映画「バーミー」BAMY (2017) 田中 隼

黒沢清の後継者となるか


日本語訳 / Translators:相磯展子 / Nobuko AISO  (Art Translators Collective)

田中隼監督はわずか70万円という超低予算で新しい切り口の幽霊(ホラー)映画に挑んだ。本作は3月に大阪アジアン映画祭で初上映。

作品の冒頭シーンから奇妙な雰囲気が打ち出されている。高層ビルを上っていくシースルーエレベーターの中で田代史子は外に浮かぶ赤い傘を目撃する。しばらくしてビルから出てきた史子の目の前の通りに同じ傘が落下し、その場にいた史子と、通りがかりの人物――史子の大学の旧友、佐伯亮太であることが発覚する――を驚かせる。そこから物語は数年先に進み、二人は婚約し、同棲を始めている。しかし、亮太がその間ずっと史子にある隠し事をしていたことが観客に明かされる。彼には幽霊が見えてしまうのだが、自身の能力を受け止めきれず、神経を病むようになる。時間が経つにつれ彼の精神状態はさらに悪化し、目前に控えた史子との結婚や、仕事(倉庫の作業員)にも陰りが見え始める。また、時を同じくして亮太は木村紗英という女性と出会う。亮太と同じ能力を持つ彼女は、彼以上に怯えながら暮らしている。予想だにしなかった出来事がまた一つ加わり、亮太の人生はさらにややこしく絡まっていく。


田中は本作のテーマについてこう述べている。「『運命の赤い糸』――恋人同士を巡り合わせる力として、東アジアで信じられている――は呪いだ。奇跡を自ら起こすことはできない。それはむしろ私たちに唐突に、乱暴に、一方的に、何か強大な存在によって与えられる。それから逃げることも、拒否することもできない。もし運命の赤い糸が存在するのならば、そういう恐ろしいものに違いない。その強大なものの前では、いつだって人は無力で小さい。奇跡はその対象を無作為に選び、振り回し、結ばれるまで許さない」。この田中の主張は至るところに出現する赤い傘によって視覚的に表現されている。それは上述の「赤い糸」、そして切っても切れない史子と亮太の関係性を象徴している。田中が二点目に挙げた「運命、そして本質的には自らの人生の前で無力な人間」というテーマは幽霊たちを通して描かれている。このように田中は「自らの運命をほとんど、もしくは全く変えることができない操り人形としての人間」といういくぶん悲観的な視点を提示している。これは重要な指摘ではあるが、母親的な権力を持つ女性と、ぼんやりとした幼稚な男性という二人の主人公のごく典型的で退屈な関係性もあり、特に二人の間に強い絆が感じられない。加えてその極めてシュールなエンディングでは、超自然的な設定がファンタジーへと変容し、本作が伝えようとしているメッセージがさらに難解で曖昧なものになってしまっている。

一方で映像自体にはほぼ欠点が見当たらない。予算規模を考えるとなおさらである。シネマトグラフィーは実に素晴らしいものがある。映像を支配するグレーの色合いが非常に独特の雰囲気を醸し出し、恐怖、混乱、不安を掻き立てる。こうした雰囲気の中で暗闇で顔が隠された霊たちが―幽霊たちの顔は一度も画面に登場することはない――登場し、より一層不穏な空気が高まる。また、観客はこの体験を通してあらゆる場所で幽霊に遭遇してしまう亮太の精神状態に共感することができる。このイメージ作りがまた、巧みな照明使いをより一層際立たせている。同様に画面構成も完成度が高く、各アクションがシーンとの関連性において興味深い視点から捉えられている。


不吉な予感は、不気味な合唱と独特な手法が用いられた音の扱いによってさらに増幅されている。特定のシーンでは徐々に音量が大きくなっていくが、ピークを過ぎると完全な沈黙に包まれ、結局音の効果が示唆していた惨事はやってこない。観客の神経を逆撫でするような展開だが、作品全体において苦悩の雰囲気を維持する上で上手く機能している。最後に、作中のあらゆるキスシーンが、その長さと濃厚さゆえに異常なエロティシズムを醸し出し、明らかな意図が感じられた点も楽しめた。

この作品の主人公は行永浩信が演じる亮太である。亮太は精神的破綻の一歩手前にあるものの、恋人との関係をなんとか保とうと自分の状況を包み隠し普通を装うとする男性という設定だが、行長はこの役を上手く演じている。彼の演技の見所は、幽霊に直面し、突然立ち止まるシーンである。中里広海も、何かがおかしいことに気づこうとしない典型的な母親代わりの嫁役を上手く演じている。脇役ではあるが、日々幽霊に脅える木村紗英を演じる柘植美咲は、高い演技力を見せた。見どころは、木村が暴れ出すシーンである。



ストーリーの欠陥にも関わらず『バーミー』はデビュー作としてその完成度が光る。特にその手法に黒沢清のホラー映画の影響が見られる点においても、今後田中隼の活動を一度限りではなく継続的に追っていきたい。


COMMENTS

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Asian Film Vault: 映画「バーミー」BAMY (2017) 田中 隼
映画「バーミー」BAMY (2017) 田中 隼
黒沢清の後継者となるか
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Asian Film Vault
http://www.asianfilmvault.com/2017/10/bamy-2017.html
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