Score (2016) by Aya Itabe (T)

In search of truth


Makino (Yukio Komasaki ) wakes up in a park in the morning and suddenly realizes that he has been sleeping for the last twenty years, since 1996 and cannot recollect anything that happened in between.  He meets Sekine (Shigenori Takeuchi), an investigator who is looking for a job and appoints him to find out the history of his lost twenty years. Then appears a man (Moriwaki) who wants to kill Makino as he claims to have been cheated by him. 

Moriwaki says that Makino was a great rock star and that he was his fan and  follower. But, as time passed, Makino changed his professions many times and eventually transformed into a professional killer. Now Moriwaki wants to kill Makino, as he has lost all his innocence and has become a sinner and a killer.  Here enters a girl, who claims to be the ex- lover of Moriwaki and decides to kill him as she is betrayed by him. The circle of incidents continue till Chinatsu (played by the director Aya Itabe herself) enters the scene and the story ends with a dramatic turn around.


Yukio Komasaki as Makino gives an excellent performance and the director exploits his facial expressions beautifully.  He is brilliant in the first scene and his expression as a lost vagabond is just outstanding. Shigenori Takeuchi as Sekine and the director herself as Chinatsu are perfect.

"Score" is a film that depicts many incidents within a short frame of time. The director Aya Itabe handles the script brilliantly and with the help of slick editing and the smart camera work by Mamoru Gomi narrates the story in an interesting manner. The film deals with the deep human psychology of lies and each and every character feels like he has been cheated by another in the movie. The film also depicts the degeneration of the society in the last twenty years as Makino forgets (or he wants to forget) his previous history and that history is not that cherishable. 

The film ends with a pretended truth and the director proves the only truth in the film to be a fake statement at the end, highlighting number “twenty”, the age at which humans tend to loose their innocence and become materialistic, due to the ever changing pressure of the artificial world.



COMMENTS

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2017,1,A Company Man,1,A Love,1,A Man Vanishes,1,A Tale of Love,1,A Whale of a Tale,1,Adam J. Symchuk,5,Adam John,1,Aditya Vikram Sengupta,1,Adriana Rosati,2,Alex Oost,1,Amir Masoud Aghababeian,1,Andrew Thayne,1,Anime,1,Anna Bliss,1,Anshul Chauhan,2,Arang,1,Armour of God,1,Arrow,1,Article Films,1,Asha Jaoar Majhe,1,Asian Classics,5,Aya Itabe,1,Bad Poetry Tokyo,4,BAMY,1,Ben Stykuc,1,Bengal,1,Branded to Kill,1,Breathless,1,Burning Birds,1,Camera Japan,3,Chinese Visual Festival,1,Chungking Express,1,Close-Knit,1,Coffeemates,1,Colette Balmain,2,Crows Zero,1,Cyrano Agency,1,Daisuke Miyazaki,2,Ddongpari,1,Deadly Outlaw: Rekka,1,Deepak Rauniyar,1,Digger,1,Ding Shen,1,Documentaries,5,Don Anelli,1,Double Life,1,Exploitation,1,Fabricated City,1,Faye Wong,1,Features,6,Festivals,1,Filmdoo,2,Flying Fish,1,Forgetting Vietnam,1,Good -Bye Silence,1,Haunters,1,Hidden Gems,10,Hong Kong,1,Horror,2,I-Lin Liu,3,ICA,3,Imran Firdaus,1,In this Corner of the World,2,Indonesia,2,Interview,1,Interviews,17,Inugami,1,Iran,1,Jackie Chan,2,James Mudge,1,Japan,37,Japan Cuts,8,Japan Filmfest Hamburg,1,Jithin K Mohan,1,Joe Odagiri,1,Jonathan Wilson,6,Joo Ji-hong,1,Jun Tanaka,1,Jung Yoon-suk,1,Junichi Kajioka,1,Kengo Yagawa,1,Kenichi Ugana,1,Kim Hyun-seok,1,Kim Min-suk,1,Kiyoshi Kurosawa,1,Koji Wakamatsu,1,Kon Ichikawa,1,Konrad Aderer,1,Kwak Kyung-taek,1,Kyoko Miyake,1,Kyriacos Kyriacou,1,Lady Snowblood,1,Lim Sang-yoon,1,Lists,5,Little Big Soldier,1,Love,1,Maria Georgiou,8,Masato Harada,1,Matt Cooper,2,Mermaid,1,Miwa Nishikawa,1,My Dad and Mr Ito,1,Nanachan,1,Naoko Ogigami,1,Nepal,1,Nicholas Poly,2,Nobuhiko Obayashi,1,Nobuhiro Yamashita,1,Non-fiction Diary,1,NYAFF,2,Old Boy,1,Omar Rasya Joenoes,2,On The Line Festival,2,Orson McClellan Mochizuki,1,Osaka Asian Film Festival,3,Pai Kau,1,Palatpol Mingpornpichit,1,Panos Kotzathanasis,38,Park Chan-wook,1,Park Kwang-hyun,1,Pedro Morata,1,Pieter - Jan Van Haecke,1,Psychic,1,Rabbit and Lizard,1,Railway Sleepers,1,Reviews,18,Ryuki,1,S. Korea,8,San Diego Asian Film Festival,2,Sanjeewa Pushpakumara,1,Sankha Ray,4,Satan's Slaves,1,Satoshi Kon,1,Sayandeep Bandyopadhyay,1,Score,1,Seijun Suzuki,2,She's the Boss,1,Shigeru Umebayashi,1,Shikhar Verma,1,Shikhar Verna,2,Shinji Iwai,1,Shinji Sômai,1,Shinya Tsukamoto,1,Shôhei Imamura,1,Shoot for the Contents,1,Shorts,8,Shuna Iijima,1,Sidi Saleh,1,Sinophone,1,Sompot Chidgasompongse,2,Song of the Week,17,South Korea,4,Sri Lanka,1,Sunao Katabuchi,2,Susumu Hirasawa,1,Takashi Miike,2,Takuro Nakamura,2,Tetsuo the Iron Man,1,Thailand,4,The Inugami Family,1,The King of Pigs,1,The Road Home,1,The Snow King,1,The Sower,1,Tokyo Heaven,1,Tokyo Idols,1,Tom Waller,1,Toshiaki Toyoda,1,Tran Ham,1,Trinh T. Minh-Ha,3,various,2,Vietnam,1,Violated Angels,1,West North West,2,White Sun,1,Wiman Rizkidarajat,1,Woman of the Lake,1,Yamato (California),2,Yang Ik-june,1,Yeon Sang-ho,1,Yoshishige Yoshida,1,Yoshiyuki Kishi,1,Yosuke Takeuchi,1,Yu Aoi,1,Yuki Tanada,1,Zhang Yimou,1,
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Asian Film Vault: Score (2016) by Aya Itabe (T)
Score (2016) by Aya Itabe (T)
In search of truth
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