Interview with Konrad Aderer: Telling a dramatic story through real-life experiences is a very powerful way to engage people in an issue

We speak to Konrad Aderer about human rights, cinema, his career, the events at Tule Lake, and many other topics

Konrad Aderer lives and works in his native New York City as a field producer, videojournalist, and editor for NGOs, local TV, and nonprofits, including the UN and the ACLU. Since he established Life or Liberty (lifeorliberty.org), a nonprofit multimedia project, in 2002, much of his work has focused on immigrant communities coping with deportation and detention. He is also an actor and director, known for Resistance at Tule Lake (2017), Enemy Alien (2009) and Rising Up: The Alams (2005).

We speak to him about human rights, cinema, his career, the events at Tule Lake, and many other topics

You have been involved in immigrants' rights issues for quite some time. Why is that, and can you tell us a bit about lifeorliberty.org? 

If you go to lifeorliberty.org, you’ll see I got involved with the fight to free a Palestinian detainee named Farouk Abdel-Muthi. I produced a short to create awareness and involvement and a campaign to get him out, and eventually the story became my first feature documentary, “Enemy Alien.”


I made a film about Shokriea Yaghi, whose husband was one of the first post-9/11 detainees. She was trying to get him back in the country after he had been detained, starved, and deported to Jordan without warning and that became “Life or Liberty.” And that also became the title of my overall project. I saw that the government was handing us a false choice of choosing between our life or security and our civil liberties. Instead of life, liberty or the pursuit of happiness, they told us we could have life or liberty, but not both.

And “Rising Up the Alams” is about a Bangladeshi family fighting the deportation of the father following special registration post-9/11. My focus was not only to focus on resistance insea victimization but —how people more vulnerable than American citizens still resist against these policies of surveillance, arrest, and detention.

Do you think that cinema is obliged to deal with social and political issues, and how much impact do you think a film can have? Is the documentary, as a medium, the best way to highlight these issues? 

Telling a dramatic story through real-life experiences is a very powerful way to engage people in an issue, rather than reading fragmented pieces of social media or articles. To sit and have a story unfold is still an effective way to galvanize people. The main point is to tell human stories but also to give people a sense of cause and effect in people’s lives and what the impact is. That, to me, is how to get inside people’s skin when they’re faced with dire circumstances. When everything they’ve worked to build for decades and it’s taken away and when they don't know if they’re allowed to stay in the US or not, it’s important to understand the choices people make as they’re going through that.

You also work as editor, producer and cinematographer in TV and films. Can you tell us a bit about these capacities and how has your experience in other people's productions helped you with your films?

I didn’t go to film school. I had some really good mentors and friends who had professional skills that helped me until I was able to be self-sufficient as a filmmaker. I learned a lot watching other filmmakers but mostly through doing my first feature, “Enemy Alien” where I started off not having any skills and ended up shooting, editing and writing it.


How did you decide to deal with the the Tule Lake camp and how did "Resistance at Tule Lake" came about? Is the main purpose of the documentary to raise awareness for these dark episodes in US history? 

When I was making my first film “Enemy Alien” about a Palestinian activist Farouk, I was looking for a parallel in Japanese-American history. I found it in Tule Lake. Pretty much everything that he did: conduct hunger strikes, reason with his captors, fight illegal cases on base of constitutional principles—that’s all the things that Japanese Americans did at Tule Lake. And they had the same kind of consequences—beating, torture, deportation, yet they still persisted, which is why I felt this story was invaluable to tell because it was so little-known.

The documentary implements a somewhat old fashioned style, with with the narration and the subsequent zoom-ins and zoom-outs of the various photographs appearing on screen. Why did you choose this style?

I wanted to immerse people in the visual experience of Tule Lake. As I worked with my amazing associate producer Natalie Shmuel we discovered a great volume of visual materials for the Tule Lake segregation center. I feel that immersing yourself in stills is a great way to contemplate the terrible beauty of a place that was built to incarcerate people in a natural setting, bounded by two very striking mountains that become like characters in the film. Stills are what have survived to show glimpses of the torture and mistreatment people experienced. Since sifting through an archive is not the same as experiencing a story, I wanted to immerse the viewer in the visual experience of this place, and the glimpses of state violence people were subjected to. It takes time to absorbe an image and I wanted to give the viewer a chance to, while hearing first-hand experiences of the people who lived through this.

One of the people speaking in the film states that, after the bombing of Pearl Harbor, the Japanese living in the US West Coast fell victims to propaganda, hysteria, and ignorance, with the government and the majority of citizens considering them potential enemies of the state. Do you find any justification for this attitude, considering what has happened in Pearl Harbor?. Of course I mean in terms of mentality not of the horrendous treatment Japanese Americans received. 

The fear and hysteria following Pearl Harbor and 9/11 is a very understandable human reaction. But it’s in times like this for which our constitution is written, to protect against overreactions and betrayals against fundamental principles of human rights. We don’t need the Bill of Rights when everyone feels safe; we need them when people are inclined to feel threatened by an “other” or by a perceived enemy with a foreign face living in our midst. In my films, I try to give people a rational understanding of how the government betrays its ideals to satisfy this human reaction, and an emotional understanding of the price people pay when they become the targets of wartime hysteria.


Particularly during the last decade, the accusations against the Japanese for their acts in WWII have been very intense, especially regarding the concept of the "comfort women" and their general treatment of the people they have conquered. Do you find that justified? 

There’s no denying the Japanese government committed atrocities during WWII. However, the Japanese Americans did not play a role in that. So that’s a separate issue from the mass incarceration, mistreatment, torture, and deportation of Japanese-American citizens and aliens during WWII.

What kind of films do you like to watch and can you name some of your favorite documentaries?

I take a lot of inspiration from narrative films as well as documentary films for my project. I like films that show how a powerful moral principle plays out through characters like Martin Scorsese’s remake of “Cape Fear.” “The Fog of War” by Errol Morris, gave me a lot of inspiration as far as style and the use of archival footage. I see my film as following in the footsteps of other documentaries on wartime incarceration like “Rabbit in the Moon” by Emiko Omori and “From a Silk Cocoon” by Satsuki Ina. I also got to know Linda Hattendorf while she was finishing her great documentary “The Cats of Mirikitani,” which also touches on Tule Lake and learned a great deal from her.

What are your plans for the future? 

I want to keep showing my film in Asian American communities but also engage Muslim, Arab and South Asian communities with screenings and call attention to what is happening now. We’ll be having a public television broadcast presented by the Center for Asian American Media Spring 2018. Once I’m done putting good educational distribution in place for this film, I hope to flesh out my next project.

COMMENTS

Name

13: Game of Death,1,2017,2,2046,1,2LDK,1,3-Iron,1,36th Chamber Of Shaolin,1,500M800M,1,A Company Man,1,A Day,2,A Death in the Gunj,1,A few words about us,1,A Love,1,A Man of Integrity,1,A Man Vanishes,1,A Quiet Dream,1,A Taxi Driver,1,A Whale of a Tale,1,A Woman Wavering In The Rain,1,Abacus: Small Enough to Jail,1,Abdullah Mohammad Saad,2,Abhishek Chaubey,1,About Elly,1,Above the Clouds,1,Adam J. Symchuk,5,Adam John,1,Address Unknown,1,Aditya Vikram Sengupta,1,Adoor Gopalakrishnan,1,Ae Dil Hai Mushkil,1,Age of Shadows,1,Ahmed Lallem,1,Ajantrik,1,Akihiko Shiota,1,Akira Kurosawa,1,Alan Lo,1,Alan Mak,1,Alipato,1,Amir Muhammad,2,Amit Madhesiya,1,Amitabh Reza,1,Amma Ariyan,1,Anand Singh,8,Ananya Kasaravalli,1,Andrew Thayne,5,Andrew Wong Kwok-huen,1,Andy Willis,1,Anna Bliss,2,Anqi Ju,1,Anthony Pun,1,Antiporno,1,Anurag Basu,1,Anurag Kashyap,1,Anysay Keola,1,Apocalypse Child,1,Arang,1,Aroused by Gymnopedies,1,Arrow,3,Art Film Fest Kosice,9,Asghar Farhadi,1,Asha Jaoar Majhe,1,Asian Classics,37,Aya Hanabusa,1,Aya Itabe,1,Aynabaji,1,Baby Ruth Villarama,1,Badrul Hisham,1,Badrul Hisham Ismail,1,BAMY,1,Bang Rajan,1,Bangladesh,5,Battle of Memories,2,Battleship Island,1,Bauddhayan Mukherji,3,Before We Vanish,1,Begum Jaan,2,Behind the Camera,1,Belgium,1,Bengal,2,Bengali,1,Benny Chan,1,Big Boy,1,Bluebeard,1,Bollywood,1,Branded to Kill,1,Bunny Drop,1,Burma,1,Bystanders,1,Byun Sung-Hyun,1,Call of Heroes,1,Cambodia,5,Cannes Film Festival,5,Céline Tran,1,Chang,1,Chang Tso-chi,1,Chen Hung-i,2,Chen Kuo-fu,1,Chen Mei-Juin,1,Children Heaven,1,China,30,China Blue,1,China Yellow,1,Chinese Policy Institute,5,Chinese Shadows,1,Chiu Sin Hang,1,Cho Sun-ho,1,Choi Jin-ho,1,Choi Jin-won,1,Choi Min-sik,1,Chookiat Sakveerakul,1,Chronicles of Hari,1,CineAsia,1,Close-Knit,1,Coffeemates,1,Cold Fish,1,Colette Balmain,9,Colour of the Game,1,Confessions,1,Contact Info,1,Daguerreotype,1,Daigo Matsui,1,Daihachi Yoshida,1,Daisuke Miyazaki,2,Dark Side of the Light,1,Davy Chou,1,Dawn of the Felines,1,Dawn Wind in My Poncho,1,Dear Zindagi,1,Deepak Rauniyar,1,Derek Hui,2,Derek Tsang,1,Destruction Babies,1,Diary of June,1,Dibakar Banerjee,1,Documentaries,18,Doenjang,1,Don Anelli,6,Double Life,1,Double Vision,1,Duckweed,1,Dust of Angels,1,Eddie Cahyono,1,Edmund Yeo,2,Eiji Uchida,2,Eliana,1,Emma aka Mother,1,Erich Khoo,1,Erik Matti,1,Erotic Diary of an Office Lady,1,Eternal Summer,1,Eureka,1,Exploitation,20,Fabricated City,1,Fantasia International Film Festival,11,Fatal Countdown: Reset,1,Fathers,1,Features,13,Fel,8,Festivals,16,Filmddo,1,Filmdoo,10,Florence Chan,1,Forbidden Door,2,France,2,Fraser Elliott,1,Free and Easy,1,Fujian Blue,1,Fullmetal Alchemist,1,Fumihiko Sori,1,Funuke Show Some Love,1,Gangs of Wasseypur,1,Gareth Evans,2,Gauri Shinde,1,Geng Jun,1,Ghafara Harashta,1,Giddens Ko,1,Godspeed,1,Going the Distance,1,Golden Horse Awards,1,Golden Slumbers,1,Grab the Sun,1,Guo Jian-yong,2,Gurgaon,1,Han Han,1,Hanging Garden,1,Haobam Paban Kumar,1,Happiness,1,Happy Together,1,Harikatha Prasanga,1,Harishchandrachi Factory,1,Haunters,1,HBO,2,Helldriver,1,Hello Goodbye,1,Her Own Address,1,Herman Yau,2,Hidden Gems,51,Hideen Gems,1,Hindi,2,Hirobumi Watanabe,1,Hirokazu Koreeda,3,Hiroshi Teshigahara,1,Hisayasu Sato,1,Ho Yuhang,1,Holy Island,1,Hong Kong,15,Hong Kong Godfather,1,Hong Sang-soo,1,Hou Hsiao-hsien,1,Hsu Hsiao-ming,1,Huang Ying-hsiung,1,I Saw the Devil,1,I Wish,1,I-Lin Liu,7,Icarus Films,5,Im Kyeong-soo,1,In the Absence of the Sun,1,In this Corner of the World,1,India,30,Indonesia,13,International Film Festival Rotterdam,11,Interviews,29,Inugami,1,Ip Man: The Final Fight,1,Iran,5,Isao Yukisada,1,Ishqiya,1,Jaatishwar,1,Jackie Chan,1,Jagga Jasoos,1,Jailbreak,4,Jang Hoon,1,Japan,114,Japan Cuts,14,Japan Filmfest Hamburg,16,Japan Foundation Touring Programme,1,Japan the Emperor and the Army,1,Jean-Marc Therouanne,1,Jean-Paul Ly,1,Jeong Byeong-gil,1,Jeong Yun-Cheol,1,Jero Yun,1,Jet Leyco,2,Jia Zhangke,1,Jimmy Henderson,2,Jithin K Mohan,2,Joby Varghese,1,Joe Odagiri,1,John Abraham,1,Johnnie To,1,Joko Anwar,4,Jonathan Wilson,6,Jonathan Yi,1,Joo Ji-hong,1,Josh Parmer,1,Jun Ichikawa,1,Jun Tanaka,2,Jung Byung-gil,1,Jung Sik,1,Jung Yoon-suk,1,Junichi Kajioka,2,K-dramas,8,Kaasan Mom’s Life,1,Kala,1,Kaneto Shindo,1,Kang Je-gyu,1,Kara Hui,1,Karan Johar,1,Kazuya Shiraishi,1,Kei Ishikawa,1,Keishimi Oto,1,Kenichi Watanabe,1,Kenji Yamauchi,1,Kfc,1,Khavn,2,Khosla Ka Ghosla!,1,Khushboo Ranka,1,Kill me,1,Kim Bong-han,1,Kim Jee-woon,3,Kim Joo-hwan,1,Kim Ki-duk,3,Kim Kih-hoon,1,Kim Min-suk,1,Kim Whee,1,Kingyo,1,Kirti Raj Singh,1,Kiss me,1,Kiyoshi Kurosawa,3,Koji Fukada,1,Koji Wakamatsu,1,Kon Ichikawa,2,Konkona Sen Sharma,1,Konrad Aderer,2,Krzysztof Pietrzak,1,Kun-Yu Lai,11,Kwak Kyung-taek,1,Kyoko Miyake,2,Kyriacos Kyriacou,3,Labour of Love,1,Lady of the Lake,1,Lady Snowblood,1,Laos,1,Lawrence Ah Mon,1,Le Binh Giang,1,Le Bình Giang,1,Leandro E. Seta,2,Lee Je-Yong,1,Lee Kyoung-mi,1,Lee Sa-rang,1,Lee Seo-goon,1,Leon Lai,1,Leste Chen,3,Leung Wing-Fai,1,Ley Lines,1,Like Father,1,Like Son,1,Lim Sang-yoon,1,Lists,9,Liu Yulin,1,Live from Dhaka,1,Los Angeles Indian Festival,11,Lost Serenade,1,Love,1,Love and Other Cults,2,Lovely Man,1,Lucky Kuswandi,1,Machines,1,Mad Tiger,1,Mad World,3,Majid Majidi,1,Malaysia,5,Manish Gupta,1,Manny Araneta,2,March Comes in like a Lion,1,Maria Georgiou,18,Mario Cornejo,1,Mark Gallagher,1,Masahiro Shinoda,1,Masaru Konume,1,Masato Harada,2,Masato Ozawa,2,Masatoshi Kurakata,1,Matt Cooper,13,Maundy Thursday,1,Meghe Dhaka Tara,1,Merantau,1,Michael Haertlein,1,Midi Z,1,Midnight Runners,1,Midori The Camelia Girl,1,Ming-Yeh Rawnsley,1,Mira Nair,1,Miss Zombie,1,Miwa Nishikawa,2,Mohammad Rasoulof,1,Mon Mon Mon Monsters,1,Mong-Hong Chung,1,Moon Lovers,1,Mountains May Depart,1,Moving,1,Mr. Socrates,1,Mrs K,1,Mukti Bhawan (Hotel Salvation),1,Mumon: The Land of Stealth,1,My Dad and Mr Ito,1,Myanmar,1,Nah Hyeon,1,Nandita Roy,1,Naoko Ogigami,1,Naomi Kawase,2,Naosuke Kurosawa,1,Naoyuki Tomomatsu,3,Neko Atsume House,1,Nepal,1,Neuchâtel International Fantastic Film Festival,1,Nicholas Poly,4,Night Bus,1,Nikkatsu,1,Nikola Cekic,1,Niwatsukino Norihiro,1,Noboru Uguchi,1,Nobuhiro Yamashita,1,Non-fiction Diary,1,Norihiro Niwatsukino,1,North Korea,1,Nurse Diary: Beast Afternoon,1,NYAFF,34,Odd Obsession,1,Old Boy,1,Omar Rasya Joenoes,2,On the Job,1,Onibaba,1,Ordinary Person,1,Our Happy time,1,Palatpol Mingpornpichit,2,Pale Flower,1,Panos,1,Panos Kotzathanasis,121,Paresh Mokashi,1,Park Chan-wook,1,Park In-je,1,Park Ki- hyung,1,Park Kwang-hyun,1,Past and Future,1,Patrick Hofmeister,32,Pepe Diokno,1,Peter Chan,1,Peter Chen,1,Phanumad Disattha,1,Philippines,8,Pieter - Jan Van Haecke,2,Pieter-Jan Van Haecke,3,Pinneyum,1,Poet on a Business Trip,1,Poolside Man,1,Posto,1,Proshoon Rahmaan,2,Psychic,1,Rabbit and Lizard,1,Radiance,1,Rage. Lee Sang-il,1,Rahul Jain,1,Rainy Dog,1,Randy Mckenzie,4,Rape Zombie: Lust of the Dead,1,Rape Zombie: Lust of the Dead 2,1,Rape Zombie: Lust of the Dead 3,1,Ravine of Goodbye,1,Re:Born,1,Real,1,Red Beard,1,Resistance at Tule Lake,1,Reviews,130,Riri Riza,3,Ritwik Ghatak,2,River of Exploding Durians,1,Robin Weng,1,Roman Porno,1,Rouge,1,Ryoo Seung-wan,1,Ryota Sakamaki,1,S. Korea,45,S.Korea,1,Saayak Santra,8,Sabu,3,Salaam Bombay,1,San Diego Asian Film Festival,6,Sankha Ray,15,Satoru Hirohara,1,Satyajit Ray,1,Sayandeep Bandyopadhyay,6,Scarlet Heart,1,Score,1,Seijun Suzuki,2,Sekigahara,1,Sha Po Lang,1,Shanker Raman,1,Shaw Brothers,1,She's the Boss,1,Shiboprosad Mukherjee,1,Shigeru Umebayashi,1,Shikhar Verma,10,Shikhar Verna,3,Shinji Somai,2,Shinjuku Triad Society,1,Shinobi no Kuni,2,Shinya Tsukamoto,1,Shireen Seno,1,Shirley Abraham,1,Shôhei Imamura,1,Shotaro Kobayashi,1,Siddiq Ahamed,1,Singapore,1,Singh Anand,1,Sinophone,1,Sion Sono,3,Siti,1,Slavemen,1,Sleep Curse,1,Sogo Ishii,1,Solitude,1,Solo,1,Someone To Talk To,1,Song Hae-sung,1,Song Kang-ho,1,Song of the Week,6,SoulMate,1,South Korea,5,Srijit Mukherji,3,Stanley Kwan,1,Stephen Chow,1,Steve James,1,Still the Water,1,Stoneman Murders,1,Story in Taipei,1,Suffering of Ninko,2,Sugihara Survivors: Jewish and Japanese,1,Sun-ho Cho,1,Sunao Katabuchi,1,Sunday Beauty Queen,1,Tae Guk Gi,1,Taiwan,16,Takashi Miike,5,Takeo Kikuchi,2,Takeshi Kaneshiro,1,Takuro Nakamura,1,Tamura Senichi,1,Tanit Jitnukul,1,Tanvir Ashraf,1,Tatara Samurai,1,Tatsuhi Omori,1,Tatsumi,1,Teddy Soeriaatmadja,1,Teenkahon,1,Tetsuya Mariko,1,Tetsuya Nakashima,1,Thailand,7,Thanatos Drunk,1,The Apology,1,The Bad,1,The boy from Ipanema,1,The Cinema Travellers,1,The Crawler in the Attic,1,The Crazy Family,1,The Day After,1,The elephant and the sea,1,The Executioner,1,The Eye's Dream,1,The Gangster's Daughter,1,The Girl Who Never Knew War,1,The Golden Fortress,1,The Good,1,The Hole,1,The Inugami Family,1,The King of Pigs,1,The Last Executioner,1,The Last Painting,1,The Long Excuse,1,The Man Without a Map,1,The Mayor,1,The Merciless,1,The Mermaid,1,The Net,1,The Prison,1,The Raid,1,The recipe,1,The Road to Mandalay,1,The Salesman,1,The Third Murder,1,The Tokyo Night Sky is Always the Densest Shade of Blue,1,The Tooth and the Nail,1,The Truth Beneath,1,The Villainess,2,The Violin Player,1,The Weird,1,The Windmill Palm Grove,1,This Is Not What I Expected,1,This Is Not What I Expected!,1,Three Sisters,1,Three Times,1,Tiffany Hsiung,1,Tokyo Idols,1,Tom Waller,2,Tony Leung,1,Tony Takitani,1,Torico,2,Toshiaki Toyoda,1,Toshimasha Kobayashi,1,Toshiya Fujita,1,Town in a Lake,1,Traces of Sin,1,Trailers,37,Train to Busan,1,Tran Ham,1,Translated articles,1,Trapped,1,Tsai Ming-liang,2,Typhoon Club,1,Um Tae-hwa,1,Vampire Cleanup Department,1,Vanishing Time A Boy Who Returned,1,Vannaphone Sitthirath,1,various,1,Vesoul International Film Festival,6,Vidya Balan,1,Vietnam,3,Vikramaditya Motwane,1,Vinay Shukla,1,Violated Angels,1,Vital,1,Voyage to Terengganu,1,Wang Bing,1,Wang Lung-wei,1,Warriors of the Dawn,1,Wei-Hao Cheng,1,West North West,1,What A Wonderful Family 2,1,What Time Is It There?,1,Whispering Corridors,1,Whispering Star,1,White Sun,1,Who Killed Cock Robin,1,Wilson Yip,1,Wine War,1,With Prisoners,1,Woman of the Lake,1,Wong Chun,2,Wong Jing,1,Wong Kar-wai,2,Woo Ming Jin,1,Xaisongkham Induangchanthy,1,Ya-che Yang,1,Yamato (California),2,Yan Pak Wing,2,Yang Jong-hyeon,1,Yao Tian,1,Yeon Sang-ho,2,Yiu-wai Chu,1,Yoji Yamada,1,Yoonsuk Jung,1,Yosep Anggi Noen,1,Yoshihiro Hanno,1,Yoshihiro Nakamura,2,Yoshihiro Nishimura,1,Yoshimasa Jimbo,1,Yoshinari Nishikori,1,Yoshishige Yoshida,1,Yoshitaka Mori,1,Yoshiyuki Kishi,1,You Losers!,1,Yu Aoi,1,Yu Irie,1,Yu Sang-wook,1,Yuji Shimomura,1,Yujiro Harumoto,2,Yuki Tanada,1,Yukihiko Tsutsumi,1,Yutaro Nakamura,1,Yuya Ishii,1,Zakka Films,1,Zhang Lu,1,Zombiology: Enjoy Yourself Tonight,1,
ltr
item
Asian Film Vault: Interview with Konrad Aderer: Telling a dramatic story through real-life experiences is a very powerful way to engage people in an issue
Interview with Konrad Aderer: Telling a dramatic story through real-life experiences is a very powerful way to engage people in an issue
We speak to Konrad Aderer about human rights, cinema, his career, the events at Tule Lake, and many other topics
https://2.bp.blogspot.com/-Y5qgILgcKB8/WQBJNtzHkjI/AAAAAAAALdw/OvT0lfv48KwOHenMURX1-3kg9o1jS8jBQCLcB/s320/1013902_10151726564428760_1963942016_n.jpg
https://2.bp.blogspot.com/-Y5qgILgcKB8/WQBJNtzHkjI/AAAAAAAALdw/OvT0lfv48KwOHenMURX1-3kg9o1jS8jBQCLcB/s72-c/1013902_10151726564428760_1963942016_n.jpg
Asian Film Vault
http://www.asianfilmvault.com/2017/04/interview-with-konrad-aderer-telling.html
http://www.asianfilmvault.com/
http://www.asianfilmvault.com/
http://www.asianfilmvault.com/2017/04/interview-with-konrad-aderer-telling.html
true
3944800929692556231
UTF-8
Loaded All Posts Not found any posts VIEW ALL Readmore Reply Cancel reply Delete By Home PAGES POSTS View All RECOMMENDED FOR YOU LABEL ARCHIVE SEARCH ALL POSTS Not found any post match with your request Back Home Sunday Monday Tuesday Wednesday Thursday Friday Saturday Sun Mon Tue Wed Thu Fri Sat January February March April May June July August September October November December Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec just now 1 minute ago $$1$$ minutes ago 1 hour ago $$1$$ hours ago Yesterday $$1$$ days ago $$1$$ weeks ago more than 5 weeks ago Followers Follow THIS CONTENT IS PREMIUM Please share to unlock Copy All Code Select All Code All codes were copied to your clipboard Can not copy the codes / texts, please press [CTRL]+[C] (or CMD+C with Mac) to copy