Interview with Alex Oost: The main purpose of the festival is to showcase a diverse selection of Japanese films in the Netherlands.

We speak with Alex Oost, director of Camera Japan about the purpose and the history of the festival, its processes, Japanese cinema, and other topics.

Alex Oost is festival director and one of the founders of the annually held Camera Japan Festival. He holds degrees in accounting and Japanese studies, and tries to combine both in his daytime job. In his free time, he tries to balance watching films and going to concerts with running a festival, which he managed to do so for 12 years.

We speak with him about the purpose and the history of the festival, its processes, Japanese cinema, and other topics.

Why did you decide to start a festival about Japanese cinema, and not any other region? What is the purpose of the festival?

There were not many Japanese films being screened in cinemas in the Netherlands when we started the festival, and since I and my fellow initiators are big fans of Japanese cinema, we decided to do something about it ourselves. The main purpose of the festival is to showcase a diverse selection of Japanese films in the Netherlands.


Why did you choose Rotterdam and Amsterdam as the bases of the festival? Why two different locations? What are the benefits and what the issues with the particular choices? How hard is it to transfer the festival from one city to another, and what are the differences between the two (audience, venues, etc).?

We chose Rotterdam because that is where I am based and where the biggest part of our network is, and from the very first edition, we screened a number of films in Amsterdam as well.

Not many people are willing to travel to watch films, so we chose to show films in the two biggest cities in the Netherlands. If we could do something similar in other cities we would, but since every one of us has other jobs and responsibilities, I don't see this happening any time soon.

The benefit of two events in two cities is that we can attract more visitors, the downside of it is that is a lot of extra work.

Our main event is in Rotterdam in a very nice, newly built, spacious arthouse cinema, this is where we also have other events besides film screenings such as live concerts, dance performances, exhibitions, workshops and a kids day. The event in Amsterdam is about one fifth the size of the Rotterdam event, so it is much smaller and we basically only screen films there in a venue run by students. Since the venue is close to the University of Amsterdam, we have more students attending compared to Rotterdam. Because the event in Amsterdam is smaller, there is a lot less things to take care of (or we can re-use some things from our main event). So, in Amsterdam is where many of our team members find the time to watch some films themselves, for which there is hardly any time for in Rotterdam.

Can you analyze the procedure of the film selection for the program?
The programme as a whole should give a good insight on what is going on in Japanese cinema nowadays, and a number of these have to be connected with our theme of the year. We work with a team of programmers who watch films at other festivals or via screeners. And we work with a shortlist of films we think might be interesting to screen at our festival, and try to get a hold of those.

After films are watched by at least 2 persons, we discuss and make a decision on whether or not to screen the film.

The festival also entails events that have to do with music and art in general, the culinary, and also a number of workshops. Why did you decide to include these in the festival and how do you select which ones to endorse? In general, can you elaborate on the extra activities of the festival?



We feel that by including music, dance, art, food, and lectures and workshops, we give our visitors more insights in various aspects of Japanese culture. Plus, it strongly enhances the festival atmosphere and we may be able to attract different audiences. For example, for the Kids' Day, music or dance performances, or particular workshops.

Can you tell us a bit about the financial status of Camera Japan? Is the festival successful in that aspect?
The festival is, for a big part, dependent on grants provided by national or local organisations, and without them it would not be able to exist. In that sense, it is not commercially successful. With the limited means we have at our disposal, we have been able to hold the festival for 12 years without going bankrupt, so that might be considered financially successful. The limited financial means we have make it impossible to have anyone on the payroll.

Camera Japan has been on for 12 years. Are there any episodes in the history of the festival you single out? Good and bad.



A major event was the first edition, when we made it really happen. None of us had any experience in organising something like this, so that was a major thing. Another edition which was a bit risky was the 2010 edition when we moved to a new location, which was still under construction when the festival was held. I know that the people of the venue were quite worried and feared the worst, and some things didn't go as planned, but all things considered, I was very pleasantly surprised at how smoothly everything went.

Not one single bad episode, but one general one is that we have to start almost from scratch every year when it comes to finances. We do not get any structural funding and sometimes we have the go- no go moment only a few months before the festival is scheduled to take place.

In your opinion, how did the festival manage to keep on for 12 years and what is the recipe for its success?
That is easy, we have a great team! Members might change over the years, but we always had good and dedicated team members who are willing to sacrifice their precious spare time to make the festival happen. And I think the team has gotten stronger (and bigger) the past few years.

And we have some financial backers who like the festival a lot such as the City of Rotterdam and the Dutch Film Fund.

What is your opinion of Japanese cinema at the moment (anime and live-action), and its penetration in Europe? Are there any individual filmmakers or that stand out?
For anime, it is great to see that some wonderful films have been made the past few years, after MIyazaki/Takahata announced their retirement, to confirm that Japanese animation is more than the studio Ghibli films. 

As for live-action, I love it that every year we see some very strong films made by young directors. I would like to say that some veteran filmmakers continue on making great films, but I find myself often saying that I prefer a certain directors older work over their recent productions. So I guess that means that currently no individual filmmakers stand out for me.


How do you imagine the future of the festival, and what are your plans for the next editions?
We pretty much work year by year and we cannot plan much further ahead, mostly because we do not know what our budget is going to be. Not because of a lack of ideas, we have plenty of those!

I would like to include some more and bigger music, dance and theater performances at the festival, but since all of these  require quite a lot of funding, I do not foresee that happening any time soon. So until then, we will focus on what we do best, screening a wide and diverse selection of Japanese films.

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Seta,2,Lebanon,1,Lee An-gyu,1,Lee Byeong-Hun,1,Lee Byung-Hun,1,Lee Chang-Hee,1,Lee Je-Yong,1,Lee Joo-young,1,Lee Jung-sun,1,Lee Kwang-kuk,1,Lee Kyoung-mi,1,Lee Myung-se,1,Lee Sa-rang,1,Lee Seo-goon,1,Leena Alam,1,Legend of the Demon Cat,1,Legend of the Mountain,1,Leo Zhang,1,Leon Lai,1,Leste Chen,3,Leung Wing-Fai,1,Ley Lines,1,Lhaki Dolma,1,Li Cheuk-shing,1,Li Hongqi,1,Li Ruijun,1,Liang Ying,1,Life on the Line,2,Lijo Jose Pellissery,1,Like Father,1,Like Son,1,Lim Kah-wai,2,Lim Sang-yoon,1,Lists,13,Little Big Soldier,1,Little Forest,2,Little Shop of Grotesque,1,Little Shop of Horrors,1,Liu Jian,1,Liu Jiayin,2,Liu Yang He,1,Liu Yang River,1,Liu Yulin,1,Live from Dhaka,2,Live Up To Your Name,1,Loi Bao,1,London Korean Film Festival,5,Los Angeles Indian Festival,22,Lost Serenade,1,Love,1,Love and Other Cults,3,Love Education,1,Lovely Man,1,Lovers Are Wet,1,Lovesick,1,Lowlife Love,1,Lucien Castaing-Taylor,1,Lucky Kuswandi,1,Lyberis,4,Machines,1,Mad Tiger,1,Mad World,5,Made in Hong Kong,2,Madman,2,Mahde Hasan,1,Mahesh Narayanan,1,Mai Chan's Daily Life: The Movie,1,Majid Majidi,1,Makoto Shinkai,1,Malayalam,7,Malaysia,17,Mama,1,Mamoru Hosoda,1,Manish Gupta,1,Manny Araneta,2,March Comes in like a Lion,1,Maria Georgiou,26,Mario Cornejo,1,Mark Gallagher,1,Marlina the Murderer in Four Acts,3,Mary Jirmanus Saba,1,Masaaki Yuasa,2,Masaan,1,Masaharu Take,1,Masahiro Shinoda,1,Masakazu Sugita,1,Masaki Adachi,1,Masanori Tominaga,1,Masaru Konume,1,Masato Harada,2,Masato Ozawa,2,Masatoshi Kurakata,1,Matt Cooper,19,Matthew D. Johnson,1,Matthias Hoene,1,Maundy Thursday,1,Mayaanadhi,1,Mayurakshi,1,Meghe Dhaka Tara,1,Memoir of a Murderer,1,Merantau,1,Mermaid,1,Miaoyan Zhang,1,Michael Haertlein,1,Michelle Hung Tsz-ching,2,Midi Z,1,Midnight Runners,1,Midori Impuls,4,Midori The Camelia Girl,1,Mikhail Red,4,Milk the Maid,1,Minamata: The Victims and Their World,1,Ming-Yeh Rawnsley,1,Minoru Kunizawa,1,Mira Nair,1,Miss Zombie,1,Miwa Nishikawa,2,Mohammad Rasoulof,1,Mohammad-Reza Lotfi,1,Mon Mon Mon Monsters,1,Mong-Hong Chung,2,Mongolia,2,Monika S-r,1,Monologue,1,Moon Lovers,1,Moon So-ri,1,Mototsugu Watanabe,4,Mouly Surya,3,Mountains May Depart,2,Mourning Forest,1,Movie,2,Moving,1,Mr Long,1,Mr. Socrates,1,Mrs Fang,1,Mrs K,2,Mukti Bhawan (Hotel Salvation),1,Mumon: The Land of Stealth,1,Museum,1,My Beloved Yak,1,My Dad and Mr Ito,1,My Heart is that Eternal Rose,1,My Hero Chihiro,1,Myanmar,1,Mystics in Bali,1,Nah Hyeon,1,Namiya,1,Nanachan,1,Nandita Roy,1,Naoko Ogigami,5,Naomi Kawase,3,Naosuke Kurosawa,1,Naoyuki Tomomatsu,3,Nawapol Thamrongrattanarit,2,Neeraj Ghaywan,1,Neko Atsume House,1,Neomanila,2,Nepal,1,Nervous Translation,1,Neuchâtel International Fantastic Film Festival,1,Never Ending Blue,1,New Neighbor,2,New World,1,New York Indian Film Festival,1,News,13,Newton,1,Nicholas Poly,4,Night Bus,1,Night is Short,1,Night is Short Walk on Girl,1,Night of the Felines,1,Nikhil Allug,1,Nikkatsu,1,Nikola Cekic,1,Nila Madhab Panda,2,Ninja Pussy Cat,1,Nirbaak,1,Niwatsukino Norihiro,1,No Where,2,No. 1 Chung Ying Street,2,Noboru Iguchi,1,Noboru Tanaka,1,Noboru Uguchi,1,Nobuhiko Obayashi,2,Nobuhiro Yamashita,2,Nobuo Nakagawa,2,Nobuyuki Takeuchi,2,Noise,2,Non-fiction Diary,1,Norbu,1,Noriaki Tsuchimoto,1,Norihiro Niwatsukino,1,Norjmaa,1,Norman England,2,North Korea,2,Now Here,2,Nurse Diary: Beast Afternoon,1,NYAFF,34,Nyamdavaa Baasansuren,1,NYIFF,1,Odd Obsession,1,Oh In-Chun,1,Old Boy,2,Old Stone,1,Old-School Kung-Fu Fest,3,Omar Rasya Joenoes,4,On the Job,1,On The Line Festival,3,On the Run,1,One Cut of the Dead,1,One Man's China,1,Onibaba,1,Operation Red Sea,1,Ophilia,1,Ordinary Person,1,Orson McClellan Mochizuki,1,Osaka Asian Film Festival,12,Osamu Sato,1,Our Happy time,1,Our Time Will Come,1,Outrage Coda,1,Over the Fence,1,Oxhide,1,Oxhide II,1,Oxide Pang,1,Pad Man,1,Padmavati,2,Pai Kau,2,Palatpol Mingpornpichit,2,Pale Flower,1,Panos,1,Panos Kotzathanasis,293,Paresh Mokashi,1,Park Chan-wook,2,Park Hee-joon,1,Park Hoon-Jung,3,Park In-je,1,Park Ki- hyung,1,Park Kwang-hyun,1,Parkpoom Wongpoom,1,Party Round the Globe,1,Passage of Life,1,Past and Future,1,Patrick Hofmeister,72,Patrick Tam,1,Pedro Morata,10,Peerachai Kerdsint,1,Pelden Dorji,1,Pema "Tintin" Tshering,1,Pema Tshering,1,Pen-Ek Ratanaruang,2,Peng Xiaolian,1,Pengfei,2,Pepe Diokno,1,Peque Gallaga,1,Perfect Blue,2,Peter Chan,1,Peter Chen,1,Phanumad Disattha,1,Philippines,19,Pieter - Jan Van Haecke,4,Pieter-Jan Van Haecke,8,Pink Eiga,15,PinkEiga.TV,6,pinku eiga,1,Pinneyum,1,Poet on a Business Trip,1,Poolside Man,1,Pop Aye,1,Posto,1,Prakasan,1,Press Release,2,Priya Giri Desai,1,Prophecy,1,Proshoon Rahmaan,2,Psychic,1,Pumpkin and Mayonnaise,1,Queen of Triads,1,R.Balki,1,Rabbit and Lizard,1,Radiance,1,Rage. Lee Sang-il,1,Rahul Jain,1,Railway Sleepers,1,Rainy Dog,1,Raja Mukhriz,1,Rajkumar Gupta,1,Ram,1,Ram Gopal Varma,1,Randy Mckenzie,4,Rape Zombie: Lust of the Dead,1,Rape Zombie: Lust of the Dead 2,1,Ravine of Goodbye,1,Re:Born,1,Real,1,Realism,1,Red Beard,1,Red Persimmons,1,Rei Sakamoto,1,Reipu zonbi: Lust of the dead 3,1,Resistance at Tule Lake,1,Respeto,2,Resurrection,1,Revenge: A love story,1,Review,9,Reviews,306,Reviews.,2,Reviews. Panos Kotzathanasis,1,Rima Das,1,Riri Riza,3,Ritwik Ghatak,2,River of Exploding Durians,2,River's Edge,3,Robin Weng,1,Roger Lee,2,Roman Porno,1,Ronja,1,Rouge,1,Rouven Linnarz,1,Roya Sadat,2,Running on Karma,1,Russia,1,RV: Resurrected Victims,1,Ryoo Seung-wan,2,Ryota Sakamaki,1,Ryu Kaneda,1,Ryuki,1,Ryutaro Ninomiya,2,S. Korea,74,S.Korea,2,Saayak Santra,9,Sabrina Baracetti,1,Sabu,4,Sade Sato,1,Salaam Bombay,1,Samui Song,1,San Diego Asian Film Festival,17,San Diego Film Festival,2,Sanjay Leela Bhansali,2,Sanjeewa Pushpakumara,2,Sankha Ray,33,Sarita Khurana,1,Satan's Slaves,3,Satoru Hirohara,1,Satoshi Kon,3,Satya,1,Satyajit Ray,2,Say Yes,1,Sayandeep Bandyopadhyay,6,Scarlet Heart,1,Score,1,Sea Fog,1,Seijun Suzuki,3,Sekigahara,1,Serga Mathang,1,Sexy S.W.A.T. Team,1,Sha Po Lang,1,Shake Rattle and Roll,1,Shakti Sounder Rajan,1,Shanjhey Kumar Perumal,1,Shanker Raman,1,Shaw Brothers,2,She Remembers He Forgets,2,She's the Boss,1,Shehjar,1,Shiboprosad Mukherjee,1,Shift,2,Shigeru Umebayashi,1,Shikhar Verma,13,Shikhar Verna,3,Shim Sung-Bo,1,Shinichi Fukazawa,1,Shinichiro Ueda,1,Shinji Iwai,1,Shinji Somai,2,Shinji Sômai,1,Shinjuku Swan,1,shinjuku Swan II,1,Shinjuku Triad Society,1,Shinobi no Kuni,2,Shinsuke Ogawa,1,Shinsuke Sato,2,Shinya Tsukamoto,4,Shireen Seno,2,Shirley Abraham,1,Shock Wave,1,Shôhei Imamura,1,Shoot for the Contents,1,Shorts,9,Shotaro Kobayashi,1,Shu Qi,1,Shuna Iijima,1,Shunji Iwai,2,Shutter,1,Shuttle Life,2,Shyam Ramsay,1,Siddiq Ahamed,1,Sidharth Bharathan,1,Sidi Saleh,1,Signature,1,Silent Mist,1,Silver Spleen,2,Singapore,3,Singh Anand,1,Singing Chen,1,Sinophone,1,Sion Sono,10,Siti,1,Sixth Sense Hooker,1,Slavemen,1,Sleep Curse,1,Small Talk,2,Smriti Mundhra,1,Sogo Ishii,2,Soichi Umezawa,1,Solanin,1,Solitude,1,Solo,1,Someone To Talk To,1,Sompot Chidgasompongse,2,Song Hae-sung,1,Song Kang-ho,1,Song of the Week,22,Sopawan Boonnimitra,1,Sopon Sakdapisit,1,Soul,1,Soul Mate,1,SoulMate,2,South Korea,24,Sri Lanka,3,Sridevi,1,Srijit Mukherji,8,Stammering Ballad,1,Stanley Kwan,1,Stanley Tong,1,Steel Rain,1,Stephen Chow,1,Stephen Fung,2,Steve James,1,Still the Water,1,Stoneman Murders,1,Story in Taipei,1,Strange Circus,1,Studio Ghibli,1,StudioCanal,4,Subenja Pongkorn,2,Suffering of Ninko,2,Sugihara Survivors: Jewish and Japanese,1,Suicide Club,1,Sukita: The Shoot Must Go On,1,Suman Mukhopadhay,1,Summer Snow,1,Sun-ho Cho,1,Sunao Katabuchi,3,Sunday Beauty Queen,1,Sung-hong Kim,1,Sunk Into the Womb,1,Sushama Deshpande,1,Susumu Hirasawa,1,Sweating the Small Stuff,2,Sylvia Chang,1,Tadashi Nagayama,1,Tae Guk Gi,1,Tag,1,Taiwan,28,Takaaki Hashiguchi,1,Takahide Hori,1,Takahiro Miko,1,Takahisa Zeze,1,Takao Nakano,1,Takaomi Ogata,4,Takashi Miike,10,Take Care of My Cat,1,Take Me to the Moon,1,Take Off,1,Takeo Kikuchi,2,Takeshi Kaneshiro,1,Takeshi Kitano,1,Takuro Nakamura,2,Talop Wangchuk,1,Tamil,4,Tamura Senichi,1,Tang Seng Kiat,2,Tanit Jitnukul,1,Tanvir Ashraf,2,Taste of Rice Flower,2,Tatara Samurai,1,Tatsuhi Omori,1,Tatsumi,1,Tatsumi Kumashiro,1,Teddy Soeriaatmadja,1,Teenkahon,1,Teppei Nakamura,1,Tetsuo the Iron Man,1,Tetsuya Mariko,1,Tetsuya Nakashima,1,Thailand,21,Thanatos Drunk,1,That's It,1,The Adventurers,2,The Apology,1,The Bad,1,The Blue Redemption,1,The Boy and the Beast,3,The boy from Ipanema,1,The Brink,1,The Chase,1,The Cinema Travellers,1,The Crawler in the Attic,1,The Crazy Family,1,The Day After,1,The Detective,1,The Discloser,1,The Dollhouse,1,The elephant and the sea,2,The Empty Hands,1,The Executioner,1,The Eye's Dream,1,The Forest Whispers,1,The Forsaken Land,1,The Fortress,1,The Gangster's Daughter,1,The Girl Who Never Knew War,1,The Golden Fortress,1,The Good,1,The Great Buddha+,1,The Great Passage,1,The Hole,1,The Hungry Lion,1,The Indian Film Festival of Los Angeles,2,The Inugami Family,1,The Iron Ministry,1,The Island That All Flow By,1,The Isthmus,1,The Kid from the Big Apple,1,The King of Pigs,1,The Last Executioner,1,The Last Painting,1,The Long Excuse,1,The Looming Storm,1,The Lowlife,1,The Magic Blade,1,The Man Without a Map,1,The Mayor,1,The Merciless,2,The Mermaid,1,The Muse,1,The Naked Island,1,The Name,1,The Net,1,The Night of the Earthquake,1,The Outlaws,1,The Prison,1,The Promise,1,The Raid,1,The Raid 2,1,The recipe,1,The Road Home,1,The Road to Mandalay,1,the Robber's Daughter,1,The Room,1,The Sacrament,1,The Salesman,1,The Seen and Unseen,1,The Shoot Must Go On,1,The Sleep Curse,1,The Snow King,1,The Sower,2,The Story of the Disappearance of Maryam,1,The Strange Saga of Hiroshi the Freeloading Sex Machine,1,The Suicide Chain,1,The Swindlers,1,The Table,1,The Third Murder,1,The Thousand Faces of Dunjia,1,The Tiger: An Old Hunter's Tale,1,The Tokyo Night Sky is Always the Densest Shade of Blue,1,The Tooth and the Nail,1,The Truth Beneath,1,The Vanished,1,The Villainess,3,The Violin Player,1,The Way We Are,1,The Weird,1,The Windmill Palm Grove,1,Theeran Adhigaaram Ondru,1,Third WIndow,1,This Is Not What I Expected,1,This Is Not What I Expected!,1,Thondimuthalum Driksakshiyum,1,Thop Nazareno,1,Three Sisters,1,Three Times,1,Tiffany Hsiung,1,Tik Tik Tik,1,Tôkaidô Yotsuya kaidan,1,Tokyo Ghoul,1,Tokyo Heaven,1,Tokyo Idols,1,Tokyo Vampire Hotel,1,Tolerance Film Festival,1,Tom Waller,2,Tony Leung,1,Tony Takitani,1,Torico,2,Toronto International Film Festival,1,Toshiaki Toyoda,2,Toshihisa Yokoshima,3,Toshimasha Kobayashi,1,Toshio Matsumoto,1,Toshiya Fujita,1,Toshiyuki Teruya,1,Town in a Lake,1,Traces of Sin,1,Trailers,85,Train to Busan,1,Tran Ham,1,Translated articles,1,Trapped,1,Travellers and Magicians,1,Treb Monteras II,2,Trinh T. Minh-Ha,3,Triple Threat,1,True Fiction,1,Tsai Ming-liang,2,Tulsi Ramsay,1,Twenty Two,1,Twilight Dinner,1,Twitch: You Are My Toy,1,Typhoon Club,1,Udine,3,Ulam Main Dish,1,Um Tae-hwa,1,Uma,1,Unbowed,1,Uncovered,1,Up Down and Sideways,1,V.I.P.,1,Vagabond,1,Vaishali Sinha,1,Vampire Clay,1,Vampire Cleanup Department,2,Vanishing Time A Boy Who Returned,1,Vannaphone Sitthirath,1,various,2,Varnyathil Aashanka,1,Verena Paravel,1,Vesoul International Film Festival,20,Victor Vu,1,Vidya Balan,1,Vietnam,6,Vikram Zushi,1,Vikramaditya Motwane,1,Village Rockstars,1,Vimukthi Jayasundara,1,Vinay Shukla,1,Vincent Kok,1,Violated Angels,1,Visitor Q,1,Vital,1,Vitaly Mansky,1,Vivien Qu,1,Voyage to Terengganu,1,Wai Ka-fai,1,Walk on Girl,1,Walking Past the Future,1,Wang Bing,3,Wang Chao,2,Wang Lung-wei,1,Wang Ming-tai,1,Warriors of the Dawn,2,We Make Antiques,1,Weeds on Fire,1,Wei-Hao Cheng,1,Wellgo USA,2,West North West,2,What a Man Wants,1,What A Wonderful Family 2,1,What Time Is It There?,1,Whispering Corridors,1,Whispering Star,1,White Sun,1,Who Killed Cock Robin,1,Whore Angel,1,Wilson Yip,1,Wiman Rizkidarajat,1,Wine War,1,Winter Vacation,1,With Prisoners,1,Without Memory,1,Wol-Ha: Very Bad Moon Rising,1,Woman of the Lake,1,Won Shin-Yeon,1,Wong Chun,3,Wong Jing,2,Wong Kar-wai,2,Woo Ming Jin,1,Wrath of Silence,1,Xaisongkham Induangchanthy,1,Xin Yukun,1,Xu Bing,1,Ya-che Yang,1,Yamato (California),4,Yan Pak Wing,2,Yang Chao,2,Yang Ik-june,1,Yang Jong-hyeon,1,Yang Woo-seok,1,Yao Tian,1,Yash Chopra,1,Yasmin-san,1,Yeon Sang-ho,2,Yes Madam,1,Yeti Obhijaan,2,Yim Soon-rye,2,Yin Liang,1,Yiu-wai Chu,1,Yoji Yamada,1,Yoo Ha,1,Yoon-chul chung,1,Yoonsuk Jung,1,Yosep Anggi Noen,1,Yoshihiro Hanno,1,Yoshihiro Nakamura,2,Yoshihiro Nishimura,3,Yoshimasa Jimbo,1,Yoshinari Nishikori,1,Yoshishige Yoshida,1,Yoshitaka Mori,1,Yoshiyuki Kishi,1,Yosuke Takeuchi,2,Yotsuya kaidan,1,You Losers!,1,Your Name,1,Youth,1,Yu Aoi,2,Yu Irie,1,Yu Sang-wook,1,Yuen Chor,1,Yuen Woo-ping,1,Yuji Shimomura,1,Yûji Tajiri,2,Yujiro Harumoto,2,Yuki Tanada,1,Yukihiko Tsutsumi,2,Yukuhiro Morigaki,2,Yusaku Matsumoto,2,Yutaka Ikejima,3,Yutaro Nakamura,1,Yuya Ishii,2,Zakka Films,2,Zen,1,Zhang Lu,1,Zhang Nan,1,Zhang Yimou,1,Zig Dulay,1,Zombiology: Enjoy Yourself Tonight,1,Zoo,1,Zuairijah Mou,1,Zuri Rinpoche. Bhutan. Five Flavours,1,
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Asian Film Vault: Interview with Alex Oost: The main purpose of the festival is to showcase a diverse selection of Japanese films in the Netherlands.
Interview with Alex Oost: The main purpose of the festival is to showcase a diverse selection of Japanese films in the Netherlands.
We speak with Alex Oost, director of Camera Japan about the purpose and the history of the festival, its processes, Japanese cinema, and other topics.
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Asian Film Vault
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