Arang (2006) by Ahn Sang-hoon

Despite the familiar premise of “Arang” is quite different movie that is a must watch for the fans of crime-thriller movies.




‘’Arang’’ is the first feature film of  director Ahn Sang-hoon. Moreover, he co-writes the script with other three scriptwriters, namely, Jeong Seon-joo, Lee Jeong-seob and Sin Yoon-kyeong.


Buy This Title


During the first five minutes of the film, plentiful events occur. The first scene opens with two high-school girls walking down a road on a rainy night, while one of them describes the horrific story of another girl who, while passing the same road on a rainy night, she saw a ghost of a woman with long black hair near the salt-house. The next scene cuts to a young man in front of his computer. He just receives an email that leads to a bizarre video of a salt-house and an even more peculiar website. The video suddenly changes to a live video of his room showing a long haired female ghost approaching him. What is heard next are the loud screams of the man. In the next scene, the sudden awaking of a woman from her strange and horrifying dream alters with a young woman walking towards a salt-house and the silhouette of a man walking up the stairs. This woman is the veteran homicide detective and aspiring writer So-yeong (Song Yoon-ah) . Her superior, the Squad Leader Kim (Jeong Won-joong) suddenly calls So-yeong to the crime scene of the aforementioned young man. When she arrives, he informs So-yeong that he assigned rookie detective Hyeon-gi (Lee Dong-wook) to be her partner. As the two new partners try to solve the mysterious death case, another similar death of another young man occurs. After their investigation, the two detectives find that the two dead men have a common denominator: the murder of a young man, years ago in a salt-house. In addition to this, they learn that his girlfriend disappeared immediately after his death.

The premise and core of the movie are not unique (long black haired female ghost looking for revenge)., since there is no parthenogenesis in the movies’ scripts. However, what is important is the presentation of a story told myriad times. Nevertheless, this is by no means a drawback of the movie at all. “Arang” manages to present its main story in a totally different manner. The films' writers achieve this by adding the element of investigation by police officers instead of a search by random citizens convoluted with the story’s events. Moreover, the use of analytical methods and scientific analysis transforms a pure horror movie into a crime and suspense movie. This is the uniqueness of “Arang”; it takes a supernatural horror story and presents it in a plausible way.

During the movie, through the various astonishing dreams and flashbacks, which fortunately are not confusing due to the great editing by Ko Im-pyo, the two main characters are well fleshed-out and especially So-yeong. The scriptwriters give a solid background for So-yeong and a full explanation about the roots of her hatred for molesters and the reasoning behind her deep desire of becoming a police officer.

Additionally, the several underlying messages are another reason that “Arang” stands out from other similar productions, and also add depth to the film. For example, the film highlights the prejudice about a woman being a police officer. Another example is that life may force someone to pick a job that is not his first choice, although nobody should give up his dreams. Among the messages is also the nature of true love. If someone has a love that is unrequited and the person that he/she loves has a heart beating for another person, this doesn’t mean that he/she should try to hurt that person, but always must offer help and protection since true love is unselfish.  

“The law doesn’t help busting the bad guys”, Hyeon-gi says. This is a remark about the police not always following the protocols for catching the criminals. This phrase can be interpreted in various fashions. Either this is a completely wrong approach or the police has no choice but to use unfair methods to beat the criminals in their game.

The film’s main and apparent message is about forgiveness and especially self-forgiveness after the acknowledgment of the mistakes. A person has two choices, either understanding the mistakes that has committed in the past and ask forgiveness from the person that he wronged or to drown in guilt and regrets. 


Song Yoon-A as the touchy tomboy So-Young is quite satisfactory, but in terms of acting Lee Dong-wook as Hyeon-gi is superior. One of the scenes where he is truly captivating and sheds a new light in the character that he is portraying is the one where he stands outside women’s toilets while So-yeong is crying silently inside. Lee Dong-wook’s character is unable to do anything to reduce her deep pain and he just stands quietly outside. Lee Dong-wook succeeds in portraying all his character’s emotions just with his looks and his devastating expression. On the one hand is the sympathy that has for his partner and on the other hand is the realization of how women must feel when they are physically and/or emotionally violated.

The supporting cast does also a decent job in the portrayal of feelings such as fear, despair and horror. These expressions are inherently difficult to portray and occasionally actors can over exaggerate with their facial expressions. Thankfully, this is not the case with “Arang”. It’s worth mentioning that Jeong Won-joong as Squad Leader Kim makes a truly sympathetic character and, although he is an actor that he is mostly known for his supporting characters, he never fails to catch the eye of the viewer.

Directors can utilize different methods in order to show the transition from present to past in the description of a past story. One clever method which director Ahn Sang-hoon uses in his impressive debut, is the movement of the camera behind Squad Leader Kim’s back. In this fashion, the next cut shows a scene occurring in the past but in the same room. One final note on the technical aspect of the film is the horrific background music by Dong-In Jung, which is utterly fitting for the movie.

This movie is an example that the writing of a script by more than one scriptwriters is beneficial for the final product. The four writers had the clever idea to take elements from a famous Korean folk-tale and combine it masterfully with the modern horror elements e.g. computers, emails, video cameras and also with crime scene investigations.  


The last ten minutes elevate “Arang” from an average to an exceptional film. All technical aspects are top-notch.  From the directing, cinematography, acting to the dialogues and monologues, everything is excellent. The scene in the salt-house is the highlight, as it manages to cause various antithetical feelings to the viewer: hate, sympathy, heart-warming. Moreover, the film offers, in the last minutes, extraordinary twists that even the most hard-core fan of thriller will not predict. 

Despite the familiar premise,“Arang” is quite a different movie that is a must-watch for the fans of crime-thriller movies.  As was already mentioned above, the film is considered an excellent addition to the numerous horror movies due to the great scientific explanations of the various incidents. Unfortunately, to the fans of pure horror movies, this may bring a little bit disappointment since they may not get chills due to the cliches of the horror sequences.




COMMENTS

Name

13 Assassins,1,1987: When The Day Comes,1,2017,3,2LDK,1,3-Iron,1,A Better Tomorrow 2018,1,A Company Man,1,A Feeling Greater Than Love,1,A few words about us,1,A Girl at my Door,1,A Lonely Cow Weeps at Dawm,1,A Love,1,A Man Vanishes,1,A Simple Life,1,A Single Rider,1,A Stone from Another Mountain to Polish Your Own Stone. Go Shibata,1,A Tale of Love,1,A tiger in winter,1,A Whale of a Tale,1,About Elly,1,Above the Clouds,1,Adam J. Symchuk,21,Adam John,6,Address Unknown,1,Aditya Vikram Sengupta,1,Adriana Rosati,13,Age of Innocence,1,Age of Shadows,1,Akihiko Shiota,1,Akihiro Toda,1,Akio Fujimoto,1,Akira Ikeda,2,Akira Kurosawa,1,Akiyuki Shinbo,1,Alan Mak,1,Ale Amout,1,Alex Oost,1,Alexander Knoth,1,Ali Asghar Vadayeh Kheiri,1,Ambiguous Places,2,Amir Masoud Aghababeian,1,Amir Muhammad,2,Amitabh Reza,1,Anand Singh,3,Andrew Thayne,5,Andy Willis,1,Anime,1,Animesh Aich,1,Ann Hui,1,Anna Bliss,3,Anqi Ju,1,Anshul Chauhan,2,Anthony Pun,1,Antiporno,1,Anurag Basu,1,Anysay Keola,1,Apprentice,1,Aqerat,2,Arang,1,Ariyuki Shinbo,1,Armour of God,1,Arrow,4,Art Film Fest Kosice,1,Article Films,3,Asghar Farhadi,1,Asha Jaoar Majhe,1,Asian Classics,27,Ask the Sexpert. India,1,Aya Hanabusa,1,Aya Itabe,1,Aynabaji,1,Baasansuren Nyamdavaa,1,Bad Poetry Tokyo,4,Badrul Hisham,1,Badrul Hisham Ismail,1,BAMY,1,Bangkok Nites,1,Bangladesh,5,Banjong Pisanthanakun,1,Banmei Takahashi,1,Before We Vanish,1,Behind the Camera,1,Belgium,1,Ben Stykuc,5,Bengal,1,BFI,1,Bhutan,2,Big Tits Dragon,1,Billy Joe,2,Black,1,Blade of the Immortal,1,Bloody Muscle Builder in Hell,1,Bollywood,1,Boo Junfeng,1,Branded to Kill,2,Breathless,1,Bunny Drop,1,Burma,1,Burning Birds,2,Bystanders,1,Cambodia,3,Camera Japan,10,Cannes Film Festival,1,Cheng Cheng Films,1,Children Heaven,1,China,25,Chinese Policy Institute,6,Chinese Shadows,2,Chinese Visual Festival,1,Choi Jin-ho,1,Choi Jin-won,1,Chris Berry,1,Chu Yuan,1,Chung Ji-young,1,Chungking Express,1,Close-Knit,1,Coffeemates,1,Colette Balmain,7,Competition,2,Confessions,1,Contact Info,1,Creative Visions: Hong Kong Cinema,1,Crocodile,1,Crosscurrent,1,Crows Zero,1,Cyrano Agency,1,Daguerreotype,1,Daigo Matsui,1,Daihachi Yoshida,1,Daisuke Gotô,2,Daisuke Miyazaki,3,David Chew,5,David Chew.,1,David Shin,1,Davy Chou,1,Ddongpari,1,Dead Friend,1,Dead Sushi,1,Deadly Outlaw: Rekka,1,Dechen Roden,1,Deepak Rauniyar,1,Destruction Babies,1,Diary of June,1,Digger,1,Ding Shen,1,Ding Sheng,1,Dismembered,1,Documentaries,18,Documentary,3,Doenjang,1,Don Anelli,22,Double Life,1,Dr. Heo,1,drama,1,Duelist,1,East Winds Film Festival,1,Edmund Yeo,4,Educating Yuna,1,Eiji Uchida,1,Emmanuel Horlaza,1,Erotic Diary of an Office Lady,1,Eureka,7,Exploitation,30,Fabricated City,1,Far East Film Festival,3,Fathers,1,Faye Wong,1,Features,20,Feautures,1,FEFF20,1,Fel,8,Festivals,8,Filmddo,1,Filmdoo,17,Fireworks,1,Fireworks Should We See It from the Side or the Bottom?,1,Five Flavors Festival,3,Five Flavours Festival,5,Flying Fish,1,Forgetting Vietnam,1,France,1,Fraser Elliott,1,From Vegas to Macau III,1,Fujian Blue,1,Funeral Parade of Roses,1,Funuke Show Some Love,1,Fuyuhiko Nishi,1,Gillian Anderson,1,God of War,1,Golden Horse Awards,1,Golden Slumbers,1,Good -Bye Silence,2,Gordon Chan,1,Goro Miyazaki,1,Guo Jian-yong,2,Hanagatami,1,Hanging Garden,1,Hanuman,1,Hapkido,1,Hashiguchi Takaaki,1,Haunters,1,HBO,2,Heart Attack,1,Helldriver,1,Helsinki Cine Aasia Festival 2018,3,Her Own Address,1,Hidden Gems,46,Hideo Sakaki,1,High-Kick Girl,1,Hindi,1,Hiro Aihara,1,Hirobumi Watanabe,1,Hirokazu Koreeda,3,Hiroshi Ando,1,Hiroshi Shoji,1,Hiroshi Teshigahara,1,Holy Island,1,Honeygiver Among the Dogs,1,Hong Kong,7,Hong Kong Godfather,1,Horror,3,Huang Fend,1,I Am A Hero,1,I Saw the Devil,1,I Wish,1,I-Lin Liu,8,ICA,3,Icarus Films,3,IFFLA,1,IFFR,2,Im Kyeong-soo,1,Imran Firdaus,1,In this Corner of the World,3,Indonesia,4,Initiation Love,1,International Chinese Film Festival,1,International Film Festival Rotterdam,6,Interview,2,Interviews,33,Intimate Confessions of a Chinese Courtesan,1,Inugami,1,Iran,7,Ishmael Bernal,1,Isora Iwakiri,1,J.P. Sniadecki,1,Jackie Chan,2,Jagat,1,Jagga Jasoos,1,James Mudge,1,Jang Joon-hwan,1,Japan,161,Japan Cuts,15,Japan Film Festival Australia,1,Japan Filmfest Hamburg,1,Japan Foundation Touring Programme,3,Japan the Emperor and the Army,1,Japan. Reviews,1,Japanese Film Festival Australia,2,Jeong Jae-eun,1,Jeonju International Film Festival,1,Jess Teong,1,Jia Zhangke,1,Jimmy Henderson,2,Jin Xingzheng.,1,Jithin K Mohan,1,Joe Odagiri,2,Johnnie To,1,Johnny Ma,1,Joko Anwar,1,Jonathan Wilson,6,Jonathan Yi,1,Joo Ji-hong,1,Journey of the Tortoise,1,Joy of Man's Desiring,1,July Jung,1,Jun Ichikawa,1,Jun Tanaka,1,Jung Yoon-suk,1,Junichi Kajioka,1,Junpei Mizusaki,1,K-dramas,12,Kaasan Mom’s Life,1,Kaneto Shindo,1,Kang Je-gyu,1,Kang Yoon-Sung,1,Katsuya Tomita,1,kdrama,1,Ke Guo,1,Kei Chikaura,1,Kei Horie,1,Kei Ishikawa,1,Ken and Kazu,1,Kengo Yagawa,1,Kenichi Ugaba,1,Kenichi Ugana,1,Kenichi Watanabe,1,Kentaro Hagiwara,1,Kill me,1,Killing Beauty,1,Kim Bong-han,1,Kim Eun-hee,1,Kim Hong-seon,1,Kim Hyun-seok,1,Kim Jee-woon,3,Kim Ki-duk,4,Kim Kih-hoon,1,Kim Min Su kII,1,Kim Min-suk,1,Kim Tae-kyeong,1,Kingyo,2,Kirti Raj Singh,1,Kiss me,1,Kiyoshi Kurosawa,3,Koji Fukada,1,Koji Wakamatsu,1,Komiya Masatetsu,1,Kon Ichikawa,2,Konrad Aderer,1,Korea,1,korean drama,1,Krzysztof Pietrzak,1,Kun-Yu Lai,2,Kwak Kyung-taek,1,Kyoko Miyake,1,Kyriacos Kyriacou,2,Lady Snowblood,2,Laos,2,Le Bình Giang,1,Leandro E. Seta,1,Lebanon,1,Lee Je-Yong,1,Lee Joo-young,1,Lee Jung-sun,1,Lee Kwang-kuk,1,Lee Myung-se,1,Lee Seo-goon,1,Leung Wing-Fai,1,Ley Lines,1,Li Ruijun,1,Like Father,1,Like Son,1,Lim Sang-yoon,1,Lists,11,Little Big Soldier,1,Little Forest,1,Live Up To Your Name,1,Loi Bao,1,Los Angeles Indian Festival,1,Love,1,Lovers Are Wet,1,Lowlife Love,1,Lyberis,3,Mad Tiger,1,Madman,2,Mahde Hasan,1,Mai Chan's Daily Life: The Movie,1,Majid Majidi,1,Makoto Shinkai,1,Malaysia,9,Mama,1,Mamoru Hosoda,1,Manny Araneta,1,Maria Georgiou,23,Mark Gallagher,1,Mary Jirmanus Saba,1,Masaaki Yuasa,1,Masaharu Take,1,Masakazu Sugita,1,Masaki Adachi,1,Masanori Tominaga,1,Masaru Konume,1,Masato Harada,1,Masatoshi Kurakata,1,Matt Cooper,14,Matthew D. Johnson,1,Maundy Thursday,1,Mermaid,1,Michael Haertlein,1,Midi Z,1,Midori Impuls,4,Milk the Maid,1,Minamata: The Victims and Their World,1,Minoru Kunizawa,1,Miwa Nishikawa,1,Mohammad-Reza Lotfi,1,Mongolia,2,Moon Lovers,1,Mototsugu Watanabe,4,Mountains May Depart,1,Mourning Forest,1,Movie,1,Mr. Socrates,1,Mrs Fang,1,Mumon: The Land of Stealth,1,My Dad and Mr Ito,1,My Hero Chihiro,1,Myanmar,1,Nanachan,1,Naoko Ogigami,1,Naomi Kawase,2,Naosuke Kurosawa,1,Naoyuki Tomomatsu,3,Nawapol Thamrongrattanarit,1,Neko Atsume House,1,Nepal,1,Neuchâtel International Fantastic Film Festival,1,Never Ending Blue,1,New Neighbor,2,New World,1,News,1,Nicholas Poly,3,Night is Short,1,Nikola Cekic,1,Niwatsukino Norihiro,1,Noboru Iguchi,1,Nobuhiko Obayashi,2,Nobuhiro Yamashita,2,Nobuo Nakagawa,1,Nobuyuki Takeuchi,1,Noise,2,Non-fiction Diary,1,Noriaki Tsuchimoto,1,Norman England,2,North Korea,1,Nurse Diary: Beast Afternoon,1,NYAFF,9,Nyamdavaa Baasansuren,1,Odd Obsession,1,Oh In-Chun,1,Old Boy,2,Old Stone,1,Old-School Kung-Fu Fest,1,Omar Rasya Joenoes,3,On The Line Festival,3,One Man's China,1,Ophilia,1,Ordinary Person,1,Orson McClellan Mochizuki,1,Osaka Asian Film Festival,6,Osamu Sato,1,Our Happy time,1,Over the Fence,1,Pai Kau,1,Palatpol Mingpornpichit,2,Panos,1,Panos Kotzathanasis,129,Park Chan-wook,2,Park Hoon-Jung,2,Park Ki- hyung,1,Park Kwang-hyun,1,Parkpoom Wongpoom,1,Party Round the Globe,1,Passage of Life,1,Pedro Morata,3,Peerachai Kerdsint,1,Pen-Ek Ratanaruang,1,Peng Xiaolian,1,Pepe Diokno,1,Peque Gallaga,1,Perfect Blue,1,Phanumad Disattha,1,Philippines,2,Pieter - Jan Van Haecke,3,Pieter-Jan Van Haecke,7,Pink Eiga,14,PinkEiga.TV,6,pinku eiga,1,Poet on a Business Trip,1,Press Release,1,Proshoon Rahmaan,2,Psychic,1,Pumpkin and Mayonnaise,1,Rabbit and Lizard,1,Railway Sleepers,1,Rainy Dog,1,Raja Mukhriz,1,Randy Mckenzie,4,Rape Zombie: Lust of the Dead,1,Rape Zombie: Lust of the Dead 2,1,Ravine of Goodbye,1,Red Persimmons,1,Rei Sakamoto,1,Reipu zonbi: Lust of the dead 3,1,Review,3,Reviews,112,Reviews.,2,Riri Riza,1,River of Exploding Durians,2,Robin Weng,1,Roger Lee,1,Ronja,1,Russia,1,Ryu Kaneda,1,Ryuki,1,Ryutaro Ninomiya,2,S. Korea,31,S.Korea,1,Saayak Santra,2,Sabu,1,San Diego Asian Film Festival,4,Sanjeewa Pushpakumara,2,Sankha Ray,6,Satan's Slaves,1,Satoshi Kon,2,Say Yes,1,Sayandeep Bandyopadhyay,2,Scarlet Heart,1,Score,1,Sea Fog,1,Seijun Suzuki,3,Sexy S.W.A.T. Team,1,Shake Rattle and Roll,1,Shanjhey Kumar Perumal,1,Shaw Brothers,1,She Remembers He Forgets,1,She's the Boss,1,Shift,2,Shigeru Umebayashi,1,Shikhar Verma,3,Shikhar Verna,3,Shim Sung-Bo,1,Shinichi Fukazawa,1,Shinji Iwai,1,Shinji Sômai,1,Shinjuku Swan,1,Shinjuku Triad Society,1,Shinsuke Ogawa,1,Shinsuke Sato,1,Shinya Tsukamoto,2,Shôhei Imamura,1,Shoot for the Contents,1,Shorts,9,Shotaro Kobayashi,1,Shuna Iijima,1,Shutter,1,Siddiq Ahamed,1,Sidi Saleh,1,Signature,1,Silver Spleen,2,Singapore,1,Sinophone,1,Sion Sono,6,Sixth Sense Hooker,1,Sogo Ishii,2,Soichi Umezawa,1,Solanin,1,Sompot Chidgasompongse,2,Song Hae-sung,1,Song of the Week,19,Sopawan Boonnimitra,1,South Korea,17,Sri Lanka,3,Stephen Chow,1,Still the Water,1,Strange Circus,1,Studio Ghibli,1,StudioCanal,4,Subenja Pongkorn,1,Suffering of Ninko,1,Suicide Club,1,Sukita: The Shoot Must Go On,1,Sunao Katabuchi,3,Sung-hong Kim,1,Sunk Into the Womb,1,Susumu Hirasawa,1,Sweating the Small Stuff,2,Tadashi Nagayama,1,Tae Guk Gi,1,Tag,1,Takaaki Hashiguchi,1,Takahiro Miko,1,Takao Nakano,1,Takaomi Ogata,3,Takashi Miike,7,Take Care of My Cat,1,Takuro Nakamura,2,Tatsuhi Omori,1,Tatsumi Kumashiro,1,Tetsuo the Iron Man,1,Tetsuya Mariko,1,Tetsuya Nakashima,1,Thailand,10,That's It,1,The Bad,1,The Boy and the Beast,3,The boy from Ipanema,1,The Crawler in the Attic,1,The Crazy Family,1,The Dollhouse,1,The elephant and the sea,2,The Executioner,1,The Forest Whispers,1,The Forsaken Land,1,The Good,1,The Inugami Family,1,The Iron Ministry,1,The Isthmus,1,The Kid from the Big Apple,1,The King of Pigs,1,The Last Executioner,1,The Man Without a Map,1,The Mermaid,1,The Muse,1,The Naked Island,1,The Name,1,The Night of the Earthquake,1,The Outlaws,1,The recipe,1,The Road Home,1,The Road to Mandalay,1,the Robber's Daughter,1,The Room,1,The Sacrament,1,The Salesman,1,The Snow King,1,The Sower,2,The Story of the Disappearance of Maryam,1,The Strange Saga of Hiroshi the Freeloading Sex Machine,1,The Suicide Chain,1,The Tiger: An Old Hunter's Tale,1,The Tokyo Night Sky is Always the Densest Shade of Blue,1,The Weird,1,Third WIndow,1,Three Sisters,1,Tôkaidô Yotsuya kaidan,1,Tokyo Ghoul,1,Tokyo Heaven,1,Tokyo Idols,1,Tokyo Vampire Hotel,1,Tolerance Film Festival,1,Tom Waller,2,Tony Leung,1,Tony Takitani,1,Toronto International Film Festival,1,Toshiaki Toyoda,2,Toshio Matsumoto,1,Toshiya Fujita,1,Traces of Sin,1,Train to Busan,1,Tran Ham,1,Trinh T. Minh-Ha,3,Twenty Two,1,Twilight Dinner,1,Twitch: You Are My Toy,1,Unbowed,1,Uncovered,1,Vaishali Sinha,1,Vampire Clay,1,Vampire Cleanup Department,1,Vannaphone Sitthirath,1,various,2,Vesoul International Film Festival,3,Victor Vu,1,Vietnam,3,Vikram Zushi,1,Vimukthi Jayasundara,1,Violated Angels,1,Vital,1,Vitaly Mansky,1,Voyage to Terengganu,1,Walk on Girl,1,Walking Past the Future,1,Wang Bing,2,Wang Lung-wei,1,We Make Antiques,1,Wellgo USA,1,West North West,2,Whispering Corridors,1,White Sun,1,Whore Angel,1,Wiman Rizkidarajat,1,Without Memory,1,Wol-Ha: Very Bad Moon Rising,1,Woman of the Lake,1,Woo Ming Jin,1,Wrath of Silence,1,Xaisongkham Induangchanthy,1,Xin Yukun,1,Yamato (California),3,Yang Chao,1,Yang Ik-june,1,Yang Jong-hyeon,1,Yeon Sang-ho,2,Yim Soon-rye,1,Yiu-wai Chu,1,Yoshihiro Nakamura,1,Yoshihiro Nishimura,1,Yoshishige Yoshida,1,Yoshitaka Mori,1,Yoshiyuki Kishi,1,Yosuke Takeuchi,2,Yotsuya kaidan,1,You Losers!,1,Your Name,1,Yu Aoi,2,Yu Irie,1,Yûji Tajiri,2,Yujiro Harumoto,1,Yuki Tanada,1,Yukihiko Tsutsumi,2,Yusaku Matsumoto,2,Yutaka Ikejima,3,Yuya Ishii,1,Zakka Films,2,Zen,1,Zhang Yimou,1,Zoo,1,Zuairijah Mou,1,
ltr
item
Asian Film Vault: Arang (2006) by Ahn Sang-hoon
Arang (2006) by Ahn Sang-hoon
Despite the familiar premise of “Arang” is quite different movie that is a must watch for the fans of crime-thriller movies.
https://1.bp.blogspot.com/-TER6Lexc6hg/WMcLJ4OVyvI/AAAAAAAAAQk/j8Q6sqxadP05tztI52xWQyP79zoh9iDgQCLcB/s640/Arang-0011.jpg
https://1.bp.blogspot.com/-TER6Lexc6hg/WMcLJ4OVyvI/AAAAAAAAAQk/j8Q6sqxadP05tztI52xWQyP79zoh9iDgQCLcB/s72-c/Arang-0011.jpg
Asian Film Vault
http://www.asianfilmvault.com/2017/03/arang-2006-by-ahn-sang-hoon.html
http://www.asianfilmvault.com/
http://www.asianfilmvault.com/
http://www.asianfilmvault.com/2017/03/arang-2006-by-ahn-sang-hoon.html
true
3944800929692556231
UTF-8
Loaded All Posts Not found any posts VIEW ALL Readmore Reply Cancel reply Delete By Home PAGES POSTS View All RECOMMENDED FOR YOU LABEL ARCHIVE SEARCH ALL POSTS Not found any post match with your request Back Home Sunday Monday Tuesday Wednesday Thursday Friday Saturday Sun Mon Tue Wed Thu Fri Sat January February March April May June July August September October November December Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec just now 1 minute ago $$1$$ minutes ago 1 hour ago $$1$$ hours ago Yesterday $$1$$ days ago $$1$$ weeks ago more than 5 weeks ago Followers Follow THIS CONTENT IS PREMIUM Please share to unlock Copy All Code Select All Code All codes were copied to your clipboard Can not copy the codes / texts, please press [CTRL]+[C] (or CMD+C with Mac) to copy