Extraordinary Mission (2017) by Alan Mak and Anthony Pun

An undercover cop tries to disrupt a drug ring while fighting his superiors and a burgeoning drug addiction.


After initially delivering the classic "Infernal Affairs" trilogy, the writers of that series, Felix Chong and Alan Mak, are back in the genre once again with another stellar undercover thriller. While Chong stays on as a writer, Mak has moved into the director's chair alongside cinematographer Anthony Pun, which now moves the film away from the subdued drama-like leanings and instead finds itself charging headfirst into classic Hong Kong action cinema.

"Extraordinary Mission" will screen at the New York Asian Film Festival, that will be on June 30 to July 16


Still on edge following his mother's death, determined cop Liu Haojun (Xuan Huang from "The Great Wall" and "The Golden Era") is struggling to stay undercover in a high-level drug-smuggling ring owned and operated by master-criminal Cheng Yi (Xing Jiadong from "1911" and "Soldiers and Their Commanders"). Known as Lin Kai to the rest of the gang, his efforts to bring the gang down from within, continually cause the group to bring him deeper into their organization where he meets up with the Thailand side of their organization run by Eagle (Duan Yihong from "Drifters" and "The Message") who sees through the charade. With his cover blown and now addicted to the drugs he's trying to stop, he sets out on a final mission to bring down the criminal gang once and for all.

Frankly, there's not a whole lot wrong here. The film's biggest issue is it's overly simplistic and nonsensical story. The ability to constantly pull these actions off leaves the film feeling more like a series of coincidences rather than a logical motive. Essentially, everything boils down to Haojun having fake identity cards which is what allows him to gain the trust of the group and raise his status, yet no one checks up on him or does any kind of follow-up to the new guy coming in. How he manages to stay undercover while still arranging meetings with his handler, supplying manufacturing and shipping details or always getting away from police ambushes with every situation being too easy to escape, just undermine the story. Coming from their history, this is a real weak spot.

Likewise, the acting here is rather unremarkable. Lead tends to go through the motions with the same sullen, blank expression that never changes, even under torture or drug abuse. A large part of this low-life persona is just to chain-smoke or beat the defenseless, which is not that impressive. He tends to make for a really unappealing hero, although he does handle the action scenes nicely and seems comfortable in a gun-fight or on wires during the kung-fu scenes. None of the regular henchmen amount to anything, either, and it's really only the main bosses that figure into this equation. The Chinese head, Jiadong, comes off like a regular businessman in sheep's clothing, who's obviously up to no good but is too refined to do anything about it. However, it's Yihong as the Thai leader Eagle who steals the show. From his philanthropic dealings to the quiet leadership he expresses at the compound, he's domineering and easily overshadows everyone else in this one.


However, none of that matters once this turns into a full-on action film. These scenes are wholly enjoyable, with the thrilling close-quarter segments by action director Li Chung Chi really delivering some intense and frantic scenes. With the final half-hour being a full-on display of gun-battles on city streets as well as out in the countryside, being up-close with the action gives it a special added flavor. The multitude of motorcycle stunts and a few stellar car crashes get thrown in as well, allowing this with a high-energy final half that comes off really well following the earlier scenes. That the action in the first half is more dependent on car chases and shootouts all balances this one rather nicely, and, overall, makes it quite a bit of fun.

All in all, this is quite a curious affair. The familiar storyline is handled rather sloppily and doesn't really excite much, yet it's all necessary to get to the more explosive action scenes in the final half that are really good. It's certainly worth a look for those interested in more from the duo or enjoy the more explosion-happy action films, while those wanting a follow-up to the intensity of their first project should heed caution.


COMMENTS

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13 Assassins,1,1428,1,1987: When The Day Comes,1,2016,1,2017,3,2LDK,1,3-Iron,1,A Better Tomorrow 2018,2,A Bittersweet Life,1,A Company Man,1,A Day,1,A Dirty Carnival,1,A Feeling Greater Than Love,1,A few words about us,1,A Girl at my Door,1,A Lonely Cow Weeps at Dawm,1,A Love,1,A Man of Integrity,1,A Man Vanishes,1,A Simple Life,2,A Single Rider,1,A Special Lady,1,A Stone from Another Mountain to Polish Your Own Stone. Go Shibata,1,A Tale of Love,1,A Taxi Driver,1,A tiger in winter,1,A Whale of a Tale,1,Abdullah Mohammad Saad,3,About Elly,1,Above the Clouds,1,Adam J. Symchuk,21,Adam John,6,Adam Wong,1,Address Unknown,1,Aditya Vikram Sengupta,2,Adriana Rosati,42,Age of Innocence,1,Age of Shadows,1,Aihara Hiro,1,Akihiko Shiota,2,Akihiro Toda,1,Akio Fujimoto,1,Akira Ikeda,2,Akira Kurosawa,1,Akiyuki Shinbo,2,Alan Mak,1,Ale Amout,1,Alex Oost,1,Alexander Knoth,1,Alfed Cheung,1,Ali Asghar Vadayeh Kheiri,1,Alipato,1,Along with the Gods: The Two Worlds,1,Ambiguous Places,2,Amir Masoud Aghababeian,1,Amir Muhammad,2,Amitabh Reza,1,Anand Singh,5,Andrew Loh,1,Andrew Thayne,9,Andy Lau,1,Andy Willis,1,Angels Wear White,1,Anime,3,Animesh Aich,1,Ann Hui,6,Anna Bliss,3,Anqi Ju,1,Anshul Chauhan,2,Anthony Pun,1,Antiporno,1,Anurag Basu,1,Anurag Kashyap,1,Anysay Keola,1,Apprentice,1,Aqerat,2,Arang,1,Ariyuki Shinbo,1,Armour of God,1,Arrow,4,Art Film Fest Kosice,2,Article Films,3,Asghar Farhadi,1,Asha Jaoar Majhe,2,Ashley Cheung,1,Asian Classics,43,Ask the Sexpert. 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Sniadecki,1,Jackie Chan,5,Jagat,1,Jagga Jasoos,1,James Mudge,1,Jang Chang-won,1,Jang Hoon,1,Jang Joon-hwan,1,Japan,210,Japan Cuts,15,Japan Film Festival Australia,1,Japan Filmfest Hamburg,2,Japan Foundation Touring Programme,3,Japan the Emperor and the Army,1,Japan. Reviews,1,Japanese Film Festival Australia,2,Jeong Jae-eun,1,Jeong Yun-Cheol,1,Jeonju International Film Festival,1,Jess Teong,1,Jesse V. Johnson,1,Jet Leyco,1,Jia Zhangke,2,Jimmy Henderson,2,Jin Xingzheng.,1,Jithin K Mohan,2,Joe Odagiri,2,Johnnie To,2,Johnny Ma,1,Joko Anwar,5,Jonathan Li,1,Jonathan Wilson,7,Jonathan Yi,1,Joo Ji-hong,1,Josh Parmer,1,Journey of the Tortoise,1,Joy of Man's Desiring,1,July Jung,1,Jun Ichikawa,1,Jun Li,1,Jun Tanaka,3,Jung Byung-gil,1,Jung Sik,1,Jung Yoon-suk,1,Junichi Kajioka,1,Junpei Mizusaki,1,Justice in Northwest,1,K-dramas,12,Kaasan Mom’s Life,1,Kam Ka-Wai,1,Kamila Andini,1,Kaneto Shindo,1,Kang Je-gyu,1,Kang Yoon-Sung,2,Kara Hui,1,Katsuya Tomita,3,Katsuyuki Motohiro,1,Kazuya Shiraishi,1,kdrama,1,Ke Guo,1,Keep Calm and Be a Superstar,1,Kei Chikaura,1,Kei Horie,1,Kei Ishikawa,1,Keishimi Oto,1,Ken and Kazu,1,Kengo Yagawa,1,Kenichi Ugaba,1,Kenichi Ugana,1,Kenichi Watanabe,1,Kentaro Hagiwara,1,Kesang P. Jigme,1,Kfc,1,Khavn,2,Khosla Ka Ghosla!,1,Khyentse Norbu,2,Kill me,1,Killing Beauty,1,Kim Bong-han,1,Kim Eun-hee,1,Kim Hong-seon,1,Kim Hong-Sun,1,Kim Hyun-seok,1,Kim Jee-woon,4,Kim Jin-Mook,1,Kim Jong-Kwan,1,Kim Joo-hwan,1,Kim Ki-duk,4,Kim Kih-hoon,1,Kim Min Su kII,1,Kim Min-suk,1,Kim Tae-kyeong,1,Kim Whee,1,Kim Yong-hwa,1,King Hu,1,Kingyo,2,Kirti Raj Singh,1,Kiss me,1,Kiyoshi Kurosawa,5,Kôbun Shizuno,1,Koji Fukada,1,Koji Wakamatsu,1,Komiya Masatetsu,1,Kon Ichikawa,2,Konrad Aderer,1,Korea,2,korean drama,1,Kotoko,1,Krzysztof Pietrzak,1,Kun-Yu Lai,12,Kwak Kyung-taek,2,Kyoko Miyake,1,Kyriacos Kyriacou,3,Labour of Love,1,Lady Snowblood,2,Lam Wingsum,1,Laos,3,Laughing Under the Clouds,1,Le Binh Giang,1,Le Bình Giang,2,Leandro E. Seta,1,Lebanon,1,Lee An-gyu,1,Lee Byeong-Hun,1,Lee Byung-Hun,1,Lee Chang-Hee,1,Lee Je-Yong,1,Lee Joo-young,1,Lee Jung-sun,1,Lee Kwang-kuk,1,Lee Myung-se,1,Lee Sa-rang,1,Lee Seo-goon,1,Legend of the Demon Cat,1,Leo Zhang,1,Leon Lai,1,Leste Chen,2,Leung Wing-Fai,1,Ley Lines,1,Lhaki Dolma,1,Li Cheuk-shing,1,Li Ruijun,1,Liang Ying,1,Life on the Line,2,Like Father,1,Like Son,1,Lim Sang-yoon,1,Lists,12,Little Big Soldier,1,Little Forest,1,Little Shop of Grotesque,1,Little Shop of Horrors,1,Liu Yang He,1,Liu Yang River,1,Live from Dhaka,2,Live Up To Your Name,1,Loi Bao,1,London Korean Film Festival,5,Los Angeles Indian Festival,3,Love,1,Love and Other Cults,1,Love Education,1,Lovely Man,1,Lovers Are Wet,1,Lowlife Love,1,Lucky Kuswandi,1,Lyberis,4,Mad Tiger,1,Mad World,3,Made in Hong Kong,1,Madman,2,Mahde Hasan,1,Mai Chan's Daily Life: The Movie,1,Majid Majidi,1,Makoto Shinkai,1,Malaysia,12,Mama,1,Mamoru Hosoda,1,Manny Araneta,2,March Comes in like a Lion,1,Maria Georgiou,24,Mark Gallagher,1,Marlina the Murderer in Four Acts,3,Mary Jirmanus Saba,1,Masaaki Yuasa,2,Masaharu Take,1,Masahiro Shinoda,1,Masakazu Sugita,1,Masaki Adachi,1,Masanori Tominaga,1,Masaru Konume,1,Masato Harada,2,Masato Ozawa,1,Masatoshi Kurakata,1,Matt Cooper,15,Matthew D. 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Asian Film Vault: Extraordinary Mission (2017) by Alan Mak and Anthony Pun
Extraordinary Mission (2017) by Alan Mak and Anthony Pun
An undercover cop tries to disrupt a drug ring while fighting his superiors and a burgeoning drug addiction.
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Asian Film Vault
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