Interview with Amir Muhammad and Badrul Hisham Ismail

We talk to them about Terengganu, Munshi Abdullah, their careers, and other issues.

Amir MUHAMMAD (1972, Malaysia) studied Law but devotes himself entirely to other activities, such as writing and filmmaking. Some of his films have been banned in Malaysia. A full retrospective of his work was screened at the Pesaro Film Festival in Italy in 2008. As a writer, Amir was very successful with his socially critical non-fictional work Malaysian Politicians Say the Darndest Things (Vol 1, 2007). The book proved to be a bestseller. Amir's short film The Three is part of 15Malaysia (2009), an omnibus film that consists of 15 short films by 15 Malaysian filmmakers. Since 2007 he has been active as a publisher, which caused him to take a break from filmmaking. With Voyage to Terengganu (2016) he is back from his absence as a filmmaker.

Badrul Hisham ISMAIL (Malaysia) studied in New York, where he shot his short film A Tale of a Mannequin (2014) with the help of a Kickstarter campain. Together with Amir Muhammad, also from Malaysia, he directed his first feature-length documentary Voyage to Terengganu (2016). His films were shown among others at Freedom Film Fest, Malaysian Shorts and Thai Short Film & Video Festival. Besides his filmwork, he is also a Program Executive for the Malaysian nonprofit organisation IMAN.

We talk to them about Terengganu, Munshi Abdullah, their careers, and other issues.

Some of your films have been banned in Malaysia. Why is that, what was their subject. In general, what is the situation with censorship in the country? 


Both documentaries were banned as they were to do with communism, which is a forbidden subject. Censorship is still strict in Malaysia, especially for local films. But the first one, THE LAST COMMUNIST, may be viewed in full on Youtube.


Before Voyage to Terengganu, you have not shot a movie since 2007. Why was that and what are your plans for the future?

I started publishing books in 2007 and I found I could not do both. My current company Buku Fixi has published over 150 books ( http://fixi.com.my/ ). I will continue to devote more time to publishing, because I enjoy it more, but will make the occasional documentary or semi-experimental movie which I will fund myself.

Why did you decide to make this film about Terengganu?
Amir had never been to Terengganu, and decided that he wants to go there while doing something, so naturally, the idea of making a documentary there came into mind.
Why did you choose Voyage to Kelantan, by Munshi Abdullah, as the basis of the documentary? 

The idea of using Munshi Abdullah's work came right before we went to shoot. His writings on Terengganu, after only spending a day there, was so opinionated and biased, that we thought it would be interesting to juxtapose them with our own observations and experiences.

In the documentary, there is a very impressive scene, where bikers race their motorcycles backwards. Can you tell us a bit about this scene?
Movie magic


How are the people in the area? Was it easy to record them talking or was there any trouble? Munshi Abdullah, centuries ago, found the inhabitants  to be lazy and violent.  What is your opinion? 

It was quite easy to film there. Munshi thought that the men were lazy, but not violent. They just like to collect weapons and show them off. We felt that Munshi's opinions were highly influenced by him working for the colonial administration at the time

There are people there that still believe in superstitions, women are considered to be below men and there is even slavery (I may have misundestood this last aspect please correct me if I am wrong). What is your opinion on these subjects?  Is this why the documentary focused on men?

Slavery existed up until the 19th century in sporadic circumstances, but of course it's outlawed now. But the more important impression for him was that the people of the State are 'like slaves' as they lack motivation and independence. As for gender roles, women are indirectly discriminated against in several instances such as religious law courts, but this is the norm for all patriarchal systems. We didn't show women because we had the disadvantage of having an all-male crew. It made women became too self-conscious when we interviewed them.

Can you talk to us about IMAN? 

IMAN is a research organization where Badrul works full time. It is not film related. And as of now he has no future plans yet.


The interview was made on the occasion of the screening of "Voyage to Terengganu", at the International Film Festival Rotterdam (IFFR)

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Johnson,1,Matthias Hoene,1,Maundy Thursday,1,Meghe Dhaka Tara,1,Memoir of a Murderer,1,Merantau,1,Mermaid,1,Miaoyan Zhang,1,Michael Haertlein,1,Michelle Hung Tsz-ching,2,Midi Z,1,Midnight Runners,1,Midori Impuls,4,Milk the Maid,1,Minamata: The Victims and Their World,1,Minoru Kunizawa,1,Miss Zombie,1,Miwa Nishikawa,1,Mohammad Rasoulof,1,Mohammad-Reza Lotfi,1,Mon Mon Mon Monsters,1,Mong-Hong Chung,2,Mongolia,2,Monika S-r,1,Moon Lovers,1,Moon So-ri,1,Mototsugu Watanabe,4,Mouly Surya,1,Mountains May Depart,2,Mourning Forest,1,Movie,1,Moving,1,Mr Long,1,Mr. Socrates,1,Mrs Fang,1,Mrs K,1,Mumon: The Land of Stealth,1,My Beloved Yak,1,My Dad and Mr Ito,1,My Heart is that Eternal Rose,1,My Hero Chihiro,1,Myanmar,1,Mystics in Bali,1,Nah Hyeon,1,Namiya,1,Nanachan,1,Naoko Ogigami,3,Naomi Kawase,3,Naosuke Kurosawa,1,Naoyuki Tomomatsu,3,Nawapol Thamrongrattanarit,2,Neko Atsume House,1,Nepal,1,Neuchâtel International Fantastic Film Festival,1,Never Ending Blue,1,New Neighbor,2,New World,1,New York Indian Film Festival,1,News,13,Nicholas Poly,4,Night Bus,1,Night is Short,1,Night is Short Walk on Girl,1,Nikola Cekic,1,Ninja Pussy Cat,1,Niwatsukino Norihiro,1,No. 1 Chung Ying Street,1,Noboru Iguchi,1,Nobuhiko Obayashi,2,Nobuhiro Yamashita,2,Nobuo Nakagawa,1,Nobuyuki Takeuchi,2,Noise,2,Non-fiction Diary,1,Norbu,1,Noriaki Tsuchimoto,1,Norman England,2,North Korea,1,Nurse Diary: Beast Afternoon,1,NYAFF,11,Nyamdavaa Baasansuren,1,NYIFF,1,Odd Obsession,1,Oh In-Chun,1,Old Boy,2,Old Stone,1,Old-School Kung-Fu Fest,3,Omar Rasya Joenoes,3,On The Line Festival,3,On the Run,1,One Cut of the Dead,1,One Man's China,1,Operation Red Sea,1,Ophilia,1,Ordinary Person,1,Orson McClellan Mochizuki,1,Osaka Asian Film Festival,9,Osamu Sato,1,Our Happy time,1,Outrage Coda,1,Over the Fence,1,Oxide Pang,1,Pai Kau,2,Palatpol Mingpornpichit,2,Pale Flower,1,Panos,1,Panos Kotzathanasis,180,Park Chan-wook,2,Park Hee-joon,1,Park Hoon-Jung,3,Park In-je,1,Park Ki- hyung,1,Park Kwang-hyun,1,Parkpoom Wongpoom,1,Party Round the Globe,1,Passage of Life,1,Patrick Hofmeister,71,Patrick Tam,1,Pedro Morata,8,Peerachai Kerdsint,1,Pelden Dorji,1,Pema Tshering,1,Pen-Ek Ratanaruang,1,Peng Xiaolian,1,Pepe Diokno,1,Peque Gallaga,1,Perfect Blue,2,Peter Chan,1,Peter Chen,1,Phanumad Disattha,1,Philippines,2,Pieter - Jan Van Haecke,4,Pieter-Jan Van Haecke,7,Pink Eiga,15,PinkEiga.TV,6,pinku eiga,1,Poet on a Business Trip,1,Poolside Man,1,Press Release,2,Prophecy,1,Proshoon Rahmaan,2,Psychic,1,Pumpkin and Mayonnaise,1,Queen of Triads,1,Rabbit and Lizard,1,Radiance,1,Railway Sleepers,1,Rainy Dog,1,Raja Mukhriz,1,Randy Mckenzie,4,Rape Zombie: Lust of the Dead,1,Rape Zombie: Lust of the Dead 2,1,Ravine of Goodbye,1,Real,1,Realism,1,Red Persimmons,1,Rei Sakamoto,1,Reipu zonbi: Lust of the dead 3,1,Revenge: A love story,1,Review,3,Reviews,174,Reviews.,2,Riri Riza,2,Ritwik Ghatak,1,River of Exploding Durians,2,Robin Weng,1,Roger Lee,2,Ronja,1,Rouge,1,Rouven Linnarz,1,Running on Karma,1,Russia,1,RV: Resurrected Victims,1,Ryoo Seung-wan,2,Ryu Kaneda,1,Ryuki,1,Ryutaro Ninomiya,2,S. Korea,65,S.Korea,1,Saayak Santra,3,Sabrina Baracetti,1,Sabu,3,Sade Sato,1,San Diego Asian Film Festival,4,Sanjeewa Pushpakumara,2,Sankha Ray,7,Satan's Slaves,2,Satoru Hirohara,1,Satoshi Kon,3,Say Yes,1,Sayandeep Bandyopadhyay,5,Scarlet Heart,1,Score,1,Sea Fog,1,Seijun Suzuki,3,Sekigahara,1,Sexy S.W.A.T. Team,1,Sha Po Lang,1,Shake Rattle and Roll,1,Shanjhey Kumar Perumal,1,Shaw Brothers,1,She Remembers He Forgets,2,She's the Boss,1,Shift,2,Shigeru Umebayashi,1,Shikhar Verma,3,Shikhar Verna,3,Shim Sung-Bo,1,Shinichi Fukazawa,1,Shinichiro Ueda,1,Shinji Iwai,1,Shinji Somai,2,Shinji Sômai,1,Shinjuku Swan,1,Shinjuku Triad Society,1,Shinobi no Kuni,2,Shinsuke Ogawa,1,Shinsuke Sato,2,Shinya Tsukamoto,3,Shôhei Imamura,1,Shoot for the Contents,1,Shorts,9,Shotaro Kobayashi,1,Shu Qi,1,Shuna Iijima,1,Shunji Iwai,1,Shutter,1,Siddiq Ahamed,1,Sidi Saleh,1,Signature,1,Silent Mist,1,Silver Spleen,2,Singapore,2,Singh Anand,1,Singing Chen,1,Sinophone,1,Sion Sono,6,Siti,1,Sixth Sense Hooker,1,Sleep Curse,1,Small Talk,1,Sogo Ishii,2,Soichi Umezawa,1,Solanin,1,Solitude,1,Solo,1,Sompot Chidgasompongse,2,Song Hae-sung,1,Song Kang-ho,1,Song of the Week,19,Sopawan Boonnimitra,1,Sopon Sakdapisit,1,Soul,1,Soul Mate,1,SoulMate,1,South Korea,19,Sri Lanka,3,Stanley Kwan,1,Steel Rain,1,Stephen Chow,1,Stephen Fung,2,Still the Water,1,Story in Taipei,1,Strange Circus,1,Studio Ghibli,1,StudioCanal,4,Subenja Pongkorn,1,Suffering of Ninko,1,Suicide Club,1,Sukita: The Shoot Must Go On,1,Sun-ho Cho,1,Sunao Katabuchi,3,Sung-hong Kim,1,Sunk Into the Womb,1,Susumu Hirasawa,1,Sweating the Small Stuff,2,Sylvia Chang,1,Tadashi Nagayama,1,Tae Guk Gi,1,Tag,1,Taiwan,21,Takaaki Hashiguchi,1,Takahiro Miko,1,Takahisa Zeze,1,Takao Nakano,1,Takaomi Ogata,3,Takashi Miike,9,Take Care of My Cat,1,Takeshi Kaneshiro,1,Takeshi Kitano,1,Takuro Nakamura,2,Talop Wangchuk,1,Tatara Samurai,1,Tatsuhi Omori,1,Tatsumi,1,Tatsumi Kumashiro,1,Teddy Soeriaatmadja,1,Teppei Nakamura,1,Tetsuo the Iron Man,1,Tetsuya Mariko,1,Tetsuya Nakashima,1,Thailand,15,Thanatos Drunk,1,That's It,1,The Adventurers,2,The Bad,1,The Boy and the Beast,3,The boy from Ipanema,1,The Brink,1,The Chase,1,The Crawler in the Attic,1,The Crazy Family,1,The Day After,1,The Detective,1,The Discloser,1,The Dollhouse,1,The elephant and the sea,2,The Executioner,1,The Forest Whispers,1,The Forsaken Land,1,The Fortress,1,The Good,1,The Great Passage,1,The Hole,1,The Indian Film Festival of Los Angeles,1,The Inugami Family,1,The Iron Ministry,1,The Island That All Flow By,1,The Isthmus,1,The Kid from the Big Apple,1,The King of Pigs,1,The Last Executioner,1,The Last Painting,1,The Looming Storm,1,The Lowlife,1,The Magic Blade,1,The Man Without a Map,1,The Mayor,1,The Merciless,2,The Mermaid,1,The Muse,1,The Naked Island,1,The Name,1,The Night of the Earthquake,1,The Outlaws,1,The Prison,1,The Promise,1,The Raid,1,The Raid 2,1,The recipe,1,The Road Home,1,The Road to Mandalay,1,the Robber's Daughter,1,The Room,1,The Sacrament,1,The Salesman,1,The Seen and Unseen,1,The Shoot Must Go On,1,The Sleep Curse,1,The Snow King,1,The Sower,2,The Story of the Disappearance of Maryam,1,The Strange Saga of Hiroshi the Freeloading Sex Machine,1,The Suicide Chain,1,The Swindlers,1,The Table,1,The Third Murder,1,The Thousand Faces of Dunjia,1,The Tiger: An Old Hunter's Tale,1,The Tokyo Night Sky is Always the Densest Shade of Blue,1,The Tooth and the Nail,1,The Vanished,1,The Villainess,1,The Violin Player,1,The Weird,1,Third WIndow,1,This Is Not What I Expected,1,Three Sisters,1,Three Times,1,Tôkaidô Yotsuya kaidan,1,Tokyo Ghoul,1,Tokyo Heaven,1,Tokyo Idols,1,Tokyo Vampire Hotel,1,Tolerance Film Festival,1,Tom Waller,2,Tony Leung,1,Tony Takitani,1,Toronto International Film Festival,1,Toshiaki Toyoda,2,Toshio Matsumoto,1,Toshiya Fujita,1,Toshiyuki Teruya,1,Traces of Sin,1,Trailers,76,Train to Busan,1,Tran Ham,1,Translated articles,1,Travellers and Magicians,1,Trinh T. Minh-Ha,3,Triple Threat,1,True Fiction,1,Tsai Ming-liang,2,Twenty Two,1,Twilight Dinner,1,Twitch: You Are My Toy,1,Typhoon Club,1,Udine,3,Unbowed,1,Uncovered,1,V.I.P.,1,Vaishali Sinha,1,Vampire Clay,1,Vampire Cleanup Department,1,Vannaphone Sitthirath,1,various,2,Vesoul International Film Festival,4,Victor Vu,1,Vietnam,4,Vikram Zushi,1,Vimukthi Jayasundara,1,Vincent Kok,1,Violated Angels,1,Visitor Q,1,Vital,1,Vitaly Mansky,1,Vivien Qu,1,Voyage to Terengganu,1,Wai Ka-fai,1,Walk on Girl,1,Walking Past the Future,1,Wang Bing,2,Wang Lung-wei,1,Wang Ming-tai,1,Warriors of the Dawn,2,We Make Antiques,1,Weeds on Fire,1,Wellgo USA,2,West North West,2,What a Man Wants,1,What Time Is It There?,1,Whispering Corridors,1,White Sun,1,Whore Angel,1,Wilson Yip,1,Wiman Rizkidarajat,1,Wine War,1,Without Memory,1,Wol-Ha: Very Bad Moon Rising,1,Woman of the Lake,1,Won Shin-Yeon,1,Wong Chun,1,Wong Jing,2,Wong Kar-wai,1,Woo Ming Jin,1,Wrath of Silence,1,Xaisongkham Induangchanthy,1,Xin Yukun,1,Ya-che Yang,1,Yamato (California),4,Yang Chao,1,Yang Ik-june,1,Yang Jong-hyeon,1,Yang Woo-seok,1,Yeon Sang-ho,2,Yes Madam,1,Yim Soon-rye,1,Yin Liang,1,Yiu-wai Chu,1,Yoo Ha,1,Yoon-chul chung,1,Yosep Anggi Noen,1,Yoshihiro Nakamura,2,Yoshihiro Nishimura,1,Yoshinari Nishikori,1,Yoshishige Yoshida,1,Yoshitaka Mori,1,Yoshiyuki Kishi,1,Yosuke Takeuchi,2,Yotsuya kaidan,1,You Losers!,1,Your Name,1,Youth,1,Yu Aoi,2,Yu Irie,1,Yuen Chor,1,Yuen Woo-ping,1,Yûji Tajiri,2,Yujiro Harumoto,1,Yuki Tanada,1,Yukihiko Tsutsumi,2,Yusaku Matsumoto,2,Yutaka Ikejima,3,Yuya Ishii,2,Zakka Films,2,Zen,1,Zhang Yimou,1,Zoo,1,Zuairijah Mou,1,Zuri Rinpoche. Bhutan. Five Flavours,1,
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Asian Film Vault: Interview with Amir Muhammad and Badrul Hisham Ismail
Interview with Amir Muhammad and Badrul Hisham Ismail
We talk to them about Terengganu, Munshi Abdullah, their careers, and other issues.
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Asian Film Vault
http://www.asianfilmvault.com/2017/02/interview-with-amir-muhammad-and-badrul.html
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