Gangs of Wasseypur (2012) by Anurag Kashyap

Much more than a classic family revenge/crime drama.

By Saayak Santra


"Gangs of Wasseypur"  is a crime drama co-written, co-produced and directed by Indian filmmaker Anurag Kashyap, theatrically released in two parts but shot as a single film of 320 min. It was screened at Cannes Director’s Fortnight, 2012.

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I will not say it is a classic family revenge/ crime drama. It is more than that. It is what politics is ultimately about. Staged in the 1940s, the decade of Indian independence from almost 200 years of Colonial British Rule, this movie starts with a rendition of the poverty-ridden Indian society. Later on, when the saga ends during the late decades of the century, it shows that nothing much has changed. Technology has taken over, but that superficiality has not affected the common people, particularly their way of thinking. The story starts to build-up around a former British province of India, which is rich in minerals. British build railroads across that area for transport of minerals to the nearby cities or ports. Later on, driven by extreme poverty, one or two of the local residents who could gather enough manpower and resources, start to rob the trains. Some also become infamous, Jesse James style.  Those who muster the courage to rob trains to get basic vital needs like food were respected throughout the region. Additionally, they pretty much control a part of the economy. Sometimes, rival groups also took their chances to get their share. How this situation will affect two or a few more families over the next years is what the director shows in a very fluent way. The ways of the mine mafias, how their businesses change according to the need and relevance of time is beautifully depicted in the second part of the movie.




In my personal opinion, one of the best roles of this movie is of a contract killer. Surely, one of the best I’ve ever seen and the funny part is he never says a word in the movie and appears for merely 2-3 mins during both parts of the film. That somehow gives an extra panache in his character. But personally, I would like to see some more of him. The protagonist of the movie changes, or shall I say upgrades over the years of the span of the story. Jaideep Ahlawat, Manoj Bajpayee in the first part and Nawazuddin Siddiqui in the second part play the protagonist quite well. But Nawazuddin Siddiqui is marvelous throughout. The promise of vengeance remains the same as the anti-hero, Ramadhir Singh, remains the same, only his role in society changes over the years. Tigmangshu Dhulia plays the part and I can’t say he is out of the world. Yes, there are some bits of pieces of good, realistic acting by him but I will not give him a perfect 10. Richa Chadda is too good. She is a veteran actor and the audience will relate to each and every frame of the movie with her in it. Generally, a mother scolds her child for being naughty or mischievous; here in this movie she scolds hers for not picking up guns and shooting the enemy for vengeance. She is great as a a wife, a mother and a mother in-law. There are many noteworthy performances in the movie. Like they say, “A captain is as good as his team”, the reverse also follows. Anurag has churned out the best of best of his characters. One will not be disappointed by the acting. Disappointment can come in some parts of the script. One can find clichés. But this is an Indian society we are talking about, so theatrics and clichés are resident evils. But no single scene is overemotional or melodramatic.



Anurag Kashyap’s direction is no doubt magnificent. All the scenes are very much realistic. Whatever shortcomings the director had to deal with the script, have been overcome by the realistic framing. Comic reliefs have been used but only in the right amount. Most importantly, the tension of the story never wears off during the 320 min long duration.

Cinematography is beautifully carried out by Rajeev Ravi. One of the best thing about the movie is its cinematography. An avid fan of Kim Ki-duk’s "3-Iron", Anurag likes to visualize a story, without much chatter. There are long shots, short takes, hand held camera movement, and panoramic shots. Rajeev is able to put a face on Anurag’s thoughts and scenes. The smartness or alternative approach in visualizing a scene can even be seen at the very last take of both parts of the movie.

Editing is perfectly done by Shweta Venkat. A commencement of a scene is sometimes turned upside down to a very different conclusion. That is a job of a good editor. In the second part of the movie, the election scene can be used as an example of how efficient editing can save a lot of screen time and save a lot of boredom.

The soundtrack by Sneha Khanwalkar and score by G. V. Prakash Kumar, includeds the core traditional songs of Bihar.



Details are paid in the production design. This is a story of at least six decades period. So it was not easy. But there are hardly any chance of finding mistakes. India is a land of unity of diversity. But there are also very much diversity in unity. In the same set of time, in the same town, households can be slightly different. Sometimes, due to the socio economy, sometimes, even due to religion. That is aptly presented in the set design. Though many scenes are shot outdoors, I find the set design very satisfactory. On the other hand, the costumes have some flaws. A miner or a labour of the forties does not wear pearl white clothes. He merely has the money to wash them with indigo.

What started as a simple conflict over a bag or two of grains later on escalates as a classic story of family vengeance and the associate perks it brings with it. The movie, conceptually, is not an easy thing to be put in a form of screenplay. But it has an excellent scriptwriter, the events itself. It is said to be influenced by true events. Events that are still in influence in those areas. Indians will relate to the script and realise that attire has changed, lifestyle has changed, but something has not. The equation of give and take, the bid for territorial power and how political leaders have used the people’s rage to gain benefits.

So, it is not a – “another age old tale of a son avenging his father’s death and then it all gets immersed into betrayal, family rivalry, deceit”.

GANGS OF WASSEYPUR (Part I and Part II) from Cinelicious Pics on Vimeo.

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Asian Film Vault: Gangs of Wasseypur (2012) by Anurag Kashyap
Gangs of Wasseypur (2012) by Anurag Kashyap
Much more than a classic family revenge/crime drama.
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Asian Film Vault
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