,1,Love and Other Cults,1,Love Education,1,Lovely Man,1,Lovers Are Wet,1,Lowlife Love,1,Lucky Kuswandi,1,Lyberis,4,Mad Tiger,1,Mad World,3,Made in Hong Kong,1,Madman,2,Mahde Hasan,1,Mai Chan's Daily Life: The Movie,1,Majid Majidi,1,Makoto Shinkai,1,Malaysia,11,Mama,1,Mamoru Hosoda,1,Manny Araneta,2,March Comes in like a Lion,1,Maria Georgiou,24,Mark Gallagher,1,Marlina the Murderer in Four Acts,1,Mary Jirmanus Saba,1,Masaaki Yuasa,2,Masaharu Take,1,Masahiro Shinoda,1,Masakazu Sugita,1,Masaki Adachi,1,Masanori Tominaga,1,Masaru Konume,1,Masato Harada,2,Masato Ozawa,1,Masatoshi Kurakata,1,Matt Cooper,15,Matthew D. Johnson,1,Matthias Hoene,1,Maundy Thursday,1,Meghe Dhaka Tara,1,Memoir of a Murderer,1,Merantau,1,Mermaid,1,Miaoyan Zhang,1,Michael Haertlein,1,Michelle Hung Tsz-ching,2,Midi Z,1,Midnight Runners,1,Midori Impuls,4,Milk the Maid,1,Minamata: The Victims and Their World,1,Minoru Kunizawa,1,Miss Zombie,1,Miwa Nishikawa,1,Mohammad Rasoulof,1,Mohammad-Reza Lotfi,1,Mon Mon Mon Monsters,1,Mong-Hong Chung,2,Mongolia,2,Monika S-r,1,Moon Lovers,1,Moon So-ri,1,Mototsugu Watanabe,4,Mouly Surya,1,Mountains May Depart,2,Mourning Forest,1,Movie,1,Moving,1,Mr Long,1,Mr. Socrates,1,Mrs Fang,1,Mrs K,1,Mumon: The Land of Stealth,1,My Beloved Yak,1,My Dad and Mr Ito,1,My Heart is that Eternal Rose,1,My Hero Chihiro,1,Myanmar,1,Mystics in Bali,1,Nah Hyeon,1,Namiya,1,Nanachan,1,Naoko Ogigami,3,Naomi Kawase,3,Naosuke Kurosawa,1,Naoyuki Tomomatsu,3,Nawapol Thamrongrattanarit,2,Neko Atsume House,1,Nepal,1,Neuchâtel International Fantastic Film Festival,1,Never Ending Blue,1,New Neighbor,2,New World,1,New York Indian Film Festival,1,News,13,Nicholas Poly,4,Night Bus,1,Night is Short,1,Night is Short Walk on Girl,1,Nikola Cekic,1,Ninja Pussy Cat,1,Niwatsukino Norihiro,1,No. 1 Chung Ying Street,1,Noboru Iguchi,1,Nobuhiko Obayashi,2,Nobuhiro Yamashita,2,Nobuo Nakagawa,1,Nobuyuki Takeuchi,2,Noise,2,Non-fiction Diary,1,Norbu,1,Noriaki Tsuchimoto,1,Norman England,2,North Korea,1,Nurse Diary: Beast Afternoon,1,NYAFF,11,Nyamdavaa Baasansuren,1,NYIFF,1,Odd Obsession,1,Oh In-Chun,1,Old Boy,2,Old Stone,1,Old-School Kung-Fu Fest,3,Omar Rasya Joenoes,3,On The Line Festival,3,On the Run,1,One Cut of the Dead,1,One Man's China,1,Operation Red Sea,1,Ophilia,1,Ordinary Person,1,Orson McClellan Mochizuki,1,Osaka Asian Film Festival,9,Osamu Sato,1,Our Happy time,1,Outrage Coda,1,Over the Fence,1,Oxide Pang,1,Pai Kau,2,Palatpol Mingpornpichit,2,Pale Flower,1,Panos,1,Panos Kotzathanasis,180,Park Chan-wook,2,Park Hee-joon,1,Park Hoon-Jung,3,Park In-je,1,Park Ki- hyung,1,Park Kwang-hyun,1,Parkpoom Wongpoom,1,Party Round the Globe,1,Passage of Life,1,Patrick Hofmeister,71,Patrick Tam,1,Pedro Morata,8,Peerachai Kerdsint,1,Pelden Dorji,1,Pema Tshering,1,Pen-Ek Ratanaruang,1,Peng Xiaolian,1,Pepe Diokno,1,Peque Gallaga,1,Perfect Blue,2,Peter Chan,1,Peter Chen,1,Phanumad Disattha,1,Philippines,2,Pieter - Jan Van Haecke,4,Pieter-Jan Van Haecke,7,Pink Eiga,15,PinkEiga.TV,6,pinku eiga,1,Poet on a Business Trip,1,Poolside Man,1,Press Release,2,Prophecy,1,Proshoon Rahmaan,2,Psychic,1,Pumpkin and Mayonnaise,1,Queen of Triads,1,Rabbit and Lizard,1,Radiance,1,Railway Sleepers,1,Rainy Dog,1,Raja Mukhriz,1,Randy Mckenzie,4,Rape Zombie: Lust of the Dead,1,Rape Zombie: Lust of the Dead 2,1,Ravine of Goodbye,1,Real,1,Realism,1,Red Persimmons,1,Rei Sakamoto,1,Reipu zonbi: Lust of the dead 3,1,Revenge: A love story,1,Review,3,Reviews,174,Reviews.,2,Riri Riza,2,Ritwik Ghatak,1,River of Exploding Durians,2,Robin Weng,1,Roger Lee,2,Ronja,1,Rouge,1,Rouven Linnarz,1,Running on Karma,1,Russia,1,RV: Resurrected Victims,1,Ryoo Seung-wan,2,Ryu Kaneda,1,Ryuki,1,Ryutaro Ninomiya,2,S. Korea,65,S.Korea,1,Saayak Santra,3,Sabrina Baracetti,1,Sabu,3,Sade Sato,1,San Diego Asian Film Festival,4,Sanjeewa Pushpakumara,2,Sankha Ray,7,Satan's Slaves,2,Satoru Hirohara,1,Satoshi Kon,3,Say Yes,1,Sayandeep Bandyopadhyay,5,Scarlet Heart,1,Score,1,Sea Fog,1,Seijun Suzuki,3,Sekigahara,1,Sexy S.W.A.T. Team,1,Sha Po Lang,1,Shake Rattle and Roll,1,Shanjhey Kumar Perumal,1,Shaw Brothers,1,She Remembers He Forgets,2,She's the Boss,1,Shift,2,Shigeru Umebayashi,1,Shikhar Verma,3,Shikhar Verna,3,Shim Sung-Bo,1,Shinichi Fukazawa,1,Shinichiro Ueda,1,Shinji Iwai,1,Shinji Somai,2,Shinji Sômai,1,Shinjuku Swan,1,Shinjuku Triad Society,1,Shinobi no Kuni,2,Shinsuke Ogawa,1,Shinsuke Sato,2,Shinya Tsukamoto,3,Shôhei Imamura,1,Shoot for the Contents,1,Shorts,9,Shotaro Kobayashi,1,Shu Qi,1,Shuna Iijima,1,Shunji Iwai,1,Shutter,1,Siddiq Ahamed,1,Sidi Saleh,1,Signature,1,Silent Mist,1,Silver Spleen,2,Singapore,2,Singh Anand,1,Singing Chen,1,Sinophone,1,Sion Sono,6,Siti,1,Sixth Sense Hooker,1,Sleep Curse,1,Small Talk,1,Sogo Ishii,2,Soichi Umezawa,1,Solanin,1,Solitude,1,Solo,1,Sompot Chidgasompongse,2,Song Hae-sung,1,Song Kang-ho,1,Song of the Week,19,Sopawan Boonnimitra,1,Sopon Sakdapisit,1,Soul,1,Soul Mate,1,SoulMate,1,South Korea,19,Sri Lanka,3,Stanley Kwan,1,Steel Rain,1,Stephen Chow,1,Stephen Fung,2,Still the Water,1,Story in Taipei,1,Strange Circus,1,Studio Ghibli,1,StudioCanal,4,Subenja Pongkorn,1,Suffering of Ninko,1,Suicide Club,1,Sukita: The Shoot Must Go On,1,Sun-ho Cho,1,Sunao Katabuchi,3,Sung-hong Kim,1,Sunk Into the Womb,1,Susumu Hirasawa,1,Sweating the Small Stuff,2,Sylvia Chang,1,Tadashi Nagayama,1,Tae Guk Gi,1,Tag,1,Taiwan,21,Takaaki Hashiguchi,1,Takahiro Miko,1,Takahisa Zeze,1,Takao Nakano,1,Takaomi Ogata,3,Takashi Miike,9,Take Care of My Cat,1,Takeshi Kaneshiro,1,Takeshi Kitano,1,Takuro Nakamura,2,Talop Wangchuk,1,Tatara Samurai,1,Tatsuhi Omori,1,Tatsumi,1,Tatsumi Kumashiro,1,Teddy Soeriaatmadja,1,Teppei Nakamura,1,Tetsuo the Iron Man,1,Tetsuya Mariko,1,Tetsuya Nakashima,1,Thailand,15,Thanatos Drunk,1,That's It,1,The Adventurers,2,The Bad,1,The Boy and the Beast,3,The boy from Ipanema,1,The Brink,1,The Chase,1,The Crawler in the Attic,1,The Crazy Family,1,The Day After,1,The Detective,1,The Discloser,1,The Dollhouse,1,The elephant and the sea,2,The Executioner,1,The Forest Whispers,1,The Forsaken Land,1,The Fortress,1,The Good,1,The Great Passage,1,The Hole,1,The Indian Film Festival of Los Angeles,1,The Inugami Family,1,The Iron Ministry,1,The Island That All Flow By,1,The Isthmus,1,The Kid from the Big Apple,1,The King of Pigs,1,The Last Executioner,1,The Last Painting,1,The Looming Storm,1,The Lowlife,1,The Magic Blade,1,The Man Without a Map,1,The Mayor,1,The Merciless,2,The Mermaid,1,The Muse,1,The Naked Island,1,The Name,1,The Night of the Earthquake,1,The Outlaws,1,The Prison,1,The Promise,1,The Raid,1,The Raid 2,1,The recipe,1,The Road Home,1,The Road to Mandalay,1,the Robber's Daughter,1,The Room,1,The Sacrament,1,The Salesman,1,The Seen and Unseen,1,The Shoot Must Go On,1,The Sleep Curse,1,The Snow King,1,The Sower,2,The Story of the Disappearance of Maryam,1,The Strange Saga of Hiroshi the Freeloading Sex Machine,1,The Suicide Chain,1,The Swindlers,1,The Table,1,The Third Murder,1,The Thousand Faces of Dunjia,1,The Tiger: An Old Hunter's Tale,1,The Tokyo Night Sky is Always the Densest Shade of Blue,1,The Tooth and the Nail,1,The Vanished,1,The Villainess,1,The Violin Player,1,The Weird,1,Third WIndow,1,This Is Not What I Expected,1,Three Sisters,1,Three Times,1,Tôkaidô Yotsuya kaidan,1,Tokyo Ghoul,1,Tokyo Heaven,1,Tokyo Idols,1,Tokyo Vampire Hotel,1,Tolerance Film Festival,1,Tom Waller,2,Tony Leung,1,Tony Takitani,1,Toronto International Film Festival,1,Toshiaki Toyoda,2,Toshio Matsumoto,1,Toshiya Fujita,1,Toshiyuki Teruya,1,Traces of Sin,1,Trailers,76,Train to Busan,1,Tran Ham,1,Translated articles,1,Travellers and Magicians,1,Trinh T. Minh-Ha,3,Triple Threat,1,True Fiction,1,Tsai Ming-liang,2,Twenty Two,1,Twilight Dinner,1,Twitch: You Are My Toy,1,Typhoon Club,1,Udine,3,Unbowed,1,Uncovered,1,V.I.P.,1,Vaishali Sinha,1,Vampire Clay,1,Vampire Cleanup Department,1,Vannaphone Sitthirath,1,various,2,Vesoul International Film Festival,4,Victor Vu,1,Vietnam,4,Vikram Zushi,1,Vimukthi Jayasundara,1,Vincent Kok,1,Violated Angels,1,Visitor Q,1,Vital,1,Vitaly Mansky,1,Vivien Qu,1,Voyage to Terengganu,1,Wai Ka-fai,1,Walk on Girl,1,Walking Past the Future,1,Wang Bing,2,Wang Lung-wei,1,Wang Ming-tai,1,Warriors of the Dawn,2,We Make Antiques,1,Weeds on Fire,1,Wellgo USA,2,West North West,2,What a Man Wants,1,What Time Is It There?,1,Whispering Corridors,1,White Sun,1,Whore Angel,1,Wilson Yip,1,Wiman Rizkidarajat,1,Wine War,1,Without Memory,1,Wol-Ha: Very Bad Moon Rising,1,Woman of the Lake,1,Won Shin-Yeon,1,Wong Chun,1,Wong Jing,2,Wong Kar-wai,1,Woo Ming Jin,1,Wrath of Silence,1,Xaisongkham Induangchanthy,1,Xin Yukun,1,Ya-che Yang,1,Yamato (California),4,Yang Chao,1,Yang Ik-june,1,Yang Jong-hyeon,1,Yang Woo-seok,1,Yeon Sang-ho,2,Yes Madam,1,Yim Soon-rye,1,Yin Liang,1,Yiu-wai Chu,1,Yoo Ha,1,Yoon-chul chung,1,Yosep Anggi Noen,1,Yoshihiro Nakamura,2,Yoshihiro Nishimura,1,Yoshinari Nishikori,1,Yoshishige Yoshida,1,Yoshitaka Mori,1,Yoshiyuki Kishi,1,Yosuke Takeuchi,2,Yotsuya kaidan,1,You Losers!,1,Your Name,1,Youth,1,Yu Aoi,2,Yu Irie,1,Yuen Chor,1,Yuen Woo-ping,1,Yûji Tajiri,2,Yujiro Harumoto,1,Yuki Tanada,1,Yukihiko Tsutsumi,2,Yusaku Matsumoto,2,Yutaka Ikejima,3,Yuya Ishii,2,Zakka Films,2,Zen,1,Zhang Yimou,1,Zoo,1,Zuairijah Mou,1,Zuri Rinpoche. Bhutan. Five Flavours,1,
ltr
item
Asian Film Vault: Mahde Hasan Interview: Composer is the word which I like the most. Compose the scene & sound, like music
Mahde Hasan Interview: Composer is the word which I like the most. Compose the scene & sound, like music
Zuairijah Mou speaks with Mahde Hasan about his films, life and career, cinema as a medium, art, and many other topics
https://4.bp.blogspot.com/-dZWMaMa_rZo/Wq5DU2w26NI/AAAAAAAAQLY/16gUqNOENsAiZf6PTjAKPpuUzzgY0sN_wCEwYBhgL/s320/28685815_10211559030307158_8738862201702300216_n.jpg
https://4.bp.blogspot.com/-dZWMaMa_rZo/Wq5DU2w26NI/AAAAAAAAQLY/16gUqNOENsAiZf6PTjAKPpuUzzgY0sN_wCEwYBhgL/s72-c/28685815_10211559030307158_8738862201702300216_n.jpg
Asian Film Vault
http://www.asianfilmvault.com/2018/03/mahde-hasan-interview-composer-is-word.html
http://www.asianfilmvault.com/
http://www.asianfilmvault.com/
http://www.asianfilmvault.com/2018/03/mahde-hasan-interview-composer-is-word.html
true
3944800929692556231
UTF-8
Loaded All Posts Not found any posts VIEW ALL Readmore Reply Cancel reply Delete By Home PAGES POSTS View All RECOMMENDED FOR YOU LABEL ARCHIVE SEARCH ALL POSTS Not found any post match with your request Back Home Sunday Monday Tuesday Wednesday Thursday Friday Saturday Sun Mon Tue Wed Thu Fri Sat January February March April May June July August September October November December Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec just now 1 minute ago $$1$$ minutes ago 1 hour ago $$1$$ hours ago Yesterday $$1$$ days ago $$1$$ weeks ago more than 5 weeks ago Followers Follow THIS CONTENT IS PREMIUM Please share to unlock Copy All Code Select All Code All codes were copied to your clipboard Can not copy the codes / texts, please press [CTRL]+[C] (or CMD+C with Mac) to copy