Interview with Proshoon Rahmaan

We speak with Proshoon Rahmaan about his many capacities, the film, women in South Asian, Bangladeshi cinema and many other topics.


Proshoon Rahmaan is a Dhaka-based independent filmmaker.  He graduated from Dhaka University with a degree in social sciences and later he studied filmmaking at home and abroad, and also worked as assistant director to Tareque Masud. Apart from directing, he has also written novels, short stories, poetry, lyrics, essays, columns, reviews and screenplays. "Sutopar Thikana" (Her Own Address) is his debut feature film.

We speak with him about his many capacities, the film, women in South Asian, Bangladeshi cinema and many other topics.


"Her Own Address" is your debut feature film. Can you tell us about the path that lead to it? 

It took a decade to prepare myself for a feature film. There were 5 original screenplays I’ve written, but I was confused to decide which one should be the first feature project. I’m a writer turned filmmaker. When I realized that film is the strongest medium where I can deliver my creative effort in order to reach around the globe, avoiding language barriers, I’ve chosen the story which features the least dialogue and tells the story of my own soil, own people, who are the most important in our lives. Also, this content has the strength to delight, to educate, to entertain, to instruct and to engage.

Tareque Masud was your teacher. Tell us about your cooperation with him.

I’ve joined Tareque Masud at 2007 as associate, after completing my academic film education, and worked with him consistently for 4 years till his accidental death in a tragic road accident in 2011. We’ve worked together in 2 features (1 undone), 1 short feature and 3 documentary projects. He was not only my teacher; he was my friend, philosopher and guide. I’m carrying his legacy and his given torch in the race to present
our cultural progress and to establish cinema culture as serious work of art.

Regarding "Her Own Address", you directed, adapted the script from your own novel and even wrote the lyrics of the songs heard in it. Why did you concentrate all these capacities to yourself? 

Filmmaking is such a profession where a filmmaker has to know or keep knowledge about almost everything. But  as I said before, I am a  writer turned filmmaker. I’m in practice with every medium of literature. I’ve written novels, short stories, poetry, lyrics, essays, columns, reviews and screenplays. So it was the ultimate decision that all the text would come from me. I’m also working as assistant to me. I believe that’s how an independent filmmaker grows and keeps himself as independent and finally considered as an `Author Filmmaker’.

The film presents a rather pointy comment about the lives of women in S. Asia. Why did you choose that topic, and what is your opinion of the lives of women in Bangladesh today? In one of the strongest scenes in the film, Sutopa is actually graded by her future father in law and a director of a school. Is this an event based on actual tendencies?



Almost 50% of our population is women. And more than 80% of them are living under insecurity of displacement. This displacement involves their known places, their own positions  They always remain dependant on their father, brother, husband and son, in different stages of their lives and they carry that sense of displacement until their life ends. This state/condition is almost the same in all over  South Asia, with some exceptions in urban settings.

The sequence we see in the interview session of Sutopa as potential bride is authentically based on true events. Arranged marriage is the common practice for 90% of the region, and the bride-choosing process still retains all the essence of inhumanity and humiliation.

Music seems to play a very important role in the film. Can you explain this tactic?

Bangladesh is such a country where you will find music everywhere. People depend on music to express their every emotion. Almost every profession has a different genre of music to practice. Also, in subcontinental cinema you will find the song in the lips of  the characters, as they express their inner feelings, and it’s widely expected and appreciated by the audience.

In "Sutopar Thikana" (Her Own Address) you will not find the song in their lips; however it is a part of the storytelling, since the lyrics also carry the story forward as part of poetic narration.

Why did you choose to include narration in the film?

Poetry is also admired in our country, as much as music does. The tale of Sutopar Thikana (Her Own Address) is based on my own long poetry where the story is being described like a ballad, with very few dialogues. When I chose that poetic story to adapt as a screenplay, I kept 50% of those lines as poetic narration, to complete the information I wanted to give in the film. This way,  the narrative featured a unique and fresh approach to our traditional practices of storytelling.

I believe a strong image is good enough to make a point, but audio also has the power to make every emotion more intense and support the visual in the best way possible. And poetry is the strongest.


Aparna Ghosh is rather impressive as Sutopa. What was the casting process for the film? In general, what do you search for in the actors you cast?

For this certain character, I was looking for someone who is able to portray the 3 main stages of a women’s life. She had to portray the adolescent period of a girl, middle age of a housewife and old age of a mother. I’ve seen Aparna Ghosh act as a middle aged housewife and she was very good  At the period of the screen tests,  we saw her as a girl and as an old lady with the help of makeup and corresponding costumes. She was only 26 when we cast her at 2014,  so it was little challenging to make her look 17, but she becomes 40 and 50 effortlessly, with her natural talent. The rest were seen on the screen.

What is your opinion of the Bangladeshi film industry at the moment? 

There used to be 1200 movie theaters all over the country for mainstream cinema. Now there are only 250. In this digital era, the Multiplex has become the dominant medium, but this culture is yet to be built and remains under threat from the broken infrastructure.

A lot of films are being prepared here everyday from the new age filmmakers. They are practicing in international standards and their films are part of almost all the leading festivals around the globe. But they are all struggling with distribution and screening. Creative films are finding their places in the international arena to declare the strong existence of Bangladeshi Cinema.

Who has influenced you the most as a filmmaker? Which are your favorite movies?

Satyajit Roy is the main influence for almost every Bengali filmmaker. For me, the second most important is Iranian filmmaker Abbas Kiarostami and the other one is, off course, Bangladeshi filmmaker Tareque Masud.

There are a lot of movies I can name in my favorites' list. Most of them are from Satyajit Roy, Abbas Kiarostami, Yasijuru Oju, Akira Kurosawa and some from other Iranian, Korean & Japanese filmmakers. There are a lot of movie in my watching list from almost everywhere.

What projects are you working on at the moment?

Presently I’m working on my second feature project titled `Dhaka Dream,’ which is at production level now. The story is dealing with a city which is already overpopulated and with the dreams of rural people, who have no other choices but to come there.

` Dhaka Dream’ is the first part of the `Dhaka Trilogy’ and my dream is to see the trilogy completed. (www.dhakatrilogy.com)

COMMENTS

Name

13 Assassins,1,1987: When The Day Comes,1,2017,3,2LDK,1,3-Iron,1,A Better Tomorrow 2018,2,A Company Man,1,A Day,1,A Feeling Greater Than Love,1,A few words about us,1,A Girl at my Door,1,A Lonely Cow Weeps at Dawm,1,A Love,1,A Man of Integrity,1,A Man Vanishes,1,A Simple Life,1,A Single Rider,1,A Special Lady,1,A Stone from Another Mountain to Polish Your Own Stone. Go Shibata,1,A Tale of Love,1,A Taxi Driver,1,A tiger in winter,1,A Whale of a Tale,1,Abdullah Mohammad Saad,2,About Elly,1,Above the Clouds,1,Adam J. Symchuk,21,Adam John,6,Address Unknown,1,Aditya Vikram Sengupta,1,Adriana Rosati,18,Age of Innocence,1,Age of Shadows,1,Aihara Hiro,1,Akihiko Shiota,1,Akihiro Toda,1,Akio Fujimoto,1,Akira Ikeda,2,Akira Kurosawa,1,Akiyuki Shinbo,2,Alan Mak,1,Ale Amout,1,Alex Oost,1,Alexander Knoth,1,Ali Asghar Vadayeh Kheiri,1,Along with the Gods: The Two Worlds,1,Ambiguous Places,2,Amir Masoud Aghababeian,1,Amir Muhammad,2,Amitabh Reza,1,Anand Singh,3,Andrew Thayne,5,Andy Lau,1,Andy Willis,1,Anime,3,Animesh Aich,1,Ann Hui,1,Anna Bliss,3,Anqi Ju,1,Anshul Chauhan,2,Anthony Pun,1,Antiporno,1,Anurag Basu,1,Anysay Keola,1,Apprentice,1,Aqerat,2,Arang,1,Ariyuki Shinbo,1,Armour of God,1,Arrow,4,Art Film Fest Kosice,1,Article Films,3,Asghar Farhadi,1,Asha Jaoar Majhe,1,Asian Classics,27,Ask the Sexpert. India,1,Aya Hanabusa,1,Aya Itabe,1,Aynabaji,1,Baasansuren Nyamdavaa,1,Bad Poetry Tokyo,4,Badrul Hisham,1,Badrul Hisham Ismail,1,BAMY,2,Bangkok Nites,1,Bangladesh,8,Banjong Pisanthanakun,1,Banmei Takahashi,1,Battle of Memories,1,Battleship Island,1,Before We Vanish,2,Behind the Camera,1,Belgium,1,Ben Stykuc,5,Bengal,1,BFI,1,Bhutan,2,Big Tits Dragon,1,Billy Joe,2,Black,1,Blade of the Immortal,1,Bleeding Steel,1,Bloodrunner Zero,1,Bloody Muscle Builder in Hell,1,Bluebeard,1,Bollywood,1,Boo Junfeng,1,Born Bone Born,1,Branded to Kill,2,Breathless,1,Brothers in Heaven,1,Bunny Drop,1,Burma,1,Burning Birds,2,Bystanders,1,Byun Sung-Hyun,1,Call Boy,1,Cambodia,4,Camera Japan,10,Cannes Film Festival,5,Chang,1,Chang Zheng,1,Cheng Cheng Films,1,Children Heaven,1,China,43,Chinese Policy Institute,6,Chinese Shadows,2,Chinese Visual Festival,1,Cho Keun-Hyun,1,Choi Jin-ho,1,Choi Jin-won,1,Choi Min-sik,1,Chris Berry,1,Chu Yuan,1,Chung Ji-young,1,Chungking Express,1,Close-Knit,1,Coffeemates,1,Colette Balmain,7,Colour of the Game,1,Competition,2,Confessions,1,Contact Info,1,Creative Visions: Hong Kong Cinema,1,Criminal City,1,Crocodile,1,Crosscurrent,1,Crows Zero,1,Cyrano Agency,1,Daguerreotype,1,Daigo Matsui,1,Daihachi Yoshida,1,Daisuke Gotô,2,Daisuke Miura,1,Daisuke Miyazaki,3,Dante Lam,1,David Chew,5,David Chew.,1,David Shin,1,Davy Chou,1,Dawn Wind in My Poncho,1,Ddongpari,1,Dead Friend,1,Dead Sushi,1,Deadly Outlaw: Rekka,1,Dechen Roden,1,Deepak Rauniyar,1,Derek Hui,1,Destruction Babies,1,Diary of June,1,Digger,1,Ding Shen,1,Ding Sheng,2,Dismembered,1,Documentaries,18,Documentary,3,Doenjang,1,Don Anelli,23,Dong Yue,1,Double Life,1,Dr. Heo,1,drama,1,Duelist,1,East Winds Film Festival,1,Edmund Yeo,4,Educating Yuna,1,Eiji Uchida,2,Emmanuel Horlaza,1,Enter the Warriors Gate,1,Erotic Diary of an Office Lady,1,Eureka,7,Evil and the Mask,1,Exploitation,34,Explosion,1,Fabricated City,1,Far East Film Festival,7,Fatal Countdown: Reset,1,Fathers,1,Faye Wong,1,Features,23,Feautures,1,FEFF20,1,Fel,8,Festivals,13,Filmddo,1,Filmdoo,17,Fireworks,1,Fireworks Should We See It from the Side or the Bottom?,2,Five Flavors Festival,3,Five Flavours,1,Five Flavours Festival,5,Flying Fish,1,Forgetting Vietnam,1,France,1,Fraser Elliott,1,From Vegas to Macau III,1,Fujian Blue,1,Fullmetal Alchemist,1,Fumihiko Sori,1,Funeral Parade of Roses,1,Funuke Show Some Love,1,Fuyuhiko Nishi,1,Giddens Ko,1,Gillian Anderson,1,God of War,1,Godzilla: Planet of the Monsters,1,Golden Horse Awards,1,Golden Slumbers,1,Good -Bye Silence,2,Gordon Chan,1,Goro Miyazaki,1,Guo Jian-yong,2,Han Jie,1,Hanagatami,1,Hanging Garden,1,Hanuman,1,Hapkido,1,Hashiguchi Takaaki,1,Haunters,1,HBO,2,Heart Attack,1,Helldriver,1,Helsinki Cine Aasia Festival 2018,3,Her Own Address,1,Herman Yau,1,Heung-Boo: The Revolutionist,1,Hidden Gems,50,Hideo Sakaki,1,High-Kick Girl,1,Hindi,1,Hiro Aihara,1,Hirobumi Watanabe,2,Hirokazu Koreeda,4,Hiroshi Ando,1,Hiroshi Shoji,1,Hiroshi Teshigahara,1,Hiroyuki Seshita,1,HKETO,1,Ho Yuhang,1,Holy Island,1,Honeygiver Among the Dogs,1,Hong Ki-Seon,1,Hong Kong,10,Hong Kong Godfather,1,Hong Sang-soo,1,Hongkong,1,Horror,3,Huang Fend,1,Huang Huang,1,Hwang Dong-Hyuk,1,I Am A Hero,1,I Saw the Devil,1,I Wish,1,I-Lin Liu,8,ICA,3,Icarus Films,4,IFFLA,3,IFFR,2,Im Kyeong-soo,1,Imran Firdaus,1,Imran Fridaus,1,In this Corner of the World,3,Indonesia,5,Initiation Love,1,International Chinese Film Festival,1,International Film Festival Rotterdam,9,Interview,2,Interviews,35,Intimate Confessions of a Chinese Courtesan,1,Inugami,1,Inuyashiki,1,Iran,8,Ishmael Bernal,1,Isora Iwakiri,1,J.P. Sniadecki,1,Jackie Chan,5,Jagat,1,Jagga Jasoos,1,James Mudge,1,Jang Chang-won,1,Jang Hoon,1,Jang Joon-hwan,1,Japan,195,Japan Cuts,15,Japan Film Festival Australia,1,Japan Filmfest Hamburg,1,Japan Foundation Touring Programme,3,Japan the Emperor and the Army,1,Japan. Reviews,1,Japanese Film Festival Australia,2,Jeong Jae-eun,1,Jeong Yun-Cheol,1,Jeonju International Film Festival,1,Jess Teong,1,Jesse V. Johnson,1,Jia Zhangke,1,Jimmy Henderson,2,Jin Xingzheng.,1,Jithin K Mohan,1,Joe Odagiri,2,Johnnie To,1,Johnny Ma,1,Joko Anwar,1,Jonathan Li,1,Jonathan Wilson,6,Jonathan Yi,1,Joo Ji-hong,1,Journey of the Tortoise,1,Joy of Man's Desiring,1,July Jung,1,Jun Ichikawa,1,Jun Tanaka,3,Jung Byung-gil,1,Jung Sik,1,Jung Yoon-suk,1,Junichi Kajioka,1,Junpei Mizusaki,1,Justice in Northwest,1,K-dramas,12,Kaasan Mom’s Life,1,Kam Ka-Wai,1,Kaneto Shindo,1,Kang Je-gyu,1,Kang Yoon-Sung,2,Kara Hui,1,Katsuya Tomita,1,Katsuyuki Motohiro,1,kdrama,1,Ke Guo,1,Keep Calm and Be a Superstar,1,Kei Chikaura,1,Kei Horie,1,Kei Ishikawa,1,Keishimi Oto,1,Ken and Kazu,1,Kengo Yagawa,1,Kenichi Ugaba,1,Kenichi Ugana,1,Kenichi Watanabe,1,Kentaro Hagiwara,1,Kfc,1,Kill me,1,Killing Beauty,1,Kim Bong-han,1,Kim Eun-hee,1,Kim Hong-seon,1,Kim Hong-Sun,1,Kim Hyun-seok,1,Kim Jee-woon,3,Kim Jin-Mook,1,Kim Jong-Kwan,1,Kim Joo-hwan,1,Kim Ki-duk,4,Kim Kih-hoon,1,Kim Min Su kII,1,Kim Min-suk,1,Kim Tae-kyeong,1,Kim Whee,1,Kim Yong-hwa,1,Kingyo,2,Kirti Raj Singh,1,Kiss me,1,Kiyoshi Kurosawa,5,Kôbun Shizuno,1,Koji Fukada,1,Koji Wakamatsu,1,Komiya Masatetsu,1,Kon Ichikawa,2,Konrad Aderer,1,Korea,1,korean drama,1,Krzysztof Pietrzak,1,Kun-Yu Lai,2,Kwak Kyung-taek,2,Kyoko Miyake,1,Kyriacos Kyriacou,2,Lady Snowblood,2,Laos,2,Laughing Under the Clouds,1,Le Binh Giang,1,Le Bình Giang,1,Leandro E. Seta,1,Lebanon,1,Lee An-gyu,1,Lee Byeong-Hun,1,Lee Byung-Hun,1,Lee Chang-Hee,1,Lee Je-Yong,1,Lee Joo-young,1,Lee Jung-sun,1,Lee Kwang-kuk,1,Lee Myung-se,1,Lee Sa-rang,1,Lee Seo-goon,1,Leo Zhang,1,Leon Lai,1,Leste Chen,1,Leung Wing-Fai,1,Ley Lines,1,Li Ruijun,1,Like Father,1,Like Son,1,Lim Sang-yoon,1,Lists,11,Little Big Soldier,1,Little Forest,1,Live from Dhaka,1,Live Up To Your Name,1,Loi Bao,1,London Korean Film Festival,1,Los Angeles Indian Festival,3,Love,1,Love and Other Cults,1,Lovers Are Wet,1,Lowlife Love,1,Lyberis,3,Mad Tiger,1,Mad World,1,Madman,2,Mahde Hasan,1,Mai Chan's Daily Life: The Movie,1,Majid Majidi,1,Makoto Shinkai,1,Malaysia,10,Mama,1,Mamoru Hosoda,1,Manny Araneta,1,March Comes in like a Lion,1,Maria Georgiou,23,Mark Gallagher,1,Mary Jirmanus Saba,1,Masaaki Yuasa,2,Masaharu Take,1,Masakazu Sugita,1,Masaki Adachi,1,Masanori Tominaga,1,Masaru Konume,1,Masato Harada,2,Masatoshi Kurakata,1,Matt Cooper,14,Matthew D. Johnson,1,Matthias Hoene,1,Maundy Thursday,1,Memoir of a Murderer,1,Mermaid,1,Michael Haertlein,1,Midi Z,1,Midnight Runners,1,Midori Impuls,4,Milk the Maid,1,Minamata: The Victims and Their World,1,Minoru Kunizawa,1,Miss Zombie,1,Miwa Nishikawa,1,Mohammad Rasoulof,1,Mohammad-Reza Lotfi,1,Mon Mon Mon Monsters,1,Mongolia,2,Moon Lovers,1,Mototsugu Watanabe,4,Mountains May Depart,1,Mourning Forest,1,Movie,1,Moving,1,Mr. Socrates,1,Mrs Fang,1,Mrs K,1,Mumon: The Land of Stealth,1,My Dad and Mr Ito,1,My Hero Chihiro,1,Myanmar,1,Nah Hyeon,1,Namiya,1,Nanachan,1,Naoko Ogigami,1,Naomi Kawase,3,Naosuke Kurosawa,1,Naoyuki Tomomatsu,3,Nawapol Thamrongrattanarit,1,Neko Atsume House,1,Nepal,1,Neuchâtel International Fantastic Film Festival,1,Never Ending Blue,1,New Neighbor,2,New World,1,New York Indian Film Festival,1,News,13,Nicholas Poly,3,Night Bus,1,Night is Short,1,Night is Short Walk on Girl,1,Nikola Cekic,1,Niwatsukino Norihiro,1,Noboru Iguchi,1,Nobuhiko Obayashi,2,Nobuhiro Yamashita,2,Nobuo Nakagawa,1,Nobuyuki Takeuchi,2,Noise,2,Non-fiction Diary,1,Noriaki Tsuchimoto,1,Norman England,2,North Korea,1,Nurse Diary: Beast Afternoon,1,NYAFF,9,Nyamdavaa Baasansuren,1,NYIFF,1,Odd Obsession,1,Oh In-Chun,1,Old Boy,2,Old Stone,1,Old-School Kung-Fu Fest,1,Omar Rasya Joenoes,3,On The Line Festival,3,One Cut of the Dead,1,One Man's China,1,Operation Red Sea,1,Ophilia,1,Ordinary Person,1,Orson McClellan Mochizuki,1,Osaka Asian Film Festival,7,Osamu Sato,1,Our Happy time,1,Outrage Coda,1,Over the Fence,1,Pai Kau,1,Palatpol Mingpornpichit,2,Panos,1,Panos Kotzathanasis,145,Park Chan-wook,2,Park Hee-joon,1,Park Hoon-Jung,3,Park In-je,1,Park Ki- hyung,1,Park Kwang-hyun,1,Parkpoom Wongpoom,1,Party Round the Globe,1,Passage of Life,1,Patrick Hofmeister,71,Pedro Morata,3,Peerachai Kerdsint,1,Pen-Ek Ratanaruang,1,Peng Xiaolian,1,Pepe Diokno,1,Peque Gallaga,1,Perfect Blue,2,Peter Chan,1,Phanumad Disattha,1,Philippines,2,Pieter - Jan Van Haecke,3,Pieter-Jan Van Haecke,7,Pink Eiga,14,PinkEiga.TV,6,pinku eiga,1,Poet on a Business Trip,1,Poolside Man,1,Press Release,2,Proshoon Rahmaan,2,Psychic,1,Pumpkin and Mayonnaise,1,Queen of Triads,1,Rabbit and Lizard,1,Radiance,1,Railway Sleepers,1,Rainy Dog,1,Raja Mukhriz,1,Randy Mckenzie,4,Rape Zombie: Lust of the Dead,1,Rape Zombie: Lust of the Dead 2,1,Ravine of Goodbye,1,Real,1,Red Persimmons,1,Rei Sakamoto,1,Reipu zonbi: Lust of the dead 3,1,Review,3,Reviews,118,Reviews.,2,Riri Riza,1,River of Exploding Durians,2,Robin Weng,1,Roger Lee,1,Ronja,1,Russia,1,RV: Resurrected Victims,1,Ryoo Seung-wan,1,Ryu Kaneda,1,Ryuki,1,Ryutaro Ninomiya,2,S. Korea,62,S.Korea,1,Saayak Santra,2,Sabu,2,Sade Sato,1,San Diego Asian Film Festival,4,Sanjeewa Pushpakumara,2,Sankha Ray,6,Satan's Slaves,1,Satoru Hirohara,1,Satoshi Kon,3,Say Yes,1,Sayandeep Bandyopadhyay,2,Scarlet Heart,1,Score,1,Sea Fog,1,Seijun Suzuki,3,Sekigahara,1,Sexy S.W.A.T. Team,1,Shake Rattle and Roll,1,Shanjhey Kumar Perumal,1,Shaw Brothers,1,She Remembers He Forgets,1,She's the Boss,1,Shift,2,Shigeru Umebayashi,1,Shikhar Verma,3,Shikhar Verna,3,Shim Sung-Bo,1,Shinichi Fukazawa,1,Shinichiro Ueda,1,Shinji Iwai,1,Shinji Somai,2,Shinji Sômai,1,Shinjuku Swan,1,Shinjuku Triad Society,1,Shinobi no Kuni,2,Shinsuke Ogawa,1,Shinsuke Sato,2,Shinya Tsukamoto,2,Shôhei Imamura,1,Shoot for the Contents,1,Shorts,9,Shotaro Kobayashi,1,Shu Qi,1,Shuna Iijima,1,Shutter,1,Siddiq Ahamed,1,Sidi Saleh,1,Signature,1,Silver Spleen,2,Singapore,1,Sinophone,1,Sion Sono,6,Sixth Sense Hooker,1,Sleep Curse,1,Sogo Ishii,2,Soichi Umezawa,1,Solanin,1,Sompot Chidgasompongse,2,Song Hae-sung,1,Song Kang-ho,1,Song of the Week,19,Sopawan Boonnimitra,1,South Korea,17,Sri Lanka,3,Steel Rain,1,Stephen Chow,1,Stephen Fung,1,Still the Water,1,Strange Circus,1,Studio Ghibli,1,StudioCanal,4,Subenja Pongkorn,1,Suffering of Ninko,1,Suicide Club,1,Sukita: The Shoot Must Go On,1,Sun-ho Cho,1,Sunao Katabuchi,3,Sung-hong Kim,1,Sunk Into the Womb,1,Susumu Hirasawa,1,Sweating the Small Stuff,2,Tadashi Nagayama,1,Tae Guk Gi,1,Tag,1,Taiwan,1,Takaaki Hashiguchi,1,Takahiro Miko,1,Takahisa Zeze,1,Takao Nakano,1,Takaomi Ogata,3,Takashi Miike,9,Take Care of My Cat,1,Takeshi Kaneshiro,1,Takeshi Kitano,1,Takuro Nakamura,2,Tatara Samurai,1,Tatsuhi Omori,1,Tatsumi Kumashiro,1,Teppei Nakamura,1,Tetsuo the Iron Man,1,Tetsuya Mariko,1,Tetsuya Nakashima,1,Thailand,11,That's It,1,The Adventurers,1,The Bad,1,The Boy and the Beast,3,The boy from Ipanema,1,The Brink,1,The Chase,1,The Crawler in the Attic,1,The Crazy Family,1,The Day After,1,The Discloser,1,The Dollhouse,1,The elephant and the sea,2,The Executioner,1,The Forest Whispers,1,The Forsaken Land,1,The Fortress,1,The Good,1,The Indian Film Festival of Los Angeles,1,The Inugami Family,1,The Iron Ministry,1,The Isthmus,1,The Kid from the Big Apple,1,The King of Pigs,1,The Last Executioner,1,The Looming Storm,1,The Lowlife,1,The Man Without a Map,1,The Mayor,1,The Merciless,1,The Mermaid,1,The Muse,1,The Naked Island,1,The Name,1,The Night of the Earthquake,1,The Outlaws,1,The Prison,1,The recipe,1,The Road Home,1,The Road to Mandalay,1,the Robber's Daughter,1,The Room,1,The Sacrament,1,The Salesman,1,The Shoot Must Go On,1,The Snow King,1,The Sower,2,The Story of the Disappearance of Maryam,1,The Strange Saga of Hiroshi the Freeloading Sex Machine,1,The Suicide Chain,1,The Swindlers,1,The Table,1,The Third Murder,1,The Thousand Faces of Dunjia,1,The Tiger: An Old Hunter's Tale,1,The Tokyo Night Sky is Always the Densest Shade of Blue,1,The Tooth and the Nail,1,The Vanished,1,The Villainess,1,The Weird,1,Third WIndow,1,This Is Not What I Expected,1,Three Sisters,1,Tôkaidô Yotsuya kaidan,1,Tokyo Ghoul,1,Tokyo Heaven,1,Tokyo Idols,1,Tokyo Vampire Hotel,1,Tolerance Film Festival,1,Tom Waller,2,Tony Leung,1,Tony Takitani,1,Toronto International Film Festival,1,Toshiaki Toyoda,2,Toshio Matsumoto,1,Toshiya Fujita,1,Toshiyuki Teruya,1,Traces of Sin,1,Trailers,76,Train to Busan,1,Tran Ham,1,Trinh T. Minh-Ha,3,Triple Threat,1,True Fiction,1,Twenty Two,1,Twilight Dinner,1,Twitch: You Are My Toy,1,Typhoon Club,1,Udine,1,Unbowed,1,Uncovered,1,V.I.P.,1,Vaishali Sinha,1,Vampire Clay,1,Vampire Cleanup Department,1,Vannaphone Sitthirath,1,various,2,Vesoul International Film Festival,4,Victor Vu,1,Vietnam,4,Vikram Zushi,1,Vimukthi Jayasundara,1,Vincent Kok,1,Violated Angels,1,Visitor Q,1,Vital,1,Vitaly Mansky,1,Voyage to Terengganu,1,Walk on Girl,1,Walking Past the Future,1,Wang Bing,2,Wang Lung-wei,1,Warriors of the Dawn,1,We Make Antiques,1,Wellgo USA,1,West North West,2,What a Man Wants,1,Whispering Corridors,1,White Sun,1,Whore Angel,1,Wiman Rizkidarajat,1,Wine War,1,Without Memory,1,Wol-Ha: Very Bad Moon Rising,1,Woman of the Lake,1,Won Shin-Yeon,1,Wong Jing,2,Woo Ming Jin,1,Wrath of Silence,1,Xaisongkham Induangchanthy,1,Xin Yukun,1,Yamato (California),3,Yang Chao,1,Yang Ik-june,1,Yang Jong-hyeon,1,Yang Woo-seok,1,Yeon Sang-ho,2,Yim Soon-rye,1,Yiu-wai Chu,1,Yoshihiro Nakamura,2,Yoshihiro Nishimura,1,Yoshinari Nishikori,1,Yoshishige Yoshida,1,Yoshitaka Mori,1,Yoshiyuki Kishi,1,Yosuke Takeuchi,2,Yotsuya kaidan,1,You Losers!,1,Your Name,1,Yu Aoi,2,Yu Irie,1,Yuen Woo-ping,1,Yûji Tajiri,2,Yujiro Harumoto,1,Yuki Tanada,1,Yukihiko Tsutsumi,2,Yusaku Matsumoto,2,Yutaka Ikejima,3,Yuya Ishii,1,Zakka Films,2,Zen,1,Zhang Yimou,1,Zoo,1,Zuairijah Mou,1,
ltr
item
Asian Film Vault: Interview with Proshoon Rahmaan
Interview with Proshoon Rahmaan
We speak with Proshoon Rahmaan about his many capacities, the film, women in South Asian, Bangladeshi cinema and many other topics.
https://1.bp.blogspot.com/-xSrgpf4LDEk/WSFhe2en3YI/AAAAAAAAMAg/WfKWPGzGZn0NiybWavUxVYd6Q50QMoGSgCLcB/s320/15698121_10154999030889789_7511004918736102147_n.jpg
https://1.bp.blogspot.com/-xSrgpf4LDEk/WSFhe2en3YI/AAAAAAAAMAg/WfKWPGzGZn0NiybWavUxVYd6Q50QMoGSgCLcB/s72-c/15698121_10154999030889789_7511004918736102147_n.jpg
Asian Film Vault
http://www.asianfilmvault.com/2017/05/interview-with-proshoon-rahmaan.html
http://www.asianfilmvault.com/
http://www.asianfilmvault.com/
http://www.asianfilmvault.com/2017/05/interview-with-proshoon-rahmaan.html
true
3944800929692556231
UTF-8
Loaded All Posts Not found any posts VIEW ALL Readmore Reply Cancel reply Delete By Home PAGES POSTS View All RECOMMENDED FOR YOU LABEL ARCHIVE SEARCH ALL POSTS Not found any post match with your request Back Home Sunday Monday Tuesday Wednesday Thursday Friday Saturday Sun Mon Tue Wed Thu Fri Sat January February March April May June July August September October November December Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec just now 1 minute ago $$1$$ minutes ago 1 hour ago $$1$$ hours ago Yesterday $$1$$ days ago $$1$$ weeks ago more than 5 weeks ago Followers Follow THIS CONTENT IS PREMIUM Please share to unlock Copy All Code Select All Code All codes were copied to your clipboard Can not copy the codes / texts, please press [CTRL]+[C] (or CMD+C with Mac) to copy