Noise (2017) by Yusaku Matsumoto

A great debut, in Lee Sang-il's "Rage" style

Fractured narrative is a technique that has produced a number of masterpieces through the years, with "Mulholland Drive" and "Rashomon" being the first that come to mind. The contemporary Japanese version of the technique, involves three different arcs, which intermingle, focused on a single event, as exemplified in Lee Sang-il's "Rage." Yusaku Matsumoto follows in the footsteps of the Zainichi Korean.

Noise will screen at Camera Japan, that will be on in Rotterdam 21-24 September and Amsterdam 29 September - 1 October


The event that serves as a base here is the Akihabara Massacre, an event that took place in 2008 and involved Tomohiro Kato, who drove into a crowd with a truck and the stabbed at least 12 people with a dagger, eventually killing seven and injuring 10.. Tomohiro Kato was sentenced to death, and the announcement of his sentence serves as the beginning point of the film.

Misa, whose mother was murdered during the incident, has to face a father who neglects her, with his sole focus being on gambling on horses. Misa does not talk at all to him, due to a number of events of the past, while she works as an idol, and also at a parlor that offers "comforting services" to customers, ranging from cuddling and kissing through a piece of transparent tape, to slapping.

Ken is a warehouse worker, suffering due to his mother, who keeps stripping him from every penny he earns to indulge in whatever wishes she has each time. Her behaviour reaches its nadir when she receives some money from loan-sharks and then disappears, living her son to face them and the possibility of eviction.


Rie is another girl who lives with her father and grandfather, completely disconnected from them, spending most of her time with her kind of delinquent boyfriend. Eventually their relationship deteriorates though, while her father takes a liking to Misa, who reminds him of his daughter.

Yusaku Matsumoto uses the three arcs, which intermingle through a number of common individuals and some minor connections, in order to highlight the alienation people suffer from in the megalopolis. His protagonists are living lives where there is no way out, with their situation deteriorating as time passes. Akihabara seems to serve as the only place of solace, not only for the protagonists but for a plethora of people, even through ways like the line of work Misa has, and the general concept of the idols. However, the basic concept of the Akihabara massacre seems to strip even that, consequently inducing the film with a permeating sense of extreme pessimism, that seems to contrast the bright neon lights and the motley colors of the area.

Matsumoto seems to place much fault for this situation to the previous generation, as all the parents in the story have failed their children in various ways. Rie and Misa's fathers seem to try to change that, but their efforts are either awkward (in the case of Misa) or end up making things even worse, in the case of Rie. The blame for the lack of communication, which started between parents and children and extended in all aspects of the children's lives is solely put on them.

There is a very strong scene in the movie, where Misa is being interviewed about the Akihabara Massacre and starts explaining her life, while her friend and manager offers some kind of justification to the perpetrator, that seems to highlight the detachment people outside of the families of the victims of anything real.


The most impressive part of the film comes, however, comes from the narrative Matsumoto implements, with the flashbacks and the change of the perspective according to the protagonist on screen. His tactics keep the film flowing in a fashion that holds the attention of the spectator from wavering even for a moment, as the story flows smoothly, through the elaborate editing. Kentaro Kishi does a great job in portraying a world that seems fun and happy on the outside, through intense lights and colors, but bleak and hopeless on the inside, as the shadows and the lack of light that dominate the interiors in the film.

Matsumoto intermingles some scenes that function like music videos, particularly in the beginning of the film, which look impressive and function quite well through the electronic sounds of Banvox.

The acting is also on a very high level, headed by Kokoro Shinozaki, a real-life idol who seems to capture the desperation and its disguise of her character to perfection. Urara Anju, another idol, plays Rie in a smaller part, exemplifying her character's constant frustration quite convincingly. Kohsuke Suzuki as Ken is also great, as he manages to portray a young man whose anger is boiling, emitting a sense that it will soon erupt at all times.

"Noise" is a great feature debut for Yusaku Matsumoto, who manages to capture the essence of modern Tokyo through his elaborate narrative, impressive visuals and the performance of his cast.


COMMENTS

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Lee,1,India,48,Indonesia,16,International Film Festival Rotterdam,11,Interview,3,Interviews,44,Inugami,1,Ip Man: The Final Fight,1,Iran,8,Isao Yukisada,1,Ishqiya,1,J.P. Sniadecki,1,Jaatishwar,1,Jab Harry Met Sejal,1,Jackie Chan,4,Jagat,1,Jagga Jasoos,1,Jailbreak,4,James Mudge,1,Jang Chang-won,1,Jang Hoon,1,Japan,198,Japan Cuts,15,Japan Film Festival Australia,1,Japan Filmfest Hamburg,16,Japan Foundation Touring Programme,1,Japan the Emperor and the Army,1,Japanese Film Festival Australia,2,Jean-Marc Therouanne,1,Jean-Paul Ly,1,Jeong Byeong-gil,1,Jeong Jae-eun,1,Jeong Yun-Cheol,1,Jero Yun,1,Jesse V. Johnson,1,Jet Leyco,2,Jia Zhangke,1,Jigoku,1,Jimmy Henderson,3,Jithin K Mohan,7,Joby Varghese,1,Joe Odagiri,2,John Abraham,1,Johnnie To,2,Johnny Ma,1,Joko Anwar,6,Jonathan Cianfrani,1,Jonathan Wilson,8,Jonathan Yi,1,Joo Ji-hong,1,Josh Parmer,1,Journey of the Tortoise,1,July Jung,1,Jun Ichikawa,1,Jun Li,1,Jun Tanaka,3,Jung Byung-gil,2,Jung Sik,1,Jung Yoon-suk,1,Junichi Kajioka,2,Junk Head,1,K-dramas,11,Kaasan Mom’s Life,1,Kala,1,Kaneto Shindo,2,Kang Je-gyu,1,Kang Yoon-Sung,1,Kara Hui,1,Karan Johar,1,Katsuya Tomita,2,Kaushik Ganguly,1,Kazuya Shiraishi,1,Kei Chikaura,1,Kei Ishikawa,1,Keishi Otomo,1,Keishimi Oto,1,Ken and Kazu,1,Kenichi Watanabe,1,Kenji Yamauchi,1,Kentaro Hagiwara,1,Kfc,2,Khavn,2,Khosla Ka Ghosla!,1,Khushboo Ranka,1,Khyentse Norbu,1,Kill me,1,Killing Beauty,1,Kim Bong-han,1,Kim Eun-hee,1,Kim Hong-Sun,1,Kim Hyun-seok,1,Kim Jee-woon,4,Kim Jong-Kwan,1,Kim Joo-hwan,1,Kim Ki-duk,5,Kim Kih-hoon,1,Kim Min-suk,1,Kim Seong-hoon,1,Kim Whee,1,Kim Yong-hwa,1,King Hu,1,Kingyo,1,Kirti Raj Singh,1,Kiss me,1,Kiyoshi Kurosawa,4,Kôbun Shizuno,1,Kodoku Meatball Machine,1,Koji Fukada,1,Koji Wakamatsu,1,Kon Ichikawa,2,Konkona Sen Sharma,1,Konrad Aderer,2,Korea,1,Kotoko,1,Kristina Aschenbrennerova,1,Krzysztof Pietrzak,1,Kun-Yu Lai,14,Kung Fu Yoga,1,Kwak Kyung-taek,2,Kyoko Miyake,2,Kyriacos Kyriacou,3,Labour of Love,1,Lady of the Lake,1,Lady Snowblood,1,Laos,3,Lawrence Ah Mon,1,Le Binh Giang,2,Le Bình Giang,1,Leandro E. 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Johnson,1,Matthias Hoene,1,Maundy Thursday,1,Mayurakshi,1,Meghe Dhaka Tara,1,Memoir of a Murderer,1,Merantau,1,Mermaid,1,Michael Haertlein,1,Michelle Hung Tsz-ching,1,Midi Z,1,Midnight Runners,1,Midori Impuls,1,Midori The Camelia Girl,1,Mikhail Red,3,Milk the Maid,1,Ming-Yeh Rawnsley,1,Mira Nair,1,Miss Zombie,1,Miwa Nishikawa,2,Mohammad Rasoulof,1,Mohammad-Reza Lotfi,1,Mon Mon Mon Monsters,1,Mong-Hong Chung,2,Monika S-r,1,Monologue,1,Moon Lovers,1,Mototsugu Watanabe,3,Mouly Surya,1,Mountains May Depart,1,Mourning Forest,1,Movie,2,Moving,1,Mr. Socrates,1,Mrs Fang,1,Mrs K,1,Mukti Bhawan (Hotel Salvation),1,Mumon: The Land of Stealth,1,Museum,1,My Beloved Yak,1,My Dad and Mr Ito,1,Myanmar,1,Nah Hyeon,1,Nandita Roy,1,Naoko Ogigami,4,Naomi Kawase,3,Naosuke Kurosawa,1,Naoyuki Tomomatsu,3,Nawapol Thamrongrattanarit,1,Neeraj Ghaywan,1,Neko Atsume House,1,Neomanila,1,Nepal,1,Neuchâtel International Fantastic Film Festival,1,New Neighbor,1,News,3,Newton,1,Nicholas Poly,4,Night Bus,1,Night is Short,1,Night is Short Walk on Girl,1,Nikkatsu,1,Nikola Cekic,1,Ninja Pussy Cat,1,Nirbaak,1,Niwatsukino Norihiro,1,Noboru Uguchi,1,Nobuhiro Yamashita,2,Nobuo Nakagawa,2,Nobuyuki Takeuchi,2,Noise,1,Non-fiction Diary,1,Norbu,1,Norihiro Niwatsukino,1,Norjmaa,1,Norman England,1,North Korea,2,Nurse Diary: Beast Afternoon,1,NYAFF,34,Odd Obsession,1,Old Boy,2,Old Stone,1,Old-School Kung-Fu Fest,3,Omar Rasya Joenoes,3,On the Job,1,On The Line Festival,3,On the Run,1,Onibaba,1,Operation Red Sea,1,Ophilia,1,Ordinary Person,1,Osamu Sato,1,Our Happy time,1,Our Time Will Come,1,Outrage Coda,1,Over the Fence,1,Oxide Pang,1,Padmavati,2,Palatpol Mingpornpichit,2,Pale Flower,1,Panos,1,Panos Kotzathanasis,196,Paresh Mokashi,1,Park Chan-wook,2,Park Hoon-Jung,2,Park In-je,1,Park Ki- hyung,1,Park Kwang-hyun,1,Parkpoom Wongpoom,1,Past and Future,1,Patrick Hofmeister,53,Pedro Morata,9,Peerachai Kerdsint,1,Pelden Dorji,1,Pema Tshering,1,Pen-Ek Ratanaruang,2,Peng Xiaolian,1,Pepe Diokno,1,Perfect Blue,2,Peter Chan,1,Peter Chen,1,Phanumad Disattha,1,Philippines,11,Pieter - Jan Van Haecke,3,Pieter-Jan Van Haecke,6,Pink Eiga,9,PinkEiga.TV,1,pinku eiga,1,Pinneyum,1,Poet on a Business Trip,1,Poolside Man,1,Posto,1,Press Release,2,Proshoon Rahmaan,2,Psychic,1,Rabbit and Lizard,1,Radiance,1,Rage. Lee Sang-il,1,Rahul Jain,1,Railway Sleepers,1,Rainy Dog,1,Raja Mukhriz,1,Rajkumar Gupta,1,Randy Mckenzie,4,Rape Zombie: Lust of the Dead,1,Rape Zombie: Lust of the Dead 2,1,Rape Zombie: Lust of the Dead 3,1,Ravine of Goodbye,1,Re:Born,1,Real,1,Realism,1,Red Beard,1,Red Persimmons,1,Resistance at Tule Lake,1,Revenge: A love story,1,Review,6,Reviews,216,Reviews.,2,Riri Riza,3,Ritwik Ghatak,2,River of Exploding Durians,1,Robin Weng,1,Roman Porno,1,Rouge,1,Running on Karma,1,Russia,1,RV: Resurrected Victims,1,Ryoo Seung-wan,1,Ryota Sakamaki,1,S. Korea,64,S.Korea,2,Saayak Santra,9,Sabrina Baracetti,1,Sabu,3,Salaam Bombay,1,Samui Song,1,San Diego Asian Film Festival,13,Sanjay Leela Bhansali,2,Sanjeewa Pushpakumara,2,Sankha Ray,28,Satan's Slaves,2,Satoru Hirohara,1,Satoshi Kon,3,Satyajit Ray,1,Say Yes,1,Sayandeep Bandyopadhyay,6,Scarlet Heart,1,Score,1,Seijun Suzuki,3,Sekigahara,1,Sexy S.W.A.T. 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Gangster's Daughter,1,The Girl Who Never Knew War,1,The Golden Fortress,1,The Good,1,The Great Buddha+,1,The Great Passage,1,The Hole,1,The Inugami Family,1,The Iron Ministry,1,The Island That All Flow By,1,The Isthmus,1,The King of Pigs,1,The Last Executioner,1,The Last Painting,1,The Long Excuse,1,The Magic Blade,1,The Man Without a Map,1,The Mayor,1,The Merciless,2,The Mermaid,1,The Muse,1,The Naked Island,1,The Net,1,The Prison,1,The Raid,1,The Raid 2,1,The recipe,1,The Road Home,1,The Road to Mandalay,1,The Room,1,The Salesman,1,The Sleep Curse,1,The Sower,2,The Story of the Disappearance of Maryam,1,The Strange Saga of Hiroshi the Freeloading Sex Machine,1,The Swindlers,1,The Table,1,The Third Murder,1,The Thousand Faces of Dunjia,1,The Tiger: An Old Hunter's Tale,1,The Tokyo Night Sky is Always the Densest Shade of Blue,1,The Tooth and the Nail,1,The Truth Beneath,1,The Villainess,3,The Violin Player,1,The Weird,1,The Windmill Palm Grove,1,Third WIndow,1,This Is Not What I 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Asian Film Vault: Noise (2017) by Yusaku Matsumoto
Noise (2017) by Yusaku Matsumoto
A great debut, in Lee Sang-il's "Rage" style
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Asian Film Vault
http://www.asianfilmvault.com/2017/09/noise-2017-by-yusaku-matsumoto.html
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http://www.asianfilmvault.com/2017/09/noise-2017-by-yusaku-matsumoto.html
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