“Haunters” aka “Psychic” (2010) by Kim Min-suk (T)

What can make someone a monster?


Kim Min-suk, who was the assistant director and screenwriter of the widely known Korean movie “The Good, The Bad, The Weird”, makes his directorial debut with “Haunters”. Moreover, Kim Min-suk pens the script, while the popularity of the movie led him to co-write the script of the Japanese remake, holding the title “Monsterz”. “Haunters” aka “Psychic” made an appearance at several international festivals like the 2011 (47th) Chicago International Film Festival, 2011 (27th) Warsaw Film Festival and the 2011 (20th) Philadelphia Film Festival.

Buy This Title


The film starts with the year 1991.  A mother with her leg-impaired child Cho-In (Gang Dong-won) try to reach their home, on a rainy day. After they arrive to their house, the mother pleads to the boy to always have his eyes covered, even when he eats.  It’s not long until the child’s abusive father finds them and starts to beat up the mother. The young boy can’t take it any longer, disobeys his mother’s orders and removes the cover from his eyes. He steadily approaches his father, who seems that his soul has left his body completely. The father, lifeless, moves slowly backward in a crowded street where he twists his neck with his own bare hands and falls dead on the ground. After the death of the boy’s father and the failed attempt of his mother to kill her own son, we fast-forward to present year 2010.

A 33-year old man, named Lim Kyu-nam (Go Soo) works at a scrap metal yard. Sadly, he loses his job after suffering a terrible accident, despite his impressively quick recovery. Lim Kyu-nam, now unemployed, finds a new job at a pawn shop called Utopia owned by Jung-Sik (Byeon Hie-bong) and his daughter Young-Sook (Jung Eun-chae). One typical, full of happiness day, while Lim Kyu-nam is at the pawn shop with his friends from the scrap metal yard, suddenly the door opens and Cho-In walks in, wishing to rob the shop. No one is able to have control of their thoughts and movements, except from one. This is no other than Lim Kyu-nam who has, to his surprise, the capability to fight against Cho-In’s mind control abilities. This fateful meeting of the two extraordinary men leads to conflicts between them and a cascade of events.


“Haunters” is one of the rare fantasy movies coming from South Korea and deals with people either blessed or cursed with human superpowers. There are various important innovations that shape the film into a novel superhero movie. One important alteration is the combination of drama, action and fantasy with three-dimensional characters and various underlying messages. Generally, “Haunters” does not only offer action but also explores, to some extent, one of life’s biggest themes and conflicts. On the one hand is the importance of understanding and accepting all people, despite their obvious or unapparent differences from the masses, and on the other hand is the desire of people to fit and to be part of what is widely considered as socially acceptable and normal. Furthermore, the film puts a clear question and answers it: What can make someone a monster?

Another important innovation is the focus of the production not only on the hero, but mostly on the villain. The whole production puts an emphasis on the villain’s thoughts and concerns through his voice over. One final originality is the appearance of actors of different ethnicity,  which rarely happens in Korean productions.

However, “Haunters” has some drawbacks. Firstly, regarding the script, there are some obvious plot holes. For example, the fact that the police did not call an investigation immediately after the incident in the pawn shop and did not obtain the CCTV footage in the first place. Furthermore, there is no explanation for Cho-in’s and Lim Kyu-nam’s superpowers and why the latter is unaffected by the former.  

Finally, there is one more vital flaw. Director and writer Kim Min-suk seems to put some effort to shape Cho-In’s character into at least a sympathetic one, but unfortunately, he missed the chance to ultimately achieve this, when he made Cho-In capable of harming an innocent baby. However, the aforementioned drawbacks and the very few far-fetched scenes do not deduct from the movie's pure entertaining value.


As for the cast, Go Soo is magnificent in the transition from a kindhearted, carefree, young man, unfamiliar with his superpowers, to a devastated figure that attempts to punish and bring to justice the man that is responsible for his unhappiness. Gang Dong-won is also excellent in the portrayal of a physically weak man, who wants to find happiness and shows glimpses of humanity in the beginning, but eventually descents into madness and evilness.

Kim Min-suk proves that he is a skillful director and this is especially evident in the opening sequence, both in terms of narrative and technically. Moreover, the cinematography by Hong Kyung-pyo is excellent in all the scenes where the two protagonists confront each other, utilizing their superpowers. Also, Kim Sang-beom’s editing maintains the impressive pace of the movie. Finally, the music by Lee Jae-jin adds tremendously to the buildup of tension and suspense.

“Haunters” is far from being a masterpiece of the Korean cinema. Regardless, it proves that Korean filmmakers are not only capable of producing deeply moving melodramas and bloody revenge thrillers, but can also create successful fantasy movies. “Haunters” is a movie that is a must-watch for the fans of superhero movies and a prequel is truly welcome.


COMMENTS

Name

2017,1,A Company Man,1,A Love,1,A Man Vanishes,1,A Tale of Love,1,A Whale of a Tale,1,Adam J. Symchuk,5,Adam John,1,Aditya Vikram Sengupta,1,Adriana Rosati,2,Alex Oost,1,Amir Masoud Aghababeian,1,Andrew Thayne,1,Anime,1,Anna Bliss,1,Anshul Chauhan,2,Arang,1,Armour of God,1,Arrow,1,Article Films,1,Asha Jaoar Majhe,1,Asian Classics,5,Aya Itabe,1,Bad Poetry Tokyo,4,BAMY,1,Ben Stykuc,1,Bengal,1,Branded to Kill,1,Breathless,1,Burning Birds,1,Camera Japan,3,Chinese Visual Festival,1,Chungking Express,1,Close-Knit,1,Coffeemates,1,Colette Balmain,2,Crows Zero,1,Cyrano Agency,1,Daisuke Miyazaki,2,Ddongpari,1,Deadly Outlaw: Rekka,1,Deepak Rauniyar,1,Digger,1,Ding Shen,1,Documentaries,5,Don Anelli,1,Double Life,1,Exploitation,1,Fabricated City,1,Faye Wong,1,Features,6,Festivals,1,Filmdoo,2,Flying Fish,1,Forgetting Vietnam,1,Good -Bye Silence,1,Haunters,1,Hidden Gems,10,Hong Kong,1,Horror,2,I-Lin Liu,3,ICA,3,Imran Firdaus,1,In this Corner of the World,2,Indonesia,2,Interview,1,Interviews,17,Inugami,1,Iran,1,Jackie Chan,2,James Mudge,1,Japan,37,Japan Cuts,8,Japan Filmfest Hamburg,1,Jithin K Mohan,1,Joe Odagiri,1,Jonathan Wilson,6,Joo Ji-hong,1,Jun Tanaka,1,Jung Yoon-suk,1,Junichi Kajioka,1,Kengo Yagawa,1,Kenichi Ugana,1,Kim Hyun-seok,1,Kim Min-suk,1,Kiyoshi Kurosawa,1,Koji Wakamatsu,1,Kon Ichikawa,1,Konrad Aderer,1,Kwak Kyung-taek,1,Kyoko Miyake,1,Kyriacos Kyriacou,1,Lady Snowblood,1,Lim Sang-yoon,1,Lists,5,Little Big Soldier,1,Love,1,Maria Georgiou,8,Masato Harada,1,Matt Cooper,2,Mermaid,1,Miwa Nishikawa,1,My Dad and Mr Ito,1,Nanachan,1,Naoko Ogigami,1,Nepal,1,Nicholas Poly,2,Nobuhiko Obayashi,1,Nobuhiro Yamashita,1,Non-fiction Diary,1,NYAFF,2,Old Boy,1,Omar Rasya Joenoes,2,On The Line Festival,2,Orson McClellan Mochizuki,1,Osaka Asian Film Festival,3,Pai Kau,1,Palatpol Mingpornpichit,1,Panos Kotzathanasis,38,Park Chan-wook,1,Park Kwang-hyun,1,Pedro Morata,1,Pieter - Jan Van Haecke,1,Psychic,1,Rabbit and Lizard,1,Railway Sleepers,1,Reviews,18,Ryuki,1,S. Korea,8,San Diego Asian Film Festival,2,Sanjeewa Pushpakumara,1,Sankha Ray,4,Satan's Slaves,1,Satoshi Kon,1,Sayandeep Bandyopadhyay,1,Score,1,Seijun Suzuki,2,She's the Boss,1,Shigeru Umebayashi,1,Shikhar Verma,1,Shikhar Verna,2,Shinji Iwai,1,Shinji Sômai,1,Shinya Tsukamoto,1,Shôhei Imamura,1,Shoot for the Contents,1,Shorts,8,Shuna Iijima,1,Sidi Saleh,1,Sinophone,1,Sompot Chidgasompongse,2,Song of the Week,17,South Korea,4,Sri Lanka,1,Sunao Katabuchi,2,Susumu Hirasawa,1,Takashi Miike,2,Takuro Nakamura,2,Tetsuo the Iron Man,1,Thailand,4,The Inugami Family,1,The King of Pigs,1,The Road Home,1,The Snow King,1,The Sower,1,Tokyo Heaven,1,Tokyo Idols,1,Tom Waller,1,Toshiaki Toyoda,1,Tran Ham,1,Trinh T. Minh-Ha,3,various,2,Vietnam,1,Violated Angels,1,West North West,2,White Sun,1,Wiman Rizkidarajat,1,Woman of the Lake,1,Yamato (California),2,Yang Ik-june,1,Yeon Sang-ho,1,Yoshishige Yoshida,1,Yoshiyuki Kishi,1,Yosuke Takeuchi,1,Yu Aoi,1,Yuki Tanada,1,Zhang Yimou,1,
ltr
item
Asian Film Vault: “Haunters” aka “Psychic” (2010) by Kim Min-suk (T)
“Haunters” aka “Psychic” (2010) by Kim Min-suk (T)
What can make someone a monster?
https://2.bp.blogspot.com/-K1WEj3DuUKk/WPNVxPINjDI/AAAAAAAAATU/-PDf4nUQQzY4uTTQjCc0GYBuJ92RaA1HQCLcB/s640/13531a623fc86a069eb20993720077d64a518ce2_hq.jpg
https://2.bp.blogspot.com/-K1WEj3DuUKk/WPNVxPINjDI/AAAAAAAAATU/-PDf4nUQQzY4uTTQjCc0GYBuJ92RaA1HQCLcB/s72-c/13531a623fc86a069eb20993720077d64a518ce2_hq.jpg
Asian Film Vault
http://www.asianfilmvault.com/2017/04/haunters-aka-psychic-2010-by-kim-min-suk.html
http://www.asianfilmvault.com/
http://www.asianfilmvault.com/
http://www.asianfilmvault.com/2017/04/haunters-aka-psychic-2010-by-kim-min-suk.html
true
3944800929692556231
UTF-8
Loaded All Posts Not found any posts VIEW ALL Readmore Reply Cancel reply Delete By Home PAGES POSTS View All RECOMMENDED FOR YOU LABEL ARCHIVE SEARCH ALL POSTS Not found any post match with your request Back Home Sunday Monday Tuesday Wednesday Thursday Friday Saturday Sun Mon Tue Wed Thu Fri Sat January February March April May June July August September October November December Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec just now 1 minute ago $$1$$ minutes ago 1 hour ago $$1$$ hours ago Yesterday $$1$$ days ago $$1$$ weeks ago more than 5 weeks ago Followers Follow THIS CONTENT IS PREMIUM Please share to unlock Copy All Code Select All Code All codes were copied to your clipboard Can not copy the codes / texts, please press [CTRL]+[C] (or CMD+C with Mac) to copy