Made in Hong Kong (1997) by Fruit Chan (?)

Twenty years on, Fruit Chan's "Made in Hong Kong" is still as relevant, fresh and inventive two decades on with a new 4K restoration.


Twenty years on from the handover of Hong Kong from British to a delayed Chinese rule, a new 4K restoration of Fruit Chan's 1997 breakthrough film "Made in Hong Kong" gets a new lease of life. Part of his 1997 trilogy alongside "The Longest Summer" (1998) and "Little Cheung" (1999), Chan's budget piece is a chaotic look at a youth with no future.

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The story follows a group of characters with little to look forward to. Sylvester (Wenders Li) is slow and incapable of fighting his own battles, often bullied by those younger than him despite his size; Ping (Neiky Hui-chi Yim) suffers from kidney problems and requires a transplant if she is to live beyond her teenage years; and lead Moon (Sam Lee) is the archetypal prodigal son, the scourge of his single mother, spending his days as a debt collector for a low-level gangster, unwilling to make any steps to advance his career and life.

With Sylvester by his side, Moon is sent to Ping's mother's apartment to collect her debts. Although he is dismissed by her mother, Ping takes a liking to Moon and flirts when he returns to try again - the pair soon forming a relationship. And, momentarily, life seems good. However, Sylvester comes across the suicide note of Susan (Amy Tam Ka-chuen), found after she jumped from the roof of a building. The note is a source of intrigue and angst for the trio: a realisation that they see suicide and early death as an escape from their non-existent futures, unable to overcome their seemingly "hopeless" situations. Moon is only able to take control of his life when he feels it coming to an end.


Shot using left-over film from others on a shoe-string budget, the filmmaking is chaotic, with an ever-moving camera. But this chaos matches the milieu and characters' lives, seemingly lacking clear direction. This, therefore, creates a brilliant depiction of the cityscape, making the most of Hong Kong's endlessly cinematic nature. Building sites fill the background, as a price of progress comes at the cost of its youth; Susan jumping to her death in front of a yet-to-be-completed skyscraper.

Youth is an important theme here, and their relationships with their elders. Moon is disliked by all mothers and his two father figures are a reformed crook and a gangster encouraging him to become a criminal - torn between the two. This broken relationship with elders mirrors another 1997 film looking at the anxieties of the handover: Wong-kar Wai's "Happy Together". However, Wong's film offers some element of hope for the future, while Chan's "Made in Hong Kong" offers only devastating ends.


A raw film, it sees good performances from the young and novice cast: Lee in his first role as an adult, with Li and Yim in their only acting credits. This gives it a youthful energy and further adds to the budget charm. But what is lacks in budget it makes up for in inventive cinematography from Wah-cheun Lam and Sui-pui O. The new restoration offers a brilliant chance to gain the film the recognition it deserves as a mini-classic of modern Hong Kong cinema twenty years on., failing to lose any of its charm and a film very much made in Hong Kong.

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Asian Film Vault: Made in Hong Kong (1997) by Fruit Chan (?)
Made in Hong Kong (1997) by Fruit Chan (?)
Twenty years on, Fruit Chan's "Made in Hong Kong" is still as relevant, fresh and inventive two decades on with a new 4K restoration.
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