Prophecy (2016) by Zuri Rinpoche (T)

A sincere look at the connection of Bhutanese society with religion


Winner of Best Narrative Feature at SR Socially Relevant Film Festival New York 2017 and of Platinum Award at Asia Pacific International Filmmaker Festival And Awards Indonesia 2016, "Prophecy" provides a great look at the deep connection between the Bhutanese people and religion, by a director, who is himself a monk.

"Prophecy" will screen at Five Flavours, that will be on in Warsaw November 15-22. 


The prophecy referred in the title comes from a scroll a woman finds in her home, after giving birth to her baby. Eventually, she delivers the scroll to a senior Buddhist monk, Singye, who reads it and embarks on a search of a young boy who is prophesied to be a reincarnate Lama, destined to propagate Buddhadharma for the benefit of all sentient beings. His search brings him to an infant, who in its third year, is transferred to the monastery, and is named Rigzen Lingpa. Rigzen lives his life as the boy of the prophecy until he becomes a young lama.

Around that time, a quite modern girl named Dawa returns to the area from Thimpu to help her sick mother, and the two of them meet and realize they have a deep connection between them. Lama Singye is totally against this concept but soon realizes that the girl is much more than he perceived, while the two youths discover the real meaning of the Terma, in a series of events that changes the lives of them and everyone around them.


Rinpoche directs and pens (along with Pelden Dorji, Fiona Lo, Karma Yonten) a film whose purpose is to make a number of social comments regarding Bhutanese society, most of which derive from the long and deep connection between society and religion. In that fashion, Rinpoche deals with the place of woman in such a society, the differences between the people living in the city and the ones who live in the remote, mountain areas around the monasteries, the issues deriving from the interpretation of ancient texts in modern times, and conservatism against innovation.

In this context, the relationship between Dawa and Ringzen is almost forbidden, while the presence of a woman as a Tertian raises the deeply rooted conservative feelings of the populace. In this setting, the modern girl from the city is perceived as a pariah, with her family's situation worsening things even more. Despite the difficulties, though, most of which derive from Lama Singye's strictness, the film ends with a very positive note, which suggests that religion will find the proper path, despite the way people perceive it.

At times though, I felt that at least some knowledge of Buddhism and even the situation in Bhutan is needed, in order to fully understand the concept of the film and the implications of the protagonists' actions.


The film excels in terms of cinematography, with Zuri Rinpoche, Pelden Dorji and Henry Lai taking advantage of the majestic, mountainous scenery to present a number of different moments, that range from idyllic to desperate. The outside shots are wonderfully complemented by the interior ones, most of which include the interior of temples and monasteries, where gold, orange, red and yellow dominate the images in impressive fashion and make a distinct contrast with the dark setting in the people's houses. Wong Hoi and Loday Chophei's editing retains a slow pace, almost ritualistic pace that suits the Buddhist premise of the film quite nicely.

Lekzin Choden as Dawa highlights her character's discomfort for loving a man who is almost impossible to have, while her transformation from a city girl to someone willing to stay in the mountains is great. Dorji Khandro as Lama Singye is also very convincing as the strict, older man, while Loday Chophel as Rigzen Lingpa highlights his character's wise and pious nature. The scene where Singye scolds Dawa, with Rigzen witnessing the events in silence is the apogee of all three, in a scene that also highlights their chemistry.


"Prophecy" is a film that looks great and communicates its messages and comments quite well, by a man who shows a deep knowledge of his subject. People who have no deep connection with religion, though, will find the film somewhat difficult to engage with.

COMMENTS

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Bhutan. Five Flavours,1,
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Asian Film Vault: Prophecy (2016) by Zuri Rinpoche (T)
Prophecy (2016) by Zuri Rinpoche (T)
A sincere look at the connection of Bhutanese society with religion
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Asian Film Vault
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